Art and Architecture Journal Naresuan University https://so01.tci-thaijo.org/index.php/ajnu <p>วารสารวิชาการศิลปะสถาปัตยกรรมศาสตร์ มหาวิทยาลัยนเรศวรเป็นวารสารที่เผยแพร่องค์ความรู้อย่างมีส่วนร่วมกับชุมชนด้านภูมิปัญญาทางศิลปกรรมและสถาปัตยกรรมให้เกิดประโยชน์ต่อสาธารณชน เพื่อแก้ปัญหาและพัฒนางานในหน่วยงานหรือสถาบันและการวิจัยที่พัฒนาองค์ความรู้ ผลงานวิจัยซึ่งได้มาจากการศึกษาค้นคว้าอย่างมีระบบและมีระเบียบนั้น ถ่ายทอดด้วยการจัดทำ ในลักษณะที่เป็นบทความวิชาการหรือบทความวิจัยที่มีคุณภาพและได้มาตรฐานเหมาะสำหรับตีพิมพ์เผยแพร่ ซึ่งเป็นตัวชี้วัดที่บ่งบอกถึงความเข้มแข็งทางวิชาการของสถาบัน อุดมศึกษาหรือหน่วยงานทางการศึกษาอย่างมีนัยสำคัญ บทความวิชาการและวิจัยทุกเรื่องได้รับการพิจารณากลั่นกรองโดยผู้ทรงคุณวุฒิ (Peer review) ที่ไม่เกี่ยวข้องกับผู้เขียน จากภายในและภายนอกสถาบัน จำนวน 3 ท่าน โดยแต่ละบทความจะต้องได้รับการพิจารณาให้ลงตีพิมพ์เป็นเสียงข้างมาก และปกปิดรายชื่อผู้เขียนและผู้ประเมินบทความ <strong>( Double-blinded)</strong></p> <p><strong>ประเภทของผลงานที่รับตีพิมพ์ในวารสาร</strong></p> <p> <strong>1.บทความวิชาการ</strong> (Article) เป็นบทความที่เขียนขึ้นในลักษณะวิเคราะห์วิจารณ์ หรือเสนอแนวคิดใหม่ๆ จากพื้นฐานทางวิชาการที่ได้เรียบเรียงจากผลงานทางวิชาการของตนเองหรือของผู้อื่น หรือเป็นบทความทางวิชาการที่เขียนขึ้นเพื่อเป็นความรู้ที่มีประโยชน์แก่คนทั่วไป</p> <p><strong> 2. บทความวิจัย</strong> (Research Article) เป็นบทความที่มีการค้นคว้าอย่างมีระบบและมีความมุ่งหมายชัดเจน เพื่อให้ได้ข้อมูลหรือหลักการบางอย่างที่จะนำไปสู่ความก้าวหน้าทางวิชาการ หรือการนำวิชาการมาประยุกต์ใช้ให้เกิดประโยชน์ บทความวิจัยมีลักษณะเป็นเอกสารที่มีรูปแบบของการวิจัยตามหลักวิชาการ เช่นมีการตั้งสมมติฐานหรือมีการกำหนดปัญหาที่ชัดเจนสมเหตุผล โดยจะต้องระบุวัตถุประสงค์ที่เด่นชัดแน่นอน มีการรวบรวมข้อมูล พิจารณาวิเคราะห์ ตีความและสรุปผลการวิจัยที่สามารถให้คำตอบหรือบรรลุวัตถุประสงค์ตามที่ต้องการได้<strong> สาขาวิชาที่เปิดรับบทความ</strong></p> <p>ศิลปะและการออกแบบ ได้แก่ วิจิตรศิลป์ และศิลปะประยุกต์</p> <p>ประวัติศาสตร์ ทฤษฎี และการออกแบบทางสถาปัตยกรรม</p> <p>การผังเมือง การออกแบบชุมชน เคหะการและภูมิสถาปัตยกรรม</p> <p>ศิลปะสถาปัตยกรรม สถาปัตยกรรมไทย และพื้นถิ่น</p> <p>เทคโนโลยี นวัตกรรม และการบริหารจัดการทางสถาปัตยกรรม</p> <p>ISSN 2697-6560 (Online) </p> <p>ISSN 3027-7043 (Print)</p> en-US sriuras@nu.ac.th (คุณศรีอุรา เสือทะยาน) chayaninu@nu.ac.th (คุณชาญานิน อุดพ้วย) Mon, 20 Oct 2025 00:00:00 +0700 OJS 3.3.0.8 http://blogs.law.harvard.edu/tech/rss 60 Art and Architecture Journal Naresuan University Volume 16, No.2 July - December 2025 https://so01.tci-thaijo.org/index.php/ajnu/article/view/285416 <p>วารสารวิชาการ ศิลปะสถาปัตยกรรมศาสตร์ มหาวิทยาลัยนเรศวร ได้รับความสนใจจากคณาจารย์ นักวิชาการ นักวิจัย นิสิตระดับมหาบัณฑิตและดุษฎีบัณฑิต ส่งบทความเพื่อตีพิมพ์ในวารสารฯเป็นอย่างดีมาโดยตลอด ทำให้วารสารวิชาการศิลปะสถาปัตยกรรมศาสตร์ มหาวิทยาลัยนเรศวร อยู่ในฐานข้อมูล TCI (Thai journal Citation Index Centre) กลุ่ม 1 นับว่าเป็นการพัฒนาวารสารวิชาการอย่างต่อเนื่อง วารสารฉบับนี้ได้ดำเนินการเข้าสู่ปีที่ 15 ของการจัดทำวารสารและมีช่วงเวลาการตีพิมพ์เผยแพร่ ฉบับที่ 1 เดือนมกราคม - เดือนมิถุนายน และฉบับที่ 2 เดือนกรกฎาคม – เดือนธันวาคม โดยเปิดรับบทความวิชาการและบทความวิจัยตลอดปี ในวารสารออนไลน์ Thai Journals Online (ThaiJO) ที่ https://so01.tci-thaijo.org/index.php/ajnu/index ผู้อ่านสามารถดาวน์โหลดอ่านบทความทั้งเล่มหรือเลือกตามบทความฉบับสีได้ตามความสนใจ วารสารฉบับใหม่นี้มีบทความวิจัยที่น่าสนใจหลายบทความ อาทิ การพัฒนาคุณภาพสินค้าและรูปลักษณ์บรรจุภัณฑ์เพื่อสร้างมูลค่าผลิตภัณฑ์เห็ดแปรรูปพร้อมบริโภคแบบมีส่วนร่วม ศึกษาเปรียบเทียบวิธีถนอมไม้ไผ่ด้วยภูมิปัญญาชาวบ้าน วิจัยสร้างสรรค์ เรื่อง อุบัติการณ์ใหม่ของรูปทรง อิทธิพลของอุณหภูมิสีของแสงในสถานพักตากอากาศต่อการตอบสนองทางอารมณ์ ของผู้สูงอายุชาวไทย เป็นต้น โดยทุกบทความได้ผ่านขั้นตอน กระบวนการพิจารณาจากคณะกรรมการผู้ทรงคุณวุฒิประเมินผลและพิจารณาบทความแล้วส่งกลับไปยังผู้เขียนเพื่อปรับปรุงแก้ไขให้สมบูรณ์ และหวังว่าผู้อ่านจะได้นำบทความในวารสารไปใช้อ้างอิงในการอ้างอิงในโอกาสต่อไป<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;ในนามกองบรรณาธิการ ใคร่ขอขอบคุณผู้เขียนบทความทุกท่านที่ให้เกียรติในการส่งบทความ ขอบคุณผู้ทรงคุณวุฒิที่กรุณาสละเวลาในการพิจารณาตรวจสอบและกลั่นกรองบทความให้มีคุณภาพมาตรฐานเป็นที่ยอมรับ</p> Faculty of Architecture, Art and Design. Naresuan University Copyright (c) 2025 http://creativecommons.org/licenses/by-nc-nd/4.0 https://so01.tci-thaijo.org/index.php/ajnu/article/view/285416 Tue, 30 Dec 2025 00:00:00 +0700 Design and develop a multi-touch mobile application that simulates the human body for use as a drawing model. Using a variety of digital art techniques. https://so01.tci-thaijo.org/index.php/ajnu/article/view/270891 <p> Teaching and learning still life drawing during the COVID-19 outbreak requires adapting to online teaching. Instead of using a live human model, teachers must resort to using photographs. Due to the nature of the media, students will not be able to choose the camera angle and cannot adjust the lighting. Thus, using photographs may hinder the learning process. In this study, the researcher aimed to develop a medium that allows students