Chophayom Journal

The Development of Learning Activities for Performance Skills based on Devie’s Concept of Saxophone Performance

Jaruwat Sukka — 2024-08-31

The objectives of this research are 1) to enhance learning activities for performance skills based on Devi’s Concept of Saxophone Performance to effectively meet (E1/E2) 80/80 criteria 2) to compare performance skills based on Devi’s Concept of Saxophone Performance with the criteria of 80 percent and 3) to study students’satisfaction towards the learning activities for performance skills based on Devi’s Concept of Saxophone Performance. The selected sample group comprises 5 junior high school students who have enrolled in a Western music course with a major for a saxophone instrument at the Roi Et College of Dramatic Arts. The research instrument used consists of 8 saxophone performance lesson plans with a cumulative duration of 16 learning hours in total.
The findings revealed that 1) the development of the learning activities for performance skills based on Devi’s Concept of Saxophone Performance to fulfill the (E1/E2) criteria achieved a score of 86.67/91.00, which was higher than the specified 80/80 criteria 2) the comparison of performance skills based on Devi’s Concept of Saxophone Performance scored at 91.00 percent, satisfying the criteria of 80 percent with statistical significance at the level of .01 and 3) the students’ overall satisfaction with the learning activities for performance skills based on Devi’s Concept of Saxophone Performance reached the highest level of satisfaction (= 4.92, S.D. = 0.14).

Keywords: Performance Skills, Saxophone, Performance Skills based on Devi’s Concept of Saxophone Performance

Musical Identity in the Yao Healing ceremony of the “Tai-Taad Ethnic group in Nakhon Phanom Province”

Nanthinee Rattanawong — 2024-08-31

Tai-Taad ethnic group in Nakhon Phanom province Was registered as the 9th ethnic group in Nakhon Phanom Province on August 31, 2022, with support from local agencies in collaboration with Kwan Jam. of the Tai-Taad community, which has worked together to push for more than 40 years. The study of “Musical Identity in the Yao Healing Ceremony of the Tai-Taad Ethnic Group in Nakhon Phanom Province” aims to study the history and musical identity in the Yao Healing Ceremony of the Tai-Taad Ethnic Group. It is a qualitative research study. The researcher collected data by observing and participating. and do not participate. In-depth interviews with the target group for the study, which were 11 people from the Tai-Taad ethnic group who lived in the area of Ban Nong Bua, Village No. 5, Narat Khwai Subdistrict, Mueang District, Nakhon Phanom Province, were then analyzed and presented using a descriptive process. The results of the research study found that the history of the Tai-Taad ethnic group has a total of five migration points. Found the practice of Yao rituals for treating diseases that show the identity of the ethnic group. It is reflected through the dress, language used, and ritual accessories. In particular, the music in the rituals expresses the identity of the Tai-Taad ethnic group through the form and structure of the songs. Characteristics of melody The colors of the musical instruments, the range of voices, and the chants in the Tai-Taad at dialect, everything mentioned above is identity of Tai-Taad ethnic group

Keywords: Tai-Taad, Musical identity, Yao Ceremony

The Creation Music of E-san Fusion Calabrone

Yuttapong Sriwieng — 2024-08-31

This current study aims 1) to create a composition called "E-san Fusion Calabrone" and to 2) to study the concepts and inspirations behind the creation of the E-san Fusion Calabrone musical composition, a study was conducted by collecting information from documents, books, treatises, publications, relevant research studies, and interviews with two experts. The research findings reveal that. The creation of the composition "E-san Fusion Calabrone" involves the following steps. 1) In terms of musical form, a ternary form, where each section conveys different meanings based on the context of the melody was used. 2) For scale, the composition was created using the A natural scale. 3) In terms of tempo and rhythm, the tempo was set at 80 bpm and 100 bpm, with a drum set controlling the rhythm. 4) In terms of melody, the traditional Isan folk melody "Lai Maeng Phu Tom Dok" was applied by modifying, Augmentation, Diminution, and rearranging the notes, as well as incorporating improvisation.
The concepts and inspirations behind the creation process include: 1) applying chord progression principles and Western music theory to rearrange into a fusion music style and creating melodies
based on "Lai Maeng Phu Tom Dok" using a mix of Isan and Western instruments and 2) stemming from a familiarity with Isan folk melodies since childhood, recognizing the distinctive nature of Isan music that reflects the lifestyle, social conditions, and geography of various areas. The potential of Isan folk melodies to develop into a
global level is evident, leading to the blending of "Lai Maeng Phu Tom Dok" with globally popular fusion music, using Western musical techniques with Isan folk melodies.

Keywords: The Creation music, Isan folk music, Fusion music

The Love Patterns of Displaced Isan Characters in the Songs of Monkan Kankoon

Chettha Chakchai — 2024-08-31

The research titled “The Love Pathways of Isan Diaspora Characters in the Songs of Monkan Kaenkoon” aims to study the love pathways of Isan diaspora characters as depicted in the songs of Monkan Kaenkoon during the period 2020-2024. This study analyzes a total of 16 songs available on www.youtube.com, utilizing the concepts of Diasporas by William Safran (1991) and Osten Wahlbeck (2002), as well as the concepts of Diasporic Identity by Stuart Hall (1994) and Paul Gilroy (1997). The result revealed that Monkan Kaenkoon’s songs present three distinct love pathways of Isan diaspora characters: 1) Nostalgia for past love, 2) Desire for love, and 3) Longing for love at home. These findings illustrate how themes of romantic relationships between young men and women are interwoven to create emotional bonds, fostering a sense of attachment to their homeland among the Isan diaspora characters.

