https://so01.tci-thaijo.org/index.php/FaNJ/issue/feedFa Nuea Journal2026-06-14T13:51:38+07:00ผู้ช่วยศาสตราจารย์ ดร.อาภิสรา พลนรัตน์hm_apisarap@crru.ac.thOpen Journal Systems<p><strong>Fanuea Journal</strong></p> <p><strong>ISSN</strong><span style="font-weight: 400;">: </span><span style="font-weight: 400;">1906-5329</span></p> <p><strong>E-ISSN</strong><span style="font-weight: 400;">: </span><span style="font-weight: 400;">2465-4981</span></p> <p><strong>Publication Frequency : </strong><span style="font-weight: 400;">2 issues per year (January-June), (July-December).</span></p> <p><span style="font-weight: 400;">Fanuea Journal invites and accepts submissions of research articles, academic articles, and book reviews. The submission has not been previously published, and it is not currently under consideration by another journal for publication. The content covers the fields of Humanities in History, Archeology, Philosophy and Religion, Language and Linguistics, Culture and Tradition, Literature, Arts and Music; and Social Sciences in Social Sciences, Sociology, Anthropology, Social Development, and Ethnic Studies. The target groups are lecturers, researchers, and students both inside and outside Chiang Rai Rajabhat University.</span></p>https://so01.tci-thaijo.org/index.php/FaNJ/article/view/285701The Strategy of Term Creation for the Components of Lanna's Kalae House2026-01-26T14:33:24+07:00Kornchanok Nanthakanokkorncha@yahoo.comSomprasong Saeng-insomprasong.sae@crru.ac.th<p>This paper is aimed to study for the grammatical strategy of term creation for the components of Lanna's Kalae house by using Functional-Typological Grammar framework. The data for this study were obtained from 71 words found in the text. The results showed that the terms used to describe the components of a traditional Thai Lanna-style house demonstrate a variety of syntactic relationships, with four grammatical word-forming strategies identified: 1) Root word strategy, 2) Verb phrase strategy: found in Serial verbs and Verb predicate, 3) Serial Noun strategy: found in noun-noun and noun-modifier; and 4) Noun phrase strategy: found in noun phrases with noun-predicate verb structure, similar to basic sentences and basic sentences with complex verbs. Each strategy has grammatical and semantic relationships that reflect the thought systems and ways in which Lanna Thai people connect the components of the Lanna's Kalae house with their unique worldview, way of life, beliefs, values, culture, and society.</p>2026-06-14T00:00:00+07:00Copyright (c) 2026 Fa Nuea Journalhttps://so01.tci-thaijo.org/index.php/FaNJ/article/view/285285A Study of Strategies in the Use of Swear Words in the “Kon Tuen Dhamma” Online Program2026-02-01T15:17:52+07:00Janejira Buabmeejaysayhi249@gmail.comThikamporn Petsangkarttikampon.0502204@gmail.comKridsana Katakridsana134699@gmail.comThitichaya Moksakthitichayamoksak@gmail.comThanyamas Puksukthanyamas21192@gmail.com<p>This article, A Study of Strategies in the Use of Swear Words in the “Kon Tuen Dhamma” Online Program, aimed to study the strategies of using swear words appearing in the Kon Tuen Dhamma program. The data were collected from the program content published on the YouTube platform in the form of live-streamed Dhamma discussion, broadcast during May 2025, totaling 16 episodes, which were included in this study. The program was hosted by Natthaphon Boonsa, also known as Ajarn Beer. The analysis was based on nine strategies of swear word use. In addition, the meanings of the swear words appearing in the program were explained to identify their patterns of use. The findings were presented through descriptive analysis. The results revealed that there were nine strategies of swear word use. The most frequently used strategy was direct negative expressions. This was followed by taboo words, sarcastic expressions, negative similes and metaphors, impolite final particles, threatening expressions, negative exclamations, and negative refusals. The least frequently used strategy was negative commands.