to choose camera angles and freely arrange the lighting through the use of technology. The objectives of this research were: 1. design and develop a multi-touch mobile application that simulates the human body structure for use as a drawing model; 2. evaluate the effectiveness of the application by experts; and 3. study the satisfaction of users of the application. Through purposeful sampling based on 30 participants. The results of the research revealed that 1. a multi-touch mobile application of the human body can be developed as a reference tool for artists; 2. experts evaluated the application and gave an average score of 4.39, which is at a high level of effectiveness; and 3. The result of the satisfaction assessment from the sample group has an overall average of 4.52, or highly satisfied.</p> Waraphon manthung, Thanawat Tawonkun, Waruntorn Seetanan, Nattapon Mepuang Copyright (c) 2025 http://creativecommons.org/licenses/by-nc-nd/4.0 https://so01.tci-thaijo.org/index.php/ajnu/article/view/270891 Mon, 20 Oct 2025 00:00:00 +0700 Definitions, characteristics, and trends in the study of urban vernacular architecture: A case study of Chiang Mai https://so01.tci-thaijo.org/index.php/ajnu/article/view/274619 <p> This study aims to explore and understand the definitions, characteristics, and trends in studying urban vernacular architecture, particularly in Chiang Mai, which holds significant cultural and architectural importance. The research begins with a literature review to collect and analyze definitions and characteristics of urban vernacular architecture from various sources, as well as to identify key trends in this field. The findings reveal that the urban vernacular architecture of Chiang Mai is not just a product of the past but a living testament to the community's commitment to its preservation. It is characterized by the application of traditional construction forms and techniques, a reflection of local culture, materials, and climate, the integration of local traditions with environmental considerations, the connection of local culture and community creativity, and the blending of vernacular concepts with modern design. These distinctive features are a result of the community's active involvement in the conservation and restoration efforts, demonstrating their deep connection to their cultural heritage. This article highlights the importance of studying urban vernacular architecture in preserving culture and promoting sustainable urban development. It also provides clear recommendations for future research and policy development in conserving Chiang Mai's urban vernacular architecture to benefit the community and the public.</p> Aumpika Amloy Copyright (c) 2025 http://creativecommons.org/licenses/by-nc-nd/4.0 https://so01.tci-thaijo.org/index.php/ajnu/article/view/274619 Tue, 16 Dec 2025 00:00:00 +0700 The animation development of creating passive income from intellectual property https://so01.tci-thaijo.org/index.php/ajnu/article/view/276339 <p> The research study on The animation development of creating passive income from intellectual property 1.To explore the creation of an animation about generating passive income from intellectual property and the channels for generating online revenue. 2. To design and develop an animation about generating passive income from intellectual property and the channels for generating online revenue. 3. To assess the target audience’s satisfaction with the animation on creating passive income from intellectual property and the channels for generating online revenue.The research methodology employed the principles of Double Diamond Design Thinking, which consists of four stages: Discover – gathering data and conducting a literature review, Define – establishing the project’s scope, Develop – creating and refining the animation, Deliver – testing the animation with the target audience. The research successfully addressed the objectives. The researcher conducted interviews with five experts who have successfully generated passive income, as well as gathered data from the target audience to analyze and inform the scriptwriting process for the animation. The animation was then evaluated for audience satisfaction. The research findings revealed that the volunteers were more motivated and satisfied with the concept of generating passive income from intellectual property. According to the pre- and post-viewing knowledge test, the percentage of correct answers increased significantly. Before watching the animation, 73.15% of participants answered correctly, while 26.85% answered incorrectly. After watching the animation, 84.67% answered correctly, and only 15.38% answered incorrectly, demonstrating a statistically significant improvement. Regarding audience satisfaction, the top three areas receiving the highest average scores were: Content continuity and clarity (Mean = 4.57, SD = 0.64),The appropriate length of the animation (Mean = 4.54, SD = 0.70), and The clarity of the narration (Mean = 4.48, SD = 0.78). In conclusion, the development of the animation on creating Passive Income through Intellectual Property proved to be effective and practical. It successfully motivated the audience to learn more about and practice generating passive income from their own intellectual property.