https://so01.tci-thaijo.org/index.php/damrong/issue/feedDamrong Journal of The Faculty of Archaeology Silpakorn University2024-12-24T17:25:34+07:00คณะบรรณาธิการวารสารดำรงวิชาการdamrong_journal2@hotmail.comOpen Journal Systems<p><strong>วารสารรวมบทความทางวิชาการ คณะโบราณคดี<br /></strong><br />ดำรงวิชาการเป็นวารสารวิชาการของคณะโบราณคดี ซึ่งเป็นวารสารประจำคณะฯ เพื่อเผยแพร่บทความวิชาการ/บทความวิจัย และ Book review ด้านโบราณคดี ประวัติศาสตร์ศิลปะ ประวัติศาสตร์ มานุษยวิทยา ภาษาและวัฒนธรรม ของคณาจารย์ นักวิชาการ ภายในและภายนอกมหาวิทยาลัยศิลปากร โดยมีกลุ่มเป้าหมาย คือนักวิชาการ และผู้สนใจทั่วไป เพื่อส่งเสริมให้เกิดการค้นคว้า ทางด้านโบราณคดี ประวัติศาสตร์ศิลปะ ประวัติศาสตร์ มานุษยวิทยา ภาษาและวัฒนธรรม และให้เกิดการแลกเปลี่ยนทรรศนะทางวิชาการ อันจะก่อให้เกิดการพัฒนาองค์ความรู้อย่างต่อเนื่อง โดยเริ่มจัดพิมพ์ตั้งแต่ พ.ศ. 2544 จนถึงปัจจุบันมีกำหนด ออกปีละ 2 ฉบับ ราย 6 เดือนของทุกปี (ฉบับที่ 1 มกราคม - มิถุนายน และฉบับที่ 2 กรกฎาคม – ธันวาคม) <br /><br /></p>https://so01.tci-thaijo.org/index.php/damrong/article/view/278160ความรู้และมุมมองจากหนังสือประวัติศาสตร์จีนสมัยใหม่2024-12-24T16:42:49+07:00Poom Putimahtamapoomputi@hotmail.com2024-12-24T00:00:00+07:00Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/damrong/article/view/278162Editorial Team2024-12-24T17:07:44+07:00Editorial Teamdamrong_journal2@hotmail.com2024-12-24T00:00:00+07:00Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/damrong/article/view/278164Editorial2024-12-24T17:22:22+07:00Editorialdamrong_journal2@hotmail.com2024-12-24T00:00:00+07:00Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/damrong/article/view/278165Peer Review2024-12-24T17:25:34+07:00Peer Review damrong_journal2@hotmail.com2024-12-24T00:00:00+07:00Copyright (c) 2024 https://so01.tci-thaijo.org/index.php/damrong/article/view/269741Relationship between Champa and Dvaravati in Northeastern Thailand as Seen Through the Artistic Style During the 9th and 10th Century A.D.2024-01-23T10:54:16+07:00Varis Domethongvaris.dome@gmail.com<p>Champa was an ancient state in the central and southern regions of Vietnam from the 3rd century until the 16th century. With a coastal area close to southern China and important forest resources, Champa is one of the most important ports. There are many contacts with ancient states in Southeast Asia. One of them is the ancient state of Thailand, including Dvaravati and Srivijaya. As well as the Dvaravati area in northeast of Thailand, there is evidence in the form of fine arts showing the relationship between the two areas during the 9th and 10th centuries, both in the form of artifacts and archaeological sites, such as carvings on Phra That Phanom, the Lion Sculptor, and Bai Sema. These fine arts encourage us to see other dimensions of the relationship between Champa and Dvaravati in the northeastern Thailand beyond the craftsmanship relationship, including political and Mahayana Buddhism relationships. This article attempts to present an analysis and interpretation of the political and religious relationship between Champa and Dvaravati during the 14th and 15th centuries in northeastern Thailand through the analysis of the distribution of evidence and related artistic styles.</p>2024-12-24T00:00:00+07:00Copyright (c) 2024 Damrong Journal of The Faculty of Archaeology Silpakorn Universityhttps://so01.tci-thaijo.org/index.php/damrong/article/view/272856Crowned Buddha Statue in Battambang Province During Siamese Control Period2024-05-21T15:12:38+07:00Sirang LENGlengsirang.92@gmail.com<p>The purpose of this study is to study the forms and concepts of making the crowned Buddha statues in Battambang during the period in which it was under Siamese control (1795-1907AD). The statues were presented in Battambang in the 12th century, at least, with Khmer art, Angkor period style. Since then, the Buddha images in Battambang have evolved. By the time the territory became a part of Siamese sovereignty, the characteristics of Buddha statues were typically similar to those of Maha Chaprapan crowned Buddha statues, the Thai art style in the Rattanakosin period. However, some characteristics are similar to those in Khmer art in the central region. Therefore, this study is conducted by comparing the forms and concepts between the crowned Buddha statues made in Battambang during the Siamese control period, and those statues made in Thai and Khmer art in the same period. As the result, some remarkable points are found, such as the forms, decorative ornaments, the building process, and concepts of making, which are heavily oriented toward the Thai art style.