</p>2026-06-14T00:00:00+07:00Copyright (c) 2026 Fa Nuea Journalhttps://so01.tci-thaijo.org/index.php/FaNJ/article/view/285773The Development of Characteristics of Active Citizenship Using Phenomenon-Based Learning with Social Media for Grade 9 Students2026-01-23T15:47:48+07:00Chananya Hirikokulchananya_kul@kkumail.comSitthipon Art-inasitthi@kku.ac.th<p>The objective of the research was to The Development of Characteristics of Active Citizenship Using Phenomenon-Based Learning with Social Media for Grade 9 Students so that the students made a mean score of 70% or higher and at least 70% of them pass the prescribed criterion. The target group consisted of 24 Grade 9 Students, during the second semester of academic year 2024, Montri Suksa School. The study was based on Action Research and consisted of 3 action spirals. The research instruments consisted of 1) lesson plans using Phenomenon-Based Learning with Social Media, 2) post-learning outcome record form, 3) teacher and student behavior observation form,4) student interview form,5) end-of-spiral Characteristics of Active Citizenship test, and 6) Characteristics of Active Citizenship test. Quantitative data were analyzed using mean, standard deviation, and percentage, while qualitative data were analyzed using content analysis. The results found that the students made a mean Characteristics of Active Citizenship score of 21.89, or 72.96% of the full marks, and 18 students or 75.00% of the group passed the criterion, which was higher than the prescribed criterion.</p>2026-06-14T00:00:00+07:00Copyright (c) 2026 Fa Nuea Journalhttps://so01.tci-thaijo.org/index.php/FaNJ/article/view/283202Strategies in Responses to Questions by Characters Representing Entertainment Industry Figures2026-01-09T16:12:53+07:00Mukul Poonkuehmukul.p@ku.thPananda Lerlertyuttithamfhumpdl@ku.ac.th<p>This article aims to examine the linguistic strategies employed in responses to questions by characters portrayed as entertainment industry figures in media interview contexts. The data were collected from interview dialogues of such characters in television dramas related to the entertainment industry. The findings reveal nine linguistic strategies: mitigation, rejection of the question’s presupposition, provision of additional information, apology, counter-questioning, refusal to answer, expression of doubt or surprise, acceptance of the question’s presupposition, and verbal attack. The selection of these strategies depends on the characters’ communicative intentions. The analysis also reflects the importance of “face” or public image in the entertainment industry. However, as these interviews are situated within entertainment media, the narrative emphasizes emotional expression and character development. Consequently, the linguistic strategies used tend to foreground emotions more than those found in real-life interviews, enabling audiences to better understand the characters and their emotional dimensions.</p>2026-06-14T00:00:00+07:00Copyright (c) 2026 Fa Nuea Journalhttps://so01.tci-thaijo.org/index.php/FaNJ/article/view/280583Effects of Learning Management in Khlui-Piang-O Playing Using the Flipped Classroom Approach Combined with Practical Skills for Matthayomsuksa 2 Students2025-08-12T13:25:46+07:00Supatcharaporn Srisongkhram640426024010@bru.ac.thWanthanee Namsawat640426024010@bru.ac.thSurachai Piyanukool640426024010@bru.ac.th<p>The purposes of this research were: 1) To compare students’ learning achievement before and after implementing the Flipped Classroom approach for playing Khlui-Piang-O among Matthayomsuksa 2 students; 2) To compare the students’ practical performance after participating in the learning management using the Flipped Classroom Approach combined with the Practical Skills, measured against the 75 percent criterion. The sample consisted of 36 Matthayomsuksa 2/6 students from Ban Kruat Wittayakharn School, located in Buriram Province. These students were enrolled in the first semester of academic year 2024 and were selected using a cluster random sampling method. The research instruments included: 1) Lesson plans; 2) Achievement test; 3) A practical performance assessment rubric for Khlui-Piang-O playing. The statistical methods used for data analysis included percentage, mean, standard deviation, and the hypothesis testing using Dependent Sample t-test and One-Sample t-test. The research findings revealed that the students' average academic achievement score before the lesson was 12.67, while the average score after the lesson was 26.08. A comparison of students' academic achievement showed that the post-test scores were significantly higher than the pre-test scores at the .05 level of statistical significance. Additionally, the comparison of students' practical skills after the lesson indicated an average score of 87.80 percent, which was significantly higher than the criterion level of 75 percent, also at the .05 level of statistical significance.