</p> <p> </p> Nipatsara Bureepia, Linda Intralak Copyright (c) 2025 http://creativecommons.org/licenses/by-nc-nd/4.0 https://so01.tci-thaijo.org/index.php/ajnu/article/view/276339 Wed, 17 Dec 2025 00:00:00 +0700 Khan ak set : Dyes and banana leaf dyeing for commercial crafts https://so01.tci-thaijo.org/index.php/ajnu/article/view/278192 <p> This research entitled “Khan Maak Set (Ceremonial Tray Set): Dyes and Banana Leaf Dyeing for Commercial Crafts”, aimed to 1. explore dyeing techniques for banana leaves in commercial crafts and 2. evaluate satisfaction with the developed products. The study employed research and development methodology comprising five key steps: 1. collecting relevant data, 2. experimenting with dyeing techniques, 3. designing the Khan Maak Set prototype, 4. selecting appropriate color shades, and 5. developing the final product. Data were analyzed using mean and standard deviation. The findings revealed that the majority of experts preferred lining fabric for dyeing, and they opted for fabric dyes and selected seven shades as suitable for commercial crafts. Additionally, they identified Kluai Namwa banana leaves as the most appropriate material for dyeing. The experts used a spectrophotometer and qualitative evaluations to assess color outcomes. The final prototype of the Khan Maak Set was designed and refined for practical applications. Satisfaction with the Khan Maak Set (Ceremonial Tray Set): Dyes and Banana Leaf Dyeing for Commercial Crafts found that Dyeing Process: Gradient dyeing of fabrics using banana leaves was found to produce suitable shades, with overall satisfaction averaging 4.55, rated at the highest level. Product Creativity: Practical application of the dyed products received an average satisfaction score of 4.90, also at the highest level. Finally, Business Development: The ceremonial tray set products were recognized for their potential to enhance the craft business, achieving an average satisfaction score of 4.80, again at the highest level.</p> sakarin hongrattanavorakit Copyright (c) 2025 http://creativecommons.org/licenses/by-nc-nd/4.0 https://so01.tci-thaijo.org/index.php/ajnu/article/view/278192 Thu, 18 Dec 2025 00:00:00 +0700 A Survey of packaging styles affecting the purchase of color cosmetic products https://so01.tci-thaijo.org/index.php/ajnu/article/view/53-65 <p> Color cosmetics products packaging presents with many different forms. The decision to purchase those products depends on individual preference. The research objective is to explore packaging styles that affect the purchase of color cosmetics products. The sample group (n=385) consists of adults aged 20 years and over who have had experiences in which purchasing color cosmetics products including eye shadow, blush on, lipstick, lip balm, lip tint, lip gloss, and lip liner. Data were collected via an online questionnaire including Facebook, Instagram and Line. The data were analysed by descriptive statistic and represented in frequency and percentage. The research found that the majority of survey respondents who purchased facial cosmetics products are female (74.29%), <a href="#_ftn1" name="_ftnref1">[1]</a>with an average age range of 20-22 years (86.75 %). Almost of them are University students (86.23%). The main monthly income is between 10,001 and 15,000 baht (54.55%). The main type of packaging that survey respondents chose to buy for eye cosmetics products is the square compact (46.23%). The circular compacts (57.14%) and dip sticks (42.34 percent) are the main packaging for cheek and lip cosmetics products, respectively. The most popular chosen material for all cosmetic groups is plastic (75.58%), and the color tone is pastel-themed (39.13%). The main factor that affects for purchasing is the color tone of the packaging. The research results can serve as guidance for entrepreneurs in improving their marketing strategies to meet the needs of customers and also impact to package selection of color cosmetics products in the future.