</p>2024-12-24T00:00:00+07:00Copyright (c) 2024 Damrong Journal of The Faculty of Archaeology Silpakorn Universityhttps://so01.tci-thaijo.org/index.php/damrong/article/view/272550Heavenly Flowers in the Buddha Painting of Wat Chedi Sung2024-05-30T13:54:35+07:00Siwawong Rakwongwaritsiwawongrakwongwarit@gmail.com<p>This academic paper aims to analyze the characteristics and patterns of Buddha painting on the banner, known as Phar Bot, of Wat Chedi Sung. The findings conclude that the Buddha painting of Wat Chedi Sung has existed since the 21<sup>st</sup> century on the Thai Buddhist calendar. The painting depicts the story of the Buddha as he descended from Tavatimsa heaven. The main features of the Buddha painting consist of a large depiction of the Buddha in the center along with two of his disciples on each side. half the size compared to the image of Buddha. In the background there are paintings of flowers scattered all over the area. The 6 kinds of divine flowers include 1) white champaca and orange champak 2) Indian cork 3) Lotus 4) Peony or Gardenia 5) Bao Xiang Hua flowers 6) cape jasmine, the latter of which is a local flower of Lanna and refers to the heavenly flowers that angels rain down to worship the Buddha.</p>2024-12-24T00:00:00+07:00Copyright (c) 2024 Damrong Journal of The Faculty of Archaeology Silpakorn Universityhttps://so01.tci-thaijo.org/index.php/damrong/article/view/274177Determining the Age of the Ancient Vesantara Jataka Scroll Painting at Wat Pa Sakdaram of Roi Et Province 2024-08-14T11:22:41+07:00Dr. Kesinee Sriwongsanimsri224@gmail.com<p>One of the objectives of this research was to examine the dating of the ancient Vessantara Jataka scroll painting at Wat Pa Sakdaram of Roi Et Province, which would elucidate the history of this scroll painting more clearly by studying the art form and providing a comparative analysis with art works in various places. The results of this study found that the ancient scroll painting had an art form that combines Thai traditional painting with the influence of Western art and local Isan art. The Isan craftsmen had the freedom to select events from various scenes of the Vessantara Jataka to paint the story on the canvas. It covers all 13 chapters and uses the location as the main focus, considering the time when the events occurred, and giving importance to the scenes of life by painting the pictures in specific areas, showing the realism in the dimensions of the story according to the principle of realism. A picture of a Kalpavriksha tree appears that had a different appearance from the painting in the second half of the 25th Buddhist century. Additionally, the attire of men and women, including various utensils of this scroll painting, were a popular style during the reign of King Rama VI and up to the beginning of the reign of King Rama VII. Therefore, the dating of this ancient scroll painting should be in the latter half of the 25th Buddhist century. </p>2024-12-24T00:00:00+07:00Copyright (c) 2024 Damrong Journal of The Faculty of Archaeology Silpakorn Universityhttps://so01.tci-thaijo.org/index.php/damrong/article/view/273965Toponymy of Glorious Temples Names in India: An Ethnosemantic Study of Structure and Meaning2024-06-10T13:49:07+07:00Dr. Rawee Jansongraweejan@gmail.comPhongsatorn Surintour.pst@gmail.com<p>This research aims to investigate the structure and meaning of temple names, leading to a reflection on the value of toponymic temples in India through Ethnosemantic Study. The data was collected from Google Maps using purposive sampling