https://so01.tci-thaijo.org/index.php/ajnu/issue/feed Art and Architecture Journal Naresuan University 2024-05-30T11:27:53+07:00 คุณศรีอุรา เสือทะยาน sriuras@nu.ac.th Open Journal Systems <p>วารสารวิชาการศิลปะสถาปัตยกรรมศาสตร์ มหาวิทยาลัยนเรศวรเป็นวารสารที่เผยแพร่องค์ความรู้อย่างมีส่วนร่วมกับชุมชนด้านภูมิปัญญาทางศิลปกรรมและสถาปัตยกรรมให้เกิดประโยชน์ต่อสาธารณชน เพื่อแก้ปัญหาและพัฒนางานในหน่วยงานหรือสถาบันและการวิจัยที่พัฒนาองค์ความรู้ ผลงานวิจัยซึ่งได้มาจากการศึกษาค้นคว้าอย่างมีระบบและมีระเบียบนั้น ถ่ายทอดด้วยการจัดทำ ในลักษณะที่เป็นบทความวิชาการหรือบทความวิจัยที่มีคุณภาพและได้มาตรฐานเหมาะสำหรับตีพิมพ์เผยแพร่ ซึ่งเป็นตัวชี้วัดที่บ่งบอกถึงความเข้มแข็งทางวิชาการของสถาบัน อุดมศึกษาหรือหน่วยงานทางการศึกษาอย่างมีนัยสำคัญ บทความวิชาการและวิจัยทุกเรื่องได้รับการพิจารณากลั่นกรองโดยผู้ทรงคุณวุฒิ (Peer review) ที่ไม่เกี่ยวข้องกับผู้เขียน จากภายในและภายนอกสถาบัน จำนวน 3 ท่าน โดยแต่ละบทความจะต้องได้รับการพิจารณาให้ลงตีพิมพ์เป็นเสียงข้างมาก และปกปิดรายชื่อผู้เขียนและผู้ประเมินบทความ <strong>( Double-blinded)</strong></p> <p><strong>ประเภทของผลงานที่รับตีพิมพ์ในวารสาร</strong></p> <p> <strong>1.บทความวิชาการ</strong> (Article) เป็นบทความที่เขียนขึ้นในลักษณะวิเคราะห์วิจารณ์ หรือเสนอแนวคิดใหม่ๆ จากพื้นฐานทางวิชาการที่ได้เรียบเรียงจากผลงานทางวิชาการของตนเองหรือของผู้อื่น หรือเป็นบทความทางวิชาการที่เขียนขึ้นเพื่อเป็นความรู้ที่มีประโยชน์แก่คนทั่วไป</p> <p><strong> 2. บทความวิจัย</strong> (Research Article) เป็นบทความที่มีการค้นคว้าอย่างมีระบบและมีความมุ่งหมายชัดเจน เพื่อให้ได้ข้อมูลหรือหลักการบางอย่างที่จะนำไปสู่ความก้าวหน้าทางวิชาการ หรือการนำวิชาการมาประยุกต์ใช้ให้เกิดประโยชน์ บทความวิจัยมีลักษณะเป็นเอกสารที่มีรูปแบบของการวิจัยตามหลักวิชาการ เช่นมีการตั้งสมมติฐานหรือมีการกำหนดปัญหาที่ชัดเจนสมเหตุผล โดยจะต้องระบุวัตถุประสงค์ที่เด่นชัดแน่นอน มีการรวบรวมข้อมูล พิจารณาวิเคราะห์ ตีความและสรุปผลการวิจัยที่สามารถให้คำตอบหรือบรรลุวัตถุประสงค์ตามที่ต้องการได้</p> <p><strong> </strong></p> <h3>สาขาวิชาที่เปิดรับบทความ</h3> <p>ศิลปะและการออกแบบ ได้แก่ วิจิตรศิลป์ และศิลปะประยุกต์</p> <p>ประวัติศาสตร์ ทฤษฎี และการออกแบบทางสถาปัตยกรรม</p> <p>การผังเมือง การออกแบบชุมชน เคหะการและภูมิสถาปัตยกรรม</p> <p>ศิลปะสถาปัตยกรรม สถาปัตยกรรมไทย และพื้นถิ่น</p> <p>เทคโนโลยี นวัตกรรม และการบริหารจัดการทางสถาปัตยกรรม</p> <p>ISSN 2697-6560 (Online) </p> <p>ISSN 3027-7043 (Print)</p> https://so01.tci-thaijo.org/index.php/ajnu/article/view/274509 Art and Architecture Journal Naresuan University Vol. 15 No. 1 January - June 2024 2024-05-30T11:20:46+07:00 คณะสถาปัตยกรรมศาสตร์ ศิลปะและการออกแบบ มหาวิทยาลัยนเรศวร sriuras@nu.ac.th <p>วารสารวิชาการ ศิลปะสถาปัตยกรรมศาสตร์ มหาวิทยาลัยนเรศวร ได้รับความสนใจจากคณาจารย์ นักวิชาการ นักวิจัย นิสิตระดับมหาบัณฑิตและดุษฎีบัณฑิต ส่งบทความเพื่อตีพิมพ์ในวารสารฯเป็นอย่างดีมาโดยตลอด ทำให้วารสารวิชาการศิลปะสถาปัตยกรรมศาสตร์ มหาวิทยาลัยนเรศวร อยู่ในฐานข้อมูล TCI (Thai journal Citation Index Centre) กลุ่ม 1 มีค่า impact factors 0.095 นับว่าเป็นการพัฒนาวารสารวิชาการอย่างต่อเนื่อง วารสารฉบับนี้ได้ดำเนินการเข้าสู่ปีที่ 14 ของการจัดทำวารสารและมีช่วงเวลาการตีพิมพ์เผยแพร่ ฉบับที่ 2 เดือนมกราคม - เดือนมิถุนายน และฉบับที่ 2 เดือนกรกฎาคม – เดือนธันวาคม โดยเปิดรับบทความวิชาการและบทความวิจัยตลอดปี ในวารสารออนไลน์ Thai Journals Online (ThaiJO) 8ที่ https://so01.tci-thaijo.org/index.php/ajnu/index ผู้อ่านสามารถดาวน์โหลดอ่านบทความทั้งเล่มหรือเลือกตามบทความฉบับสีได้ตามความสนใจ วารสารฉบับใหม่นี้มีบทความวิจัยที่น่าสนใจหลายบทความ อาทิ การพัฒนาผลิตภัณฑ์ดอกไม้คลุมไตรจากกระดาษฟางข้าว, การออกแบบลายผ้าจากแรงบันดาลใจศิลปะลวดลายทวารวดีเพื่อสร้างมูลค่าเพิ่มทางเศรษฐกิจ,การศึกษาภูมิปัญญาชุดไทยเรือนต้นและชุดไทยจิตรลดาเพื่อพัฒนาคู่มือเทคนิคการตัดเย็บ เป็นต้น โดยทุกบทความได้ผ่านขั้นตอน กระบวนการพิจารณาจากคณะกรรมการผู้ทรงคุณวุฒิประเมินผลและพิจารณาบทความแล้วส่งกลับไปยังผู้เขียนเพื่อปรับปรุงแก้ไขให้สมบูรณ์ และหวังว่าผู้อ่านจะได้นำบทความในวารสารไปใช้อ้างอิงในการอ้างอิงในโอกาสต่อไป<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;ในนามกองบรรณาธิการ ใคร่ขอขอบคุณผู้เขียนบทความทุกท่านที่ให้เกียรติในการส่งบทความ ขอบคุณผู้ทรงคุณวุฒิที่กรุณาสละเวลาในการพิจารณาตรวจสอบและกลั่นกรองบทความให้มีคุณภาพมาตรฐานเป็นที่ยอมรับ</p> 2024-05-30T00:00:00+07:00 Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/ajnu/article/view/258501 Product development of sandstone casting planters from the natural surface in Ban Nong Sano, Chokchai district, Nakhon Ratchasima province. 2022-07-27T13:59:43+07:00 kriangkrai duangkhachon kriangkrai.d@nrru.ac.th Wannasa Sanlum kriangkrai.d@nrru.ac.th <p> The researcher has set the ‘Product Development of Sandstone Casting Planters’ research objectives; to study the form of sandstone casting products, find a way to develop a planters design from natural surface with entrepreneurs, develop community potential based on local resources. There are 3 steps of research methodology: Step 1: Go on-site to study the context and organize a forum to find methods to develop sandstone planters’ product together; Step 2: Activity to design sandstone casting planters with community experts. Step 3: Prototyping workshops and molding production to work with entrepreneurs in the community. The results showed that 1. The entrepreneurs of Ban Nong Sano Community Enterprise Group were the original people in that community. Most of them are agricultural workers and factory workers, so their skills are limited in printing and casting sandstone, but cannot create models by themselves. Because the lack of skill in molding that must be learned and understood. Therefore, a potter had to be hired to make a prototype for them. Inability to design and build prototypes on their own. Therefore, an idea was born to create a prototype from natural surfaces by using printing skills that can already be done to develop a prototype product with community. 