</p> <p> </p> <p><a href="#_ftnref1" name="_ftn1"></a> </p> Athagran Nakham, Nilawan Upakdee Copyright (c) 2025 http://creativecommons.org/licenses/by-nc-nd/4.0 https://so01.tci-thaijo.org/index.php/ajnu/article/view/53-65 Wed, 24 Dec 2025 00:00:00 +0700 The creation of online comic books about the legend of Lanna ghost stories in protector ghost group for the dissemination of artistic and cultural identity https://so01.tci-thaijo.org/index.php/ajnu/article/view/271934 <p> The purpose of this research is to study the legends and beliefs about Lanna ghosts in group of guardian angels in the upper northern region, and create an online comic book through the knowledge gained from research and collecting information about Legends and beliefs about Lanna ghosts in the upper northern region. Developing an online comic book about the legends and beliefs about Lanna ghosts in the upper northern region of Chiang Mai Province as a learning medium and dissemination of local culture by synthesizing knowledge gained from studying Lanna ghost stories as inspiration for creating online cartoons under the theory of character design combined with production formats, program design and operation, and related multimedia design to present and disseminate works. Stimulating the interest in understanding the values and cultural identity and beliefs about Lanna ghosts by presenting the results of the study in the form of online comic books as a learning medium and disseminating local culture. The results of the research found that 1. The important criteria for selecting tales must have ghost characters as a component in the story and be stories related to divine powers that affect humans. They are classified into 2 types: ghost stories with a storyline and ghost stories presented in an explanatory manner. 2. Bringing oral literature about beliefs in Lanna ghosts, which is the original knowledge in the past, to distribute in the form of online comic books. It is a new dimension in recording stories in Lanna history in the form of online cartoon media, which is a linking point to past stories, attitudes, beliefs, and ways of life woven through the lines of comic books. It is a path to connect and record history through the medium of comic books so that people in the present era can access the content of past history and cultural values. In addition, 3. The style of the characters used in the story has gone through the design thinking process and developed into a set of characters that can be further developed in other works of art and design to create economic value only. It can also be collected as a library of ideas for those interested to use as inspiration for creativity in other fields of art and design. Importantly, it is also promoting and disseminating the cultural identity of ghost beliefs in Lanna culture.</p> Siriwit Phangsuwan, Parichard Kasamsuk Copyright (c) 2025 http://creativecommons.org/licenses/by-nc-nd/4.0 https://so01.tci-thaijo.org/index.php/ajnu/article/view/271934 Sat, 27 Dec 2025 00:00:00 +0700 Product design for home use from economic bamboo https://so01.tci-thaijo.org/index.php/ajnu/article/view/271535 <p> This research aims 1) to design household products from economic bamboo, 2) to transfer knowledge to bamboo entrepreneurs in Ban Thanang Hom, Songkhla Province. The sample population is divided into 3 groups: 1. Community leaders 2. Entrepreneurs in Ban Thanang Hom area 3. Design experts, which were selected by purposive sampling. The tools used were interviews and questionnaires. Community leaders, entrepreneurs and tourists were asked about the products by calculating the mean and standard deviation. Statistics were used to analyze the data. The results showed that the satisfaction of design experts with the hammock was at a high level with an average of 4.38; the bench was at the highest level with an average of 4.55; the shelf was at a high level with an average of 4.33; the bar counter was at a high level with an average of 4.45; the shoe rack was at a high level with an average of 4.29; the clothes drying rack was at a high level with an average of 4.40; the bed was at the highest level with an average of 4.69; the table set was at a high level with an average of 4.50; the tray and glass set was at the highest level with an average of 4.57; and the bar table and chair set. The satisfaction level of the target group of 50 people with the product design was at the highest level with an average of 4.49.</p> Bancha Julukul Copyright (c) 2025 http://creativecommons.org/licenses/by-nc-nd/4.0 https://so01.tci-thaijo.org/index.php/ajnu/article/view/271535 Mon, 29 Dec 2025 00:00:00 +0700 Interior design guidelines for vernacular houses learning center in the Tha chin river basin: A case study of chainatmuni national museum, Chai Nat https://so01.tci-thaijo.org/index.php/ajnu/article/view/275680 <p>The purposes of this research were to concept and Corporate Design of research and Development Interior Architecture Design and Presentation interior decoration. The results of the study found that space management characteristics stimulate creative thinking. Convey awareness along with designing the environment of that activity area. A memorable experience for everyone to participate in the activities on display is the area of perception and feeling, Making Sense, called the Learning Space. It is considered an educational science. and learning from the process of designing the environment according to the context of the displayed content, changing information in each area within the building. The interior design of the learning center Important points to keep in mind are: Meaning of objectives for story display. Meaning objective to storyline according to the context of the learning activity space that corresponds to the displayed objects according to the elements of the interior space.