to acquire 360 temple names. The results revealed that the structure of toponymic temples in India depicts expanded structures. Additionally, a total of 10 sub-semantic domains pertaining to the toponymic temples in India are identified, encompassing sacred, placed, mothered and ascetic, objected, attributed, nature and flora, auspicious, ruler, animals and mythical creatures, and geographic located domains. The study elucidates the values manifested through these toponymic temples’ names in India, identifying a total of the following 5 values, including diverse religious beliefs, the entrenched caste system in Indian society, geographical features associated with temple locations, natural resources, and famous characters in Indian literature.</p>2024-12-24T00:00:00+07:00Copyright (c) 2024 Damrong Journal of The Faculty of Archaeology Silpakorn Universityhttps://so01.tci-thaijo.org/index.php/damrong/article/view/265131Nature in the Composition of Kālidāsa, the Poet of Nature2023-05-21T20:36:59+07:00Srisamorn Silawatanawongsesrisamornsila@gmail.comDr. Samniang Leurmsaisamniang101@gmail.comDr. Nipat Yamdate nipatyamdate@gmail.com<p>This research article has two objectives: 1) to study nature in Kālidāsa’s poetry using the Alāṃkāraśāstra theory; and 2) to study the techniques of composition that use nature to convey meaning in Kālidāsa’s poetry. The scope of study is from the dramatic work <em>Abhijñānaśākuntalam</em>, and, in the Khaṇḍakāvya genre, <em>Ṛtusaṃhāra</em> and <em>Meghadūta</em>. According to the findings, Arthālaṃkāra is used by Kālidāsa in three different types of compositions, i.e., Svabhāvokti, Upamā and Rūpaka. In terms of using nature, particularly flowers, in his composition to convey meaning involving both concrete and abstract ideas, three concrete meanings were found: 1) allusions to flowers used in personal adornment; 2) flowers used in rituals such as offerings, sacrifices, and so on; and 3) flowers used as gifts. Finally, flowers are used to express abstract meanings and contain spiritual value.</p> <p>It seems these are all names of texts. If so, this is a better way of expressing this idea.</p>2024-12-24T00:00:00+07:00Copyright (c) 2024 Damrong Journal of The Faculty of Archaeology Silpakorn Universityhttps://so01.tci-thaijo.org/index.php/damrong/article/view/271600Tentative Interpretation of Islamic Peace Concept from the Biography of the Prophet Muhammad: A Study of Social Engagement from the Beginning of the Propagation of Islam in Makkah until the Immigration to Madinah2024-05-07T08:55:02+07:00Lutfee Hayibuerahenglutfee.hayibueraheng@gmail.comDr. Samart Thongfhuathongfhua@gmail.com<p>This research aimed to study the concept of Islamic peace from the events of the Prophet Muhammad's social engagement from the beginning of the Islamic propagation period in Makkah until the migration to Madinah. It is orientated towards studying the ends and the methods of such social engagement to expand the knowledge boundaries of the field of peace studies. This study was a qualitative study in which data from the documents and Interview was utilized, then analyzed using the inductive method, and eventually synthesized into the Islamic concept of peace. The results of the research showed that the Islamic concept of peace can be explained through ‘peace from its ends’ and ‘peace from the means’. The concept of peace from its ends lay in the following aspects: 1) Peace in the Islamic view stratified into Absolute peace and relative peace, 2) The possibility of absolute peace and relative peace determined by the behaviors of human beings, and 3) The Islamic proposition of relative peace resting on six principles; i.e., Submission to God, Compliance with the teachings of the Prophet Muhammad, Belief in the absolute just, Abidance by morality for self-conduct, Solidarity among Muslims, and Upholding the rights of the world's population as relatives. As for the concept of peace through the means, it entails the facets as follows: 1) Peace engagement must always be based on the right ends; 2) Peace engagement must be carried out in accordance with the methods supported by Islam; 3) Islamic methods cover both non-violent and violent means; 4) Either of which will be selected upon the good- outcome principle; and 5) In case that the favorable outcome cannot be reached, the non-violent action is always applied first.