2. The development of the prototype product has a unique surface and deep grooves that can be molded into a clear pattern. There are pineapples, pumpkins, melons, jackfruit, custard, cauliflower and white lettuce to developed into a 3D model; 3. The workshop on sandstone planters prototype from natural surfaces and shapes was created together to produce a piece that could be sold and for developing professional skills. There are a total of 10 interested entrepreneurs to jointly produce 10 planters’ prototypes that will serve as a guideline for the development of design for entrepreneurs to create prototypes from natural textures and shapes by themselves to produce products for distribution to generate income for the community.</p> 2024-05-30T00:00:00+07:00 Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/ajnu/article/view/265371 Cartoon character design for the King Naresuan exhibition and convention center 2023-11-13T09:26:12+07:00 Waraporn Mamee bedede@hotmail.com Chayanis Chuenchaichon bedede@hotmail.com <p> The purposes of this research were 1. to study and analyze the design of cartoon characters for the King Naresuan Exhibition and Convention Center and 2. to evaluate the opinions regarding the design of cartoon characters for the King Naresuan Exhibition and Convention Center. At first, the researchers collected preliminary data by means of studying basic information from documents and reviewing concepts, theories, and research related to cartoon character design for the King Naresuan Exhibition and Convention Center, both from documents that were records, textbooks, books, journals, and so on and inquiring about the personal information of the questioannaire respondents and information about the needs of cartoon character design for the King Naresuan Exhibition and Convention Center. The sample group were 100 personnel and students of Naresuan University. It was found that they were interested in cartoon character design for the King Naresuan Exhibition and Convention Center. In addition, they thought that it could really help publicize for Naresuan University and Phitsanulok Province. Also, stories of history, traditions, and local culture should be brought into the design, and they should be designed to look simple, unofficial, and international so that, in the future, it could be developed into souvenirs for the King Naresuan Exhibition and Convention Center. After that, the researchers designed different cartoon characters (a total of 40 patterns). These characters were then evaluated through the opinions on the design of cartoon characters for the King Naresuan Exhibition and Convention Center from the sample group who were three professionals in the areas of graphic design, cartoon character design, and symbolic cartoons. The results of the study and analysis of opinion evaluation showed that the cartoon character Plai Phukhaothong was in the first place.</p> 2024-05-30T00:00:00+07:00 Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/ajnu/article/view/250494 Impressive Lanna artists as role models for the creation of contemporary art 2022-11-24T16:05:32+07:00 Chedchan Sathuwong chedchan_sat@cmu.ac.th Tipawan Thungmhungmee chedchan_sat@cmu.ac.th <p>Impressive Lanna Artists as Role Models for the Creation of Contemporary Art<br>This study, Impressive Lanna Artists as Role Models for the Creation of Contemporary Art, is an art creative research. It uses an interdisciplinary study model by presenting research findings in a descriptive form and creative works of art. The purpose of this study was to study the role models from mass media who are artists in the North under the cultural context that expresses the work, concept, and way of life to the creation of contemporary art. This was conducted by synthesizing the knowledge gained from the study as an inspiration in creating contemporary art and to be praised as a model in public places. From the study, it was found that three persons who were model images of Lanna artists were honored as national artists, namely: 1. Charin Nantanakorn, National Artist of the Year 1998 in Performing Arts; 2. In-son Wongsam, National Artist of the Year 1999, Visual Arts; and 3. Charoen Malarot, National Artist of the Year 2013, Literature. This is an inspiration for the creation of contemporary art through media art in the form of a video installation, telling a biography based on life, a work that is the identity of a role model, in 4 sets, displayed as a media art exhibition, Beloved one in a dream, to praise and disseminate the value of the role model artist to the public. The results of this art exhibition showed that there are constant visitors to the exhibition, including publicizing stories about the lives and works of the role models from the exhibition and social media.