</p> suriyan chansawang, Chayaphol Saranyapat, Supachock Sonthichai, Siripisit Chanchoopool Copyright (c) 2025 http://creativecommons.org/licenses/by-nc-nd/4.0 https://so01.tci-thaijo.org/index.php/ajnu/article/view/275680 Mon, 29 Dec 2025 00:00:00 +0700 Design beating machines for sugar palm bract from solar power. https://so01.tci-thaijo.org/index.php/ajnu/article/view/272602 <p> Objective of this research is 1. to design of solar-powered beating machines for sugar palm bract 2. to find comparative efficiency of chafing with diesel engines and solar motors 3. to reduce production costs to achieve cost-effectiveness economic value It consists of a mono crystalline solar panel and a 750 watt 48 volt DC motor. In terms of productivity, the time difference between a diesel engine and a solar motor is 4 hours, because if it is used with a diesel engine, it is quite noisy, so the time limit is 4 hours, where the output from the diesel engine will get 13 brooms from the power motor. In terms of power consumption, the diesel engine loses energy at 35 baht. Economically, when calculating the monthly output between a diesel engine and a solar motor, it was found that the monthly output was different. At 260 units / 20 days, the product sales per month has a difference of 10,400 baht, the energy cost per month is the difference of -700 baht, the selling price minus the energy cost per month has a difference of 11,100 baht. The diesel engine had an engine loudness of 105 decibels, which exceeded the auditory standard of occupational safety law. Air Pollution Diesel engines burn together oil and engine oil if the combustion temperature does not reach the perfect combustion point. Thus causing fumes which cause air pollution Solar motor part In terms of maintenance, it was found that diesel engines cost more to maintain than solar motors.</p> Nutwarat Khajadpai, Pranee Taoklang, Phinyapat Sawatkunnithi, Rittirong Jangim, Nitas Suriakan Copyright (c) 2025 http://creativecommons.org/licenses/by-nc-nd/4.0 https://so01.tci-thaijo.org/index.php/ajnu/article/view/272602 Mon, 29 Dec 2025 00:00:00 +0700 The Transmission of Faith through Tai Lue Woven Textiles in Contemporary Craft Art https://so01.tci-thaijo.org/index.php/ajnu/article/view/283981 <p> This research aims: 1. to study the cultural context of Tai Lue woven textiles, focusing on their history, identity, and motifs in the Upper Northern region of Thailand; and 2. to create contemporary craft artworks that express Buddhist faith through the synthesis of cultural knowledge derived from Tai Lue weaving traditions. The study was conducted in Chiang Mai, Nan, and Phayao Provinces. This research employed a creative art-based methodology consisting of two key phases. The first phase involved studying Tai Lue culture through relevant documents, concepts, theories, previous research, and artistic works. The second phase focused on creative production—analyzing and synthesizing data to formulate concepts and techniques for developing Contemporary Craft Art using Mixed Media Art approaches. The research outcomes are presented in both descriptive form and creative artworks. The results revealed that: 1. Tai Lue woven textiles represent valuable cultural heritage, serving as a “symbol of time” that connects stories from the past to the present through the meticulous craftsmanship and spiritual devotion of Tai Lue women. Each textile design reflects the community’s way of life, beliefs, and identity. The textiles can be categorized into two types—those used in daily life and those used in rituals. The major motifs are classified into four groups: geometric patterns, animal motifs, floral and botanical designs, and belief-related motifs. Among these, the Naga motif stands out as a symbol of power, protection, and fertility. 