</p>2024-12-24T00:00:00+07:00Copyright (c) 2024 Damrong Journal of The Faculty of Archaeology Silpakorn Universityhttps://so01.tci-thaijo.org/index.php/damrong/article/view/268708The Rise of the Bandits in Phitsanulok: Reflections on the Bureaucratic Reform in Upper-North Central Siam, 1880s-1930s2024-04-25T10:12:08+07:00Supphakit Hochaisupphakit.hochai@gmail.comDr. Davisakd Puaksomdavisakd.puaksom@gmail.comDr. Nattaphong Sakulleawnut_leaw@hotmail.com<p>A history of the people in the era of Siamese reform in the late 19<sup>th</sup> and early 20<sup>th</sup> centuries is receiving serious attention again in Thai society in the early 2020s, partly because of a political awakening among the younger generation. This phenomenon is evidence that a history of the ordinary people is still highly regarded in Thai society. However, most historians who have paid attention to the role of ordinary people, such as gangsters, bandits, and local leaders, still perceived these people only as the troublemakers of the Siamese reformation. In other words, these historians have illustrated the object of their studies with a top-down view. In short, the consciousness and worldview of these ordinary people were not taken into account. This article aims to explore an effect of the Siamese reform from a different perspective, i.e., through the case of a villain in Phitsanulok Region, Mr Jaeng, in order to fill that gap. Microhistory is employed here as the method for discovering the world of the ordinary Siamese people who were living and breathing at that time. However, the explanation of the banditry phenomenon during this period as an effect of economic expansion and operating under the patronage system is contendingly insufficient. The results of this study illustrate that the banditry phenomenon such as Mr Jaeng's case was a direct effect of the bureaucratic reform in which traditional local power and administration was directly intervened in by the central government. Thereby, this criminal case was not simply a crime over an economic interest nor one perpetrated by specific powerful local figures, it was evidently the structural rift between the old regime and the new bureaucratic administration pertaining at the transitional period.</p>2024-12-24T00:00:00+07:00Copyright (c) 2024 Damrong Journal of The Faculty of Archaeology Silpakorn Universityhttps://so01.tci-thaijo.org/index.php/damrong/article/view/272683Representations of Isan in Modern Thai Poetry2024-05-31T14:59:12+07:00Kedsuda Naseekenkedsuda.n@msu.ac.thDr. Chairat Polmukchairat.p@chula.ac.th<p>This article examines representations of Isan in modern Thai poetry from the 1940s to the 2010s. The results of the study show that the representations of Isan in modern Thai poetry consist of both continuity and dynamic change depending on social factors. In the late 1940s, the representation of Isan as an area of drought and poverty was primarily influenced by socialist ideology that aims to criticize social inequality. In the aftermath of the Cold War in the 1980s, poets began to represent Isan peoples as domestic migrants in urbanized settings, reflecting the industrialization of Thai society during this period. In the late 2000s, poets tended to represent Isan as a region in which its indigenous culture and ecology are affected by globalization or, conversely, as simple and prosperous ways of life. This representation serves to dismantle the persistent image of Isan as a barren land. Poetry has thus become a site of cultural contestation and for the construction of Isan identities in relation to state authority and globalization.</p>2024-12-24T00:00:00+07:00Copyright (c) 2024 Damrong Journal of The Faculty of Archaeology Silpakorn University