</p> 2024-05-30T00:00:00+07:00 Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/ajnu/article/view/265304 Graphic design for community product packaging 2023-04-28T15:46:56+07:00 Itsariyaphon Chaikulap aj.itsariyaphon@gmail.com <p>The objectives of this research on Graphic Design for Community Product Packaging aim to 1. analyze the appropriate graphic patterns for community product packaging, 2. to design appropriate graphics for community product packaging, and 3. to assess consumer satisfaction with graphic design for community product packaging. Conduct a study of the opinions of experts in graphic design, and consumer satisfaction. The tools used are questionnaires, interviews, and assessments, conducted in 3 phases: 1. asking for the opinion of the appropriate graphic design experts for community product packaging, 2. asking consumers for the graphic design of community product packaging, 3. assessing consumer satisfaction with graphic design for community product packaging. Conclusions and analysis Summary of the findings from all three aspects, with the overall average on all sides, showed that the second pattern of dishwashing liquid bottles was 4.40. The Soapbox pattern section in the 2nd form equals 4.60 at most levels. The results indicated that 1. appropriate graphic styles were space, symmetry, text and lines, balance, and composition, 2. graphic patterns that represented community lifestyles and lifestyles, and 3. graphics of dishwashing detergent bottles and soap dishes. All three were moderate in all respects. The total mean of 2 (x=4.40) was in the highest order, first followed by the mean of mode 1 (x=4.20) and mode 3 (x=4.00) Soap dish type 2 was the mean.</p> <p> </p> 2024-05-30T00:00:00+07:00 Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/ajnu/article/view/253315 Creating photographic arts by conceptualization and semiotic theory 2023-01-27T16:33:58+07:00 Tanakit Koktong Tanakitkoktong@gmail.com <p><strong> </strong></p> <p> An idea or concept is essential in creating a photographic portfolio. Therefore, there should be a process, step, main idea in creating a concept that has clear steps and patterns for photographers or those working in photography. can be used as a principle of practice In this research, the process of creating a concept semiotic theory and the photography process is used to create photographic works. It has two objectives: 1. to create photographic works by conceptualization process and semiotic theory, and 2. to study the results of the assessment of the process and quality of photographic works. By using a sample of 17 people to participate in the process. To create 17 works, 5 images each, for a total of 85 images, and assess the quality of the process and the quality of the work by 10 photography professionals. It was concluded that the process can be used to create works of both The results were evaluated at a very high level, with a mean of 4.43 with a standard deviation of 0.56, and a quality assessment of the results of all 17 sets of photographs at a high level at a mean of 4.33 with a standard deviation of 0.16.</p> <p> </p> <p><strong> </strong></p> 2024-05-30T00:00:00+07:00 Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/ajnu/article/view/255471 Design of interior design stencil patterns according to Pathum Thani province’s identity 2022-03-17T16:46:07+07:00 Duangruthai Teesuk duangruthai.mai@gmail.com <p>The objective of this research is to study the identity of Pathum Thani province in order to design and develop the perforated design for interior design stencil patterns that reflect the identity of Pathum Thani province, as well as to study satisfaction with the design of the patterns. The study process consists of the following steps: study of the identity of Pathum Thani province from documentary sources, study of distinctive identity and design concepts for decorative patterns through survey data collected from 400 individuals in the Pathum Thani province area as a guide for creative design and development of the perforated patterns, evaluation of the perforated pattern designs through interviews with a group of 10 representatives from local community enterprises and 10 representatives from government agencies, and evaluation of satisfaction with the decorative patterns by 400 individuals in the Pathum Thani province area. The study results indicate that Pathum Thani province has the most distinctive identity in four categories, namely: lotus and rice sheaves as symbols of its geographic location, swan as a religious symbol, bullet wood pattern on Mon scarf as a symbol of social culture, and Mon-style dance as a symbol of performing arts. The decorative perforated plate patterns for interior design that people in Pathum Thani province are most satisfied with is the one that combines 2 pattern styles: a design that shows the interwoven sub-patterns of lotus and bullet wood, and a design that tells a story by incorporating all 4 distinctive identity symbols of the province. The composition is arranged in a curved line pattern inspired by Mon dance movements, with a prominent large lotus flower paired with rice stalks, lotus leaves, and a swan, emphasizing easy recognition and memorable symbolism. Based on the satisfaction evaluation of the pattern design, it was found that the highest level of satisfaction was in the practical use for home decoration, with a high level of satisfaction ( = 4.22) and a standard deviation (S.D. = 0.78).The highest level of satisfaction for beauty was also found, with a high level of satisfaction ( = 4.17) and a standard deviation (S.D. = 0.75).The highest level of satisfaction for value and communication in the appropriate value for decoration was also found to