2. The knowledge gained from the study was synthesized as inspiration for creating a Contemporary Craft Lantern that reflects the Tai Lue belief in “weaving Tung (sacred lanterns) as offerings to temples,” symbolizing devotion to Buddhism. The creative process integrates natural materials with contemporary technology, using cotton yarns and characteristic Tai Lue colors in combination with metal structures and laser-cut techniques to achieve a three-dimensional illuminated aesthetic. The two-dimensional Naga motif from traditional textiles was reinterpreted into layered geometric forms, symbolizing the transcendence of faith from the material to the spiritual realm. The resulting artwork demonstrates a harmonious integration of belief, light, and material, embodying both aesthetic and cultural values. It highlights the potential of Tai Lue weaving wisdom to inspire contemporary craft design that remains deeply rooted in its cultural origins while embracing modernity. This creation is part of the continuation of the doctoral dissertation titled “Tai Lue Woven Textiles: Conveying Faith through Contemporary Art.” The research was supported by the National Research Council of Thailand (NRCT) under the Graduate Researcher Development Grant, fiscal year 2022. The author gratefully acknowledges the NRCT for funding this study to its successful completion.</p> parichard kasamsuk Copyright (c) 2025 http://creativecommons.org/licenses/by-nc-nd/4.0 https://so01.tci-thaijo.org/index.php/ajnu/article/view/283981 Mon, 29 Dec 2025 00:00:00 +0700 The creation of Buddhist tradition illustration by studying the thai mural painting https://so01.tci-thaijo.org/index.php/ajnu/article/view/270406 <p>Thai traditional painting constitutes a highly distinctive visual tradition that is clearly differentiated from the artistic practices of other cultures. While it has historically absorbed influences from external cultural sources, Thai painting has evolved through sustained processes of transformation, adaptation, reduction, and synthesis, resulting in a coherent visual language that articulates the cultural identity of Thai society. The thematic content of Thai painting embodies ethical values, social practices, and cultural worldviews, with Buddhist traditions serving as a central intellectual and spiritual framework that has profoundly shaped Thai visual culture over centuries. In the context of contemporary visual communication, however, the transmission of Buddhist traditions through traditional artistic forms faces challenges in engaging modern audiences whose modes of perception are increasingly shaped by illustration, digital media, and popular visual culture. This research therefore seeks to develop approaches and methodologies for the creation of contemporary illustrations of Buddhist traditions grounded in the formal principles and conceptual foundations of Thai painting. The objective is to generate illustrative works that maintain cultural authenticity while employing visual strategies that resonate with contemporary modes of representation and reception. This study adopts a qualitative and creative research framework, integrating analytical inquiry with practice-based experimentation. The research process comprises three principal stages. The first stage involves documentary research and critical analysis of the formal structures, visual elements, and distinctive characteristics of Thai painting, alongside an examination of contemporary artists whose practices demonstrate a reinterpretation of Thai pictorial traditions. The second stage employs visual analysis to synthesize key compositional components, including line, color, form, spatial organization, narrative structure, and Buddhist symbolic systems. The third stage consists of practice-based research, in which the synthesized analytical insights are translated into conceptual design frameworks and subsequently realized through experimental illustration production. The research employs multiple instruments, including structured analytical frameworks for examining visual elements in Thai painting, case study analysis of contemporary artists who adapt Thai painting within modern visual contexts, the development of conceptual design sketches, and iterative creative experimentation. Digital illustration tools are utilized in conjunction with traditional artistic processes, enabling a hybrid methodology that reflects contemporary illustration practices while retaining the expressive qualities of traditional art-making. The findings reveal that the distinctive visual characteristics of Thai painting particularly its use of line, color, form, compositional hierarchy, and Buddhist symbolism can be systematically analyzed, recontextualized, and effectively applied to the development of contemporary illustration. The resulting creative works demonstrate the capacity to convey Thai cultural identity through a visual language that aligns with contemporary illustration media and aesthetic sensibilities. This research underscores the potential of Thai painting as a generative epistemological foundation for contemporary illustration practice and contributes a methodological framework applicable to design practice, art and design education, and the sustainable reinterpretation of Thai cultural heritage within contemporary visual culture.