</p>2026-06-14T00:00:00+07:00Copyright (c) 2026 Fa Nuea Journalhttps://so01.tci-thaijo.org/index.php/FaNJ/article/view/283118Folk Music Genes in Hunan Piano Compositions: A Regional Analysis of Characteristics and Contemporary Value2026-01-08T15:28:36+07:00Yu Luor2025yupik@163.comNataporn Rattanachaiwong nataporn.ra@ssru.ac.th<p>This study investigates folk music genes in Hunan piano compositions, focusing on works incorporating minority music elements from the Tujia, Miao, and Dong ethnic groups. Analyzing piano works composed between 1980 and 2020 by five Hunan composers (Xi Qiming, Tan Dun, Wang Jianzhong, Chu Wanghua, and Hu Yuping), this research employs musicological analysis, modal analysis, and cultural interpretation methods. Results reveal distinct regional characteristics: (1) predominant use of Yu mode with raised Shang and Zhi tones (found in 73% of analyzed works), a distinctive feature of Hunan Flower Drum Opera; (2) rhythmic patterns imitating percussion and vocal inflections from local opera traditions; (3) direct melodic borrowing from Hunan folk songs, with "Liuyang River" being the most frequently adapted melody; (4) structural preferences for modified ternary form (67% of works), reflecting folk song verse structures. These findings advance understanding of regional musical identity in Chinese piano composition, provide compositional models for integrating folk elements into Western musical idiom, and document the role of art music in preserving endangered folk traditions.</p>2026-06-14T00:00:00+07:00Copyright (c) 2026 Fa Nuea Journalhttps://so01.tci-thaijo.org/index.php/FaNJ/article/view/281570Creativity : The Important Power of Writing2025-08-08T09:58:52+07:00Chuchat Khumkhamchuchatkhum@gmail.comSongphop Khunmathurotchuchatkhum@gmail.comKanchana Witchayapakronchuchatkhum@gmail.comNamtip Ongartwanichchuchatkhum@gmail.com<p>This academic article aims to propose a learning management approach to promote creative writing capabilities in learners according to the 21<sup>st</sup> century learning skills, which are crucial and serve as the first skill in developing individual potential in order to continue the economic, social, cultural, and national development. This article, therefore, compiles learning management concepts from documents and research related to creative writing. Creative writing is a form of writing that requires creativity as a starting point to develop ideas and produce new, unique, and distinctive writing, or adaptations of existing writing that consist of literary beauty and an appropriate blend of content and form, as well as demonstrating the author's identity. Therefore, learning management requires a creative thinking skill training process for learners. Plsek's five-step creative process approach involves preparation, imagination, development, action, and collaborative revision. This process encourages learners to develop creative thinking by examining existing writing to generate different perspectives or adapt the writing to be different from the original. Then choose a strategy to convey the writing appropriately, aesthetically, and prominently.</p>2026-06-14T00:00:00+07:00Copyright (c) 2026 Fa Nuea Journalhttps://so01.tci-thaijo.org/index.php/FaNJ/article/view/282043The Dog Character in the Translated Literature of the Spirit Mission of the Gentle Four-Legged Grim Reaper and Its Construction of Social Meaning2026-01-16T16:45:37+07:00Naphatthira Phuangphawanphuangphawa@gmail.comAngkhanaporn KhongpaenAngkhanaporn3395@gmail.comPhatchalin JeennoonPhatchalin@tsu.ac.thPariyakorn Chookaewcpriyakorn@tsu.ac.th<p>This article aims to analyze the roles and the construction of social meaning of dog characters in the translated literary work Pharakit Winyan Yomathut Si Kha Phu Onyon (The Gentle Four-Legged Grim Reaper Mission, translated by the researcher) by Mikito Chinen, translated by Isaret Thongpasano, and published by Nation Books between 2021 and 2025. The study employs the concepts of roles and social meaning construction as its analytical framework and adopts a descriptive–analytical approach. The findings reveal that Mikito Chinen’s literary work clearly reflects four significant aspects of the roles and social meanings of dogs: (1) dogs as agents of emotional healing for humans, (2) dogs as creators and strengtheners of family relationships, (3) dogs within the dimension of social beliefs, and (4) dogs as moral instructors for humans. The author presents dog characters not merely as ordinary animals but as symbolic representatives of assistance and emotional healing, highlighting their profound impact on human lives.</p>2026-06-14T00:00:00+07:00Copyright (c) 2026 Fa Nuea Journal