be high ( = 4.17) with a standard deviation (S.D. = 0.73)</p> 2024-05-30T00:00:00+07:00 Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/ajnu/article/view/256783 A study of the value of local handicrafts of the model community for creative local knowledge management of creative district networks along the world heritage corridor of Sukhothai, Si Satchanalai, and Kamphaeng Phet 2023-01-27T16:26:33+07:00 Aumpika Amloy aumpika.amloy@cmu.ac.th <p>This research aims to study the value of local handicrafts of the communities based on criteria for selecting 3 model communities to represent the 19 target communities surrounding Sukhothai, Si Satchanalai, and Kamphaeng Phet Historical Park. This research is field research that the samples were 19 people of community leaders, using purposive sampling method, and 95 people of people in the community involved in local handicrafts, using a quota sampling method. Then, bringing the data for qualitative analysis and presented by descriptive writing to summarize the results. The results show the value indicators of local handicrafts of the model community. It can classify into four aspects, namely 1. identity values, 2. material and process values, 3. aesthetic values, and 4. functional values. In addition, the community's development model of local handicrafts is consistent with culture and shows the conservation and application of local wisdom. Including a management model that emphasizes the participation of people in the community and relies on cooperation from all sectors, it is considered an essential tool in preserving the value of the community's cultural heritage. These potentials lead to the development or improvement of management practices that can link the development of local handicrafts in a networked manner and link the local handicraft identity to the study area. Continue to build a support mechanism for creative local knowledge management of creative district networks along the world heritage corridor of Sukhothai, Si Satchanalai, and Kamphaeng Phet.</p> 2024-05-30T00:00:00+07:00 Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/ajnu/article/view/249689 The design and development of women’s wear: inspiration from the chakri pattern of benjarong orcelain 2021-11-30T18:56:22+07:00 charttirot karaveg charttirot@gmail.com Wailaikorn Nitayapat charttirot@g.swu.ac.th Nakorn Techa charttirot@g.swu.ac.th Wanwisa Koonlawong charttirot@g.swu.ac.th <p>For this study, the researcher studied the beautiful Chakri patterns and color schemes of Benjarong porcelain. The objectives of this research were to 1. design and develop fabric patterns and women’s clothing inspired by these patterns and 2. to study people’s satisfaction with clothes featuring such designs. The data were collected via an online survey of 100 target users including working women in the private and government sectors in Bangkok. The data were analyzed by using descriptive statistics, ANOVA, and the chi-square test. The researcher took inspiration from the designs, textures, and color schemes of Chakri patterns in creating patterns and printing techniques on woven fabric. The color and fashion trends were applied to design clothes that would appeal to the women who were surveyed. Four of the 12 designs with digital prototype development with a 3D patterning were selected by three experts with at least five years of design experience. The samples were very satisfied with the proposed designs. Four of the five surveyed respondents indicated a purchase intention when considering the suitable for daily life usage. They also indicated that such items such cost less than 1000 baht online. All the people we asked had basically the same sense of satisfaction, except regarding Design 4. The definitely-would-not-buy group gave that design a score of p &lt; 0.001<strong>.</strong> The chi-square test results indicated that these individuals’ intention to buy is directly related to the prices (p &lt; 0.05)<strong>.</strong></p> 2024-05-30T00:00:00+07:00 Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/ajnu/article/view/258512 Disseating the beauty of Sin teen jok Doi Tao to meet development process in the era of Covid – 19 2022-11-21T16:14:20+07:00 Jantrapa Rujinam mydiary788@gmail.com Ratrhia Poencharoen mydiary788@gmail.com <p>This research relates to Doi Tao,The purposes of this academic article are 1. Studying the background of patterned Phasin Tin Jok Doi tao. 2. Studying the marketing methodology and mechanisms of selling Phasin Tin Jok Doi Tao during Covid-19. “Doi Tao”a small district in Chiang Mai. When talking about Doi Tao, the song “Young boy from Doi Tao” is probably the first thing people think of. Not many people know that Doi Tao also produces beautiful patterned Phasin Tin Jok that has been known for “The Queen of Phasin” named by Asst. Prof. Wiluck Sripasang. Tin Jok from Doi Tao has been quite unpopular nowadays, although the pattern of Doi Tao’s phasin was very exquisite in the past. Stories have been interpreted through Tin Jok’s various designs and patterns. There’s a chance that the weaving culture will become extinct. Sometimes people call Doi Tao’ phasin "Sin Nam Tuam (flooding phasin).” At present, Doi Tao’s phasin has gained more attention from the new generation as they continue to weave for their community. Even though Doi Tao’s phasin is expensive. The group’s sale method is considered