</p> rachata yooyim Copyright (c) 2025 http://creativecommons.org/licenses/by-nc-nd/4.0 https://so01.tci-thaijo.org/index.php/ajnu/article/view/270406 Tue, 30 Dec 2025 00:00:00 +0700 Product design from Nang Talung: increasing product value of Rak Khon Nang Talung Carving community enterprise in mueang district, Nakhon Si Thammarat province https://so01.tci-thaijo.org/index.php/ajnu/article/view/280352 <p>This research aimed to design Nang Talung products to add value to the Rak Khon Nang Talung Leather Carving Community Enterprise. A qualitative research methodology was employed, utilizing surveys, interviews, and questionnaires as research instruments. Data regarding traditional knowledge of leather processing and shadow puppet carving techniques were collected from five key practitioner groups: the Pak Phun Nang Talung Leather Carving Community Enterprise, Add’s Handcraft Group, Ban Nang Talung Suchart Subsin, Master Sumon S. Prathum, and Master Non Aikhwanmuang. The product design needs were assessed from the Rak Khon community enterprise members. The designed prototypes were evaluated by three experts, and satisfaction toward the prototypes was assessed by 20 local producers and 30 consumers. The research findings revealed that: 1. The traditional wisdom in Nang Talung leather preparation involves scraping bovine hides to remove fascia, soaking them in a mixture of vinegar and alcohol, and sun-drying before carving. At present, ready-made bovine leather is available from factories. There are two main carving techniques: knife cutting and stamping using a tud-tu or punch tool. 2. The design requirements for new products emphasized small size, portability, and representation of the local identity of Nakhon Si Thammarat Province. The conceptual design was based on the historical narrative of Nakhon Si Thammarat and its governance over twelve subordinate cities. 3. Three new product designs were developed a twelve-zodiac keychain 7x10 cm, a twelve-zodiac bookmark 7x10 cm, and a twelve-zodiac wall decoration 30x45 cm. 4. The overall satisfaction with the prototypes was rated at 4.21 by experts, 4.39 by local producers, and 4.32 by consumers, all falling within a high level. These results reflect a positive reception of the prototypes across all stakeholder groups, in terms of functional quality, identity-based design, and market potential.</p> <p><strong> </strong></p> Tuangrak Rattanapan, Chatchawal Rattanapan, Maytira Kainatee Copyright (c) 2025 http://creativecommons.org/licenses/by-nc-nd/4.0 https://so01.tci-thaijo.org/index.php/ajnu/article/view/280352 Mon, 29 Dec 2025 00:00:00 +0700 The development of bamboo multi-purpose furniture products from the wisdom of basketry Sansin Bang Chao Cha Community Enterprise, Ang Thong Province https://so01.tci-thaijo.org/index.php/ajnu/article/view/274723 <p> The 3 objectives of this research “The development multi-purpose bamboo furniture from the wisdom of weaving Sansin Bang Chao Cha Community Enterprise, Ang Thong Province” are as follows; 1. To study the weaving wisdom of Sansin Bang Chao Cha Community Enterprise, Ang Thong Province 2. To develop multi-purpose bamboo furniture from the wisdom of weaving enterprises, Sansin Bang Chao Cha Community Enterprise, Ang Thong Province 3. To assess the satisfaction of those involved at Sansin Bang Chao Cha Community Enterprise consumers who are interested in multi-purpose bamboo furniture. Use interview, questionnaires, checklist and Rating Scale as a researching tools to collect data for statistics analysis consisting of frequency, percentage, sample mean and Standard Deviation assembling bamboo furniture prototypes. The research results were showed the satisfaction at a high level with an average value (=4.20, S.D.=0.94) and the maximum satisfaction of beautiful design had an average value (=4.46, S.D.=0.71), the secondary by usability had an average value (=4.23, S.D.=0.91) the third was identity creation with an average (=4.17, S.D. 0.91) and the last was material and production had an average value (=4.02, S.D. 1.05) ratification level.</p> Ratthai Porncharoen, Watanapun Krutasaen, Rui Kansomkrait, Thanatorn Jiarakun Copyright (c) 2025 http://creativecommons.org/licenses/by-nc-nd/4.0 https://so01.tci-thaijo.org/index.php/ajnu/article/view/274723 Tue, 30 Dec 2025 00:00:00 +0700 The effectiveness of healthcare for patients with art therapy https://so01.tci-thaijo.org/index.php/ajnu/article/view/267721 <p> The research on the effectiveness of healthcare for patients with art therapy aimed to find out the improving the effectiveness of caring the quality of life of veterans patients which applying art therapy. This research was qualitative research. The veterans patients in the veterans’ hospital were the unit of analysis. There were 4 steps of this research: 1. study the veterans behavior and their history background, 2.design the tool which related to art therapy, 3. collecting the data from 40 veterans patients, and 4. analysing the data from their art performant and from their answer questionnaire. The findings of this study were as