innovative. When listing in online platforms, the products are well-received and sold out immediately regardless of an expensive price in terms of the pattern. It has been selling well. The fabric is usually sold out after being listed in the market. All fabric patterns are related to Buddhism and lifestyles of the locals. However, when COVID-19 hit the world, the fabric stops selling as the purchasing power has been declined. This paper is, therefore, the continuation of designing fabric patterns that are contemporary, leading to the adaptation of weaving process for a simpler weaving method. The author therefore analyzes the structure of Doi Tao’s phasin and its pattern. The author sincerely hopes that this article will be useful for those who are studying the design of woven fabric’s patterns to further their studies in designing. The sale process of the group is considered to be innovative but if the product is adjusted, studies the consumers needs, adds marketing awareness to local villagers, distributes knowledge from the leaders of the weaving group to the villagers in the community, Phasin Doi Tao will definitely be able to develop and adapt.</p> 2024-05-30T00:00:00+07:00 Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/ajnu/article/view/254201 Display design guidelines for the elderly 2022-10-19T16:53:45+07:00 Pasit Leeniva pasit.l@bu.ac.th Krittiya Piya-aroon krittiya.p@bu.ac.th <p>Today, the concept of museum design that realizes design for all including the elderly. were considered more. The objectives of this research were 1. to classify the display types in the museum 2.to assess the elderly's satisfaction with each display type. The total number of participants in the study was 16, comprising 9 elderly (aged 60 to 81 years) and 7 adults (aged 25 to 45 years). Selection of informants was done by purposive random sampling technique. The study area, Coin Museum (Bang-Lamphu area), is a 3-storey building with 14 exhibition rooms and includes all types of displays. Admission to the museum will be in groups of 15-20 people each with a guide. Data collection started with all research participants visiting the Coin Museum as usual, after which the visit was a survey form and in-depth interview process. The survey form, all 21 displays were assessed in three areas: absorbed, active, and enlightened. It is divided into 9 questions. Results: The researcher categorized the display into 5 categories, namely object, board, multimedia, interactive, and scene, including 21 display types (D1-D21). The assessment of the elderly's satisfaction with display found that the interactive category received the highest satisfaction, followed by scene, multimedia, object, and board. The elderly considers the absorbed aspect followed by the active aspect. In addition, the researchers conducted a comparative analysis of satisfaction between the elderly and the adult. It was found that the order of display types was no different. However, when looking at the insights of each display, there are noticeable differences. The findings in this research will build understanding between display designers and the elderly. Including the adult group and can bring further knowledge to the research on museum design for the elderly in the future.</p> <p> </p> <p> </p> <p> </p> 2024-05-30T00:00:00+07:00 Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/ajnu/article/view/262801 Design Guidelines for small prefabricated house in Thailand 2023-01-30T09:46:20+07:00 janit suphannawong janitsmd31@gmail.com Nopadon Thungsakul janitsmd31@gmail.com Chumnan Boonyaputthipong janitsmd31@gmail.com <p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; A small prefabricated house business in Thailand has been growing over the past 10 years. Since the customers tend to be interested and influenced by its cost and the simplified construction process, thus, the small prefabricated house’s construction process is populist and has been adapted to a permanent house, temporary house, resort, homestay, or café. This article aims to study factors and small residence demand in order to propose the design guideline for a small fabricated house in Thailand. The result of the study showed that the house’s cost, function, area size, architectural pattern, and materials were the factors that could be developed for the design’s options. The building owner would be able to choose the structure of their own such as the roof pattern, the roof’s materials, the house’s surface materials, the wall and the solid wall materials, and the extension of the home. The design guidelines could propose a variety of flexible options that can adapt to each specific area, and could be conformed to the customer’s demand based on different conditions. &nbsp;</p> 2024-05-30T00:00:00+07:00 Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/ajnu/article/view/263289 Applying community-based design principles for logo and packaging design hand-woven textile group Ban Wai Lum community, Chiang Kwan District, Roi Et province 2023-04-07T09:20:08+07:00 Ekkaluck Saengduenchay ekkaluck@sut.ac.th <p>This research aims to 1. To study the key factors in the design of the logo and packaging designs by applying community-based design principles for Handwoven products Hand-woven textile group Ban Wai Lum Community Chiang Kwan District Roi Et Province. 2. To design the logo and packaging for handwoven textile products using the community emblem, applying a design process that involves community participation.3. To study the satisfaction of the stakeholder towards packaging prototype of Handwoven products Hand-woven textile group Ban Wai Lum Community Chiang Kwan District Roi Et Province. This research consisted of the following sample groups: 1. Producer group 2. Community Development Officers (Product Promotion Department of Chiang Kwan District Roi Et Province) 3. Consumer groups the research tools were interview forms and group discussion recordings. The results of the research found that the designed logo pattern has a suitable pattern and color. has the right components The logo represents the identity of the community; it is simple and beautifully suitable for use. The results of the study on the satisfaction of stakeholders towards the designed packaging showed that the details on the packaging were the most satisfying. with an average of ( = 4.44, S.D. = 0.74). It’s consisted of complete product details fonts that are easy to read and understand the graphics on the packaging represent the identity of the community and are beautiful and suitable for the product style. followed by the form of packaging were satisfied at the high level with an average of ( = 4.31, S.D. = 0.80) It consisted of ease of use and Product suitability. Marketing Communication was satisfied at a high level with an average of ( = 4.19, S.D. = 0.79) It consisted of the packaging creating an impression that invites you to buy and enhances the value of the product. Communicating the product clearly, it is unique, and easy to remember, respectively. The overall satisfaction with the packaging design was at a high level with an average of ( = 4.31, S.D. = 0.79)</p> <p> </p> <p> </p> 2024-05-30T00:00:00+07:00 Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/ajnu/article/view/261886 Product design and development from silk and raw material from the community : study case of Prakhonchai district, Buriram province 2022-11-11T12:49:54+07:00 Maywadee Phayakpraphon maywadee2522@gmail.com Chidchai Saichuea maywadee2522@gmail.com <p>This reseach project’s objectives are 1.To design and develop products from silk and raw material from the community, 2. To assess the satistaction of sample to product design. The study area covers 3 district which the leaders are Coconut shell group at Prakhonchai, Handwoven Silk at Chorakeh Mahk, Wood handicraft at Nong Bon. Findings of the research The research tool are Interview form for community enterprise group learders, found that the all group have experience more than 10 years and their can product product follow order. And questionnaire for professional of design 5, found that the symbols that represent happiness of Thai people were elephant, lotus, and kala face. Which come to design in scarf, bag, keychain, lamp, cushion, and table setting decoration as existing products. Secondly, in evaluating the performance of designing and developing the products in case of lamps, found that there are table lamp, and floor lamp. In case of bags found that there are the pattern 1 a trifold wallet, pattern 5 a 10-inches multi-purpose starfruit bag, pattern 10 starfruit shoulder bag, and pattern 11 a 14 and 16 inches starfruit handbag. In case of bedroom decoration set, found that there are 48x48 centimeters circle cushion with hemming edge and non-hemming edge case, 46x46 centimeters lotus-leaf-style cushion, and 37x40, 37x46, and 48x48 centimeters rectangular and square cushion. In case of scarf, there are 2-colored sewing kala face is suitable for being such souvenirs and the 5-colored sewing is more suitable for scarf designing means. Key chain and eco-bag from silk tab are pattern a lotus leaves.</p> <p> </p> 2024-05-30T00:00:00+07:00 Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/ajnu/article/view/264954 Auspicious symbol in Chinese shrine : pattern and belief to creative painting 2023-05-09T16:54:22+07:00 Songwoot Kaewvisit songwoot_kaewvisit@hotmail.com <p> The objective of the study is to learn the beginning of auspicious symbols in the Shrine Soi dok Mak, study the scheme along with beliefs toward the symbols of the Shrine, and create a painting. The achievement comes from the academic fundamentals of the auspicious symbol research, scheme, and beliefs of the Shrine Soi dok Mak. The tools used for data observation and accumulation have been diffusion theory of culture, semiotic theory, and aesthetic theory; they have been applied to the analysis. The study found that the Shrine of Soi Dok Mak is an old Chinese sacred thing that was once located in the high trading area and the rest area of Chinese merchants. The same area also enshrined the father, or Lord Sam Peel, which is agreeable with diverse versions of the chronicle, including the story of Nang Soi dok Mak, a daughter of the King of China and Honey God. The interior of Shrine Soi Dok Mak has unique fine arts. The use of auspicious symbols is followed by Chinese beliefs. It is considered a channel to give a blessing. The symbol is plain in its appearance, with the form of reduction and also transformation into a new pattern. All crafting techniques are mostly possessed by Chinese, such as floating sculpture, stucco work with low and high relief, lacquered and guilded wood caving, and colorful painting work. After studying the history, patterns, and ideology, the auspicious symbols in Shrine Soi dok Mak become inspiration for fine arts creation through the process of selection of information, sketching, and shape-downsizing of symbols to enhance the beauty of fine arts, pull out their uniqueness, and reflect the contents, concepts, and philosophy of Taoism and Confucianism". The researcher, therefore, presents the creative fine arts under the research topic "Auspicious Symbols in the Chinese Shrine: Pattern and Belief to the Creation of Fine Arts" for 2 pieces.