follows:The improvement of the effectiveness of carrying the quality of their life based on art therapy can be effectiveness their art skill. They can create new healthcare; and ideas. The patients can draw the picture which show their emotions, and filling, through artwork. They can imagine, line drawing on paper. They can improve their social relationships and they also able to talk with others. They can improve their positiveemotion and decrease their worrier. This sign shown that the improving the effectiveness of healthcare for patients with art therapy was accuracy, appropriately, possibility and utility. </p> Ophascharas Nandawan Copyright (c) 2025 http://creativecommons.org/licenses/by-nc-nd/4.0 https://so01.tci-thaijo.org/index.php/ajnu/article/view/267721 Tue, 30 Dec 2025 00:00:00 +0700 The study and creation of portrait oil painting with underpainting technique https://so01.tci-thaijo.org/index.php/ajnu/article/view/273273 <p><strong> </strong>The research titled “A Study and Creation of Oil Portrait Painting Using Underpainting Techniques” aims to: 1. study the creative processes of oil portrait painting using underpainting techniques by analyzing the works of European, Chinese, and Thai artists, tracing the evolution from European origins through Chinese development to its practical application in the contemporary Thai context; 2. compare the creative processes of underpainting techniques with direct painting techniques based on color value comparison; and 3. create original oil portrait paintings using techniques tailored to an individual creative style.</p> <p>The results of the study reveal that the underpainting method comprises three primary underlayering techniques: Grisaille (monochrome or grey tones), Verdaccio (green tones), and Imprimatura (brown tones). The process involves two main stages: the sketching phase (from rough to detailed drawing) and the final coloring phase. It was found that Chinese and Thai painters employ underpainting processes similar to those of classical European masters; however, there has been a significant transition in the choice of media. Traditional materials, such as linseed oil and Damar resin crystals, have been replaced by modern mediums like Liquin Original, Medium 1, and Medium 2. Regarding the comparison between the underpainting technique and the value-comparison technique, three primary differences were identified: 1. Timeframe: Underpainting requires a longer duration due to the creation of the monochromatic underlayer; 2. Materials: A smooth canvas surface is essential for the effective layering of pigments; and 3. Aesthetics: Underpainting produces a result with greater depth, dimension, and color density. These findings have led to the synthesis of a unique creative approach that integrates classical underpainting techniques with modern mediums to achieve the most refined visual elements.</p> Kamolwan Saengprom Copyright (c) 2025 http://creativecommons.org/licenses/by-nc-nd/4.0 https://so01.tci-thaijo.org/index.php/ajnu/article/view/273273 Tue, 30 Dec 2025 00:00:00 +0700 Chinese temples in the memories of Chinese Thai people in Korat town https://so01.tci-thaijo.org/index.php/ajnu/article/view/274994 <p> This article explores the narratives and memory experiences of Thai Chinese individuals residing in the urban community of Korat (or Nakhon Ratchasima Old Town), focusing on the relationship between Chinese shrines, beliefs, faith, and the community's way of life amidst the changing currents of urbanization. The study applies the concept of Place memory to understand the role of Chinese shrines as cultural spaces that reflect social memory, shared identity, and the connection between the past and present. The research methodology involves observation and in-depth interviews with 10 purposively selected participants who are users of the shrine spaces and individuals with direct experiences related to the shrines. Narratives from the participants reveal the evolving roles of the shrines, transitioning from sacred spaces symbolizing identity and faith to multifunctional spaces encompassing social and economic dimensions. These roles include daily activities, social gatherings, and their significance as prominent tourist destinations in the city. Notably, four Chinese shrines in Korat serve as cultural memory hubs and symbolic spaces, interconnected through ritual practices and social bonds according to linguistic groups. This study highlights that Chinese shrines not only function as spiritual centers but also as spaces that preserve Place memory, bridging communities with their cultural roots and reflecting the dynamic adaptation of these spaces within the contemporary urban context.</p> <p> </p> Marisa Hiranteeyakul Copyright (c) 2025 http://creativecommons.org/licenses/by-nc-nd/4.0 https://so01.tci-thaijo.org/index.php/ajnu/article/view/274994 Tue, 30 Dec 2025 00:00:00 +0700