</p> 2024-05-30T00:00:00+07:00 Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/ajnu/article/view/268164 Creating 3D model for augmented reality Case Study Museum of King Naresuan the Great History Hall 2023-10-30T09:44:55+07:00 Chawalit Doungutha chawalitd@nu.ac.th Danai Reabsakul www.danaidesign@gmail.com <p>This article gathered knowledge of 3D modeling to combine between the real world and augmented reality (AR), emphasizing on appropriate use of AR technology for use in the King Naresuan Historical Museum. The objectives were 1. to study and collect 3D modeling data suitable for use with AR technology, 2. to bring knowledge to create 3D models, namely, King Naresuan, Chao Phraya Prap Hongsawadee, white-tailed yellow chickens, and King Naresuan's legendary sword in the form of AR technology for use in the Museum of King Naresuan the Great History Hall, and 3. to assess user satisfaction with AR technology. The samples used in the research were divided into two groups, namely 1. three experts in 3D modeling for modern media, chosen by purposive sampling, and 2. 95 people in Naresuan University who were chosen by random sampling. The tools used in the research were 3D models and AR satisfaction assessment form. The data were analyzed by using mean and standard deviation. The results showed that 1. AR technology could be scanned with illustrations and displayed 3D models that could be rotated and expanded, 2. the satisfaction results for AR technology was at a high level (x̅=3.72, SD= 0.45). 3D models were suitable for use in simple AR designs and were able to attract public interest.</p> 2024-05-30T00:00:00+07:00 Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/ajnu/article/view/261499 The development of benjarong wares Pattern enhance food styling in concept of Thai identity for creative economy base on Samut Sakhon province 2022-10-28T15:29:19+07:00 palunut natchanalit paruenatsang@yahoo.com <p> </p> <p> The objectives of this research were 1. to create prototype of benjarong wares and to set food party in concept of Thai Identity by food stylists and 2. to evaluate prototype of benjarong wares to enhance food styling in concept of Thai identity for creative economy using researches and developments method in 4 steps. The purposive sampling was Donkaidee village, Krathum Baen District, Samut Sakhon Province. The research results were as follows: 1. The results of creating a prototype of benjarong food containers and experimenting with food arrangements in Thai identity concept banquets. From interviews with food stylists, benjarong wares creators, and the observation of benjarong wares creation. It was found that plates are used as a very popular utensil. Benjarong paintings and designs that showed Thai identity are consisting of animal forms, flower forms and line patterns. The sketch development and Selection of 45 pieces of benjarong wares i.e., 3 patterns of 15 sets, were evaluated by the experts and the result was in high level of 90- 98 percentage. The considering sketches were chicken form, fighting fish form, elephant form, peacock form, lotus form, Golden Shower flower form, orchid form, ear of rice pattern, ring of flower pattern, and spike pattern. The prototype of benjarong wares were 10 sets of 3 round plates: 14 inches, 11 inches, and 8 inches. And the food party setting in concept of Thai identity by 5 food stylists was approved by 3 food experts according to the appropriate menu. Food party setting photos were approved by 3 food photo experts: finger foods, snack, and dessert from buffet and cocktail party. Flower vases and decorative items in harmony with form and pattern of plates were used to express auspicious and symbolism of Thai Identity. 2.The exhibition reception was showed at Donkaidee benjarong village and researcher interviewed for certification by 18 experts: art and design experts, food styling experts and product standard experts. All of products quality were at the highest level in all issues, mean ( ) 4.900 to 4.700.</p> <p> </p> 2024-05-30T00:00:00+07:00 Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/ajnu/article/view/249699 The development of product prototype for Thai hanging from the loincloth 2022-02-16T11:15:46+07:00 Juraporn Srimuangmai juraporn@rmutt.ac.th Sermsri Songnearm juraporn@rmutt.ac.th Rath Chombhuphan juraporn@rmutt.ac.th Orapin Sukyod juraporn@rmutt.ac.th Somsak Sirikhan juraporn@rmutt.ac.th <p>Research on The development of product prototype for Thai hanging machine from the loincloth Purpose for 1. Design and develop products prototype for Thai hanging machine from the loincloth. 2.Transfer development knowledge develop products prototype for Thai Hanging Machine from the Loincloth and 3. Study consumer satisfaction with products Thai Hanging Machine from the Loincloth. There are steps for conducting research as follows: 1. Study basic information about the styles of Thai hanging machines. 2. Analyze data for use in design. 3. Select a draft of Thai hanging machines product from loincloth according to the design concept. 4.The Development of Product Prototype for Thai Hanging Machine from the Loincloth Purpose. 5. Transferring knowledge on The Development of Product Prototype for Thai Hanging Machine from the Loincloth for students of Boriboonsin Rangsit School Pathum Thani Province. 6. Evaluate customer satisfaction with the prototype of a loincloth hanging product by selecting 50 consumers by purposive sample from 1st-4th year students in the Creative Technology Department. Assess the satisfaction of transferring information about creating prototypes of hanging items from loincloths to teachers and students at Boriboonsin Rangsit School in Pathum Thani Province, conducted by the Faculty of Home Economics Technology at Rajamangala University of Technology Thanyaburi. By purposive sampling, 30 individuals were randomly selected. The research results revealed that the experts had chosen a style of puangkeaw hanging. The hanging gadget is of medium size and features pentagonal geometric shapes. It combines traditional Thai art with modern techniques using a unique synthetic material made from loincloth and various sorts of crystals. Flower-shaped prototypes of hangings were made using loincloths coated with gelatin. The study on consumer satisfaction with loincloth-based hanging products revealed that respondents were pleased with the innovative use of materials in generating new and imaginative sizes, forms, and qualities. Are highly content the mean values were 4.84, 4.72, and 4.82, in that order. The loincloth hangers were highly content. The mean value was 3.76. The satisfaction about the color and beauty of the work items was moderate. The mean value was 3.04.Transferring information on making prototypes of hanging products from loincloths to teachers yielded results. Students at Boriboonsin Rangsit School in Pathum Thani Province discovered that the majority of respondents were content with the teachers' knowledge transfer. The content in knowledge transfer is at its peak level, reaching 83.33%. The percentage reached its peak at 76.66 percent. Respondents expressed high satisfaction with the training process, including the equipment and materials preparedness, training period appropriateness, and overall service, which was rated at 100.00 percent. The trainees were really delighted with the usage of information. Capable of utilizing acquired knowledge to innovate and implement it effectively in professional settings. 80.00% can utilize the acquired knowledge in their everyday lives. 76.66% can disseminate the information. Can transfer 63.33% and apply received information with 56.66% certainty.</p> 2024-05-30T00:00:00+07:00 Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/ajnu/article/view/269408 Reconstruction models in architecture of Wat Nakornkosa, Lopburi 2024-03-21T16:27:50+07:00 Anuspong Kraikriengsri anuspongk8@gmail.com <p> Wat Nakornkosa is an important ancient site. located in the center of Lopburi in the area where traces of Dhavaravadi and Khmer civilization existed. The development continued until the late Ayuddhaya period. The main stupa of Wat Nakornkosa is the only Dhavaravadi architectural art that still remains in Lopburi, which has now collapsed It is an issue that the researcher has assumed the architectural style of this ancient site. This research is a study of geography history Conservation processes, plans, proportions, forms, shapes and architectural elements. to present the presumed architectural style of Wat Nakornkosa which shows its uniqueness and the value of art and architecture in the Dhavaravadi period in Lopburi that continued to prosper until the late Ayuddhaya period.</p> 2024-05-30T00:00:00+07:00 Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/ajnu/article/view/263389 A study of the usage environment of the outpatient building at Doi Saket Hospital to reduce respiratory disease 2023-05-10T09:27:54+07:00 Woratham Choobuathong d.001.wish@gmail.com Tanut Waroonkun tanut.w@cmu.ac.th <p>Doi Saket Hospital is a community hospital and secondary hospital under the Ministry of Public Health. Using Model No. 3130, which has been the standard in the construction of community hospitals across the country for over 30 years, consequently, the current building is unable to respond to the use of building users as it should.Therefore, Doi Saket Hospital was renovated from its original form to respond to the addition, which does not consider the problems that will occur after the addition or problems with the overall environment of the building. This includes not responding to the current situation of the coronavirus 2019 (Covid 19). It will summarize the problems in use and propose a design guideline to solve them. In-depth interviews on application problems and various medical standards with a group of 15 medical personnel were conducted. The data was analyzed by the content analysis method, which summarizes 3 important issues as follows: 1. Design 2. Environment 3. Building Management From the data, it leads to a participative design approach divided by the area of ​​use of each part of the building. This was constructed to be a design guide to improve Doi Saket Hospital in the future.</p> 2024-05-30T00:00:00+07:00 Copyright (c) 2024