Keywords: Displaced Isan characters, Music, Monkan Kankoon, Love Pathways

Creativities of Mixed Media Art: State of Mind

Thirayut Saengart — 2024-08-31

The creation of mixed media art series “State of Mind” aims 1) to study and analyze the researcher's inner feelings with social interactions, and 2) to create mixed media art using form, materials and techniques to communicate the inner state of the researcher. Data were collected from related literature and field studies using observation, analyze data to create works. The findings were presented by means of a descriptive analysis with mixed media art. The results found that the emotional state of the creator who has known that he or she has a third gender mentality since childhood without being accepted by family members and surrounding society. It can be interpreted as loneliness and anonymity which led to hide oneself in silence. The creativity begins with making sketches to find forms and artistic possibilities to convey meaning. The actual creation of the work uses a variety of methods combined with the install of personal items. The analysis of the work is as follows: 1) Theme and concept analysis was set the content to loneliness and hideaway in silence, 2) Form used the human form which represented the creator, and combined forms were made from yarn to form a mosquito net in the upper part. Then gather and braid it into a braid from the middle to the bottom, 3) Material and technique used the materials as a medium to convey the message directly by considering about the concept, 4) Installation and presentation created specific areas for creating the uniqueness of each work, however; the overall work still maintains unity.
The results of creativity of the four works are systematically. They are assembled from the based ideas and knowledge in presenting signs as a medium for conveying messages to the audience's perception in a straightforward manner. According to the language of forms, visual elements, materials, and installation effectively convey the meaning and feeling of the fragility, sensitivity, and blurry form. In the middle of the quiet corner of living life with the society around us that is the anonymity of the researcher in the
world that grows and continues to exist every moment.

Keywords: Mixed media art, State of mind, Social interaction

Development of Mudmee Silk Pattern: Case Study of Huadong Subdistrict, Nadoon District, Maha Sarakham Province

Thanongsak Patsin — 2024-08-31

This research aimed to develop mudmee silk pattern with computer programs and to study the satisfaction of mudmee silk motifs, Huadong subdistrict, Nadoon district, Maha Sarakham province. This was a quantitative and qualitative research. The sample group was selected using purposive sampling. The first group is 10 members of the Ban Huadong weaving group and the second group is 10 members of the Ban Nonghin weaving group. The research instruments consisted of interviews, surveys, observations, and questionnaires. The statistics used in data analysis were percentage, mean, standard deviation, and presenting descriptive information. The results showed 1) To develop mudmee silk pattern uses innovation in design. Microsoft Excel computer program by a design process emphasizes the uniqueness and identity that exists in the Huadong subdistrict community, such as language, culture, customs, traditions, rituals, etc., to be expressed in the develop mudmee silk pattern. This makes the fabric designs that are designed have the identity of the Huadong subdistrict community mixed into each pattern that is designed. You will get the pattern of mudmee silk woven fabric, consisting of the Khor-Sirivannavari, Krathong-Lost-Thang, and Nak-Gieow-Hang 2) The satisfaction of mudmee silk motifs, Huadong subdistrict, Nadoon district, Mahasarakham province. There were a total number of 3 motifs. Nak-Gieow-Hang gained the highest satisfaction score, followed by Krathong-Lost-Thang and Khor-Sirivannavari.

Keywords: Development, Mudmee silk, Mudmee silk pattern

Management Potential Development and Analysis of Cost Return of Organically-Dyed Weaving of the Weaving Community Enterprise Groups in Borabue District, Maha Sarakham Province

Jaruwan Aeksapang — 2024-08-31

Research on the subject “Human resource management potential development and analysis of cost return of organically-dyed weaving of the weaving community enterprise groups in Borabue district, Maha Sarakham province aimed to 1) study on the community context of the weaving community enterprise groups; and 2) study on the costs and returns from natural color dyed fabric weaving of the Weaving community enterprise groups in Borabue district, Maha Sarakham province. The population in this study was the Weaving community enterprise groups in Maha Sarakham province. There were different areas from two sub-district, and two community enterprise groups in each district. Researcher had collected data from the interview with the Weaving community enterprise groups and used the interviewing form. Filled data in the interviewing forms were analyzed to explain the general characteristics of samples to answer the research questions using the Return on Invested Capital calculation.
Research results from the membership data in Weaving community enterprise groups in Borabue district, Maha Sarakham province showed that most of them were female aged over than 45 years old onward and 41-45 years old. The number of family members were around 4-6 persons. From the data related to the Weaving community enterprise groups in Borabue district, Maha Sarakham province, most of them used synthetic colors and some natural colors. Weaving was an additional occupation. They did not form up as a group or cooperative. The weaving experience of members was more than 16 years. The areas used for weaving were belong to their own. Times for weaving were throughout the year. The key materials used in weaving were for example, Kaen Fang, blood soap, turmeric and Paduak. The source of key materials came from nature, none purchasing, and asking from other members. They used their own capital and supporting funds. They obtained knowledge from the village’s representatives, or government officers. Problems and obstacles for the weavers were the lack of capital and inhospitable area. The management control of the Natural Dyed Fabric Community Enterprise Group expressed opinions regarding the overall control of the organization very clearly. Weaving community enterprise groups in Borabue district, Maha Sarakham province generated incomes from weaving in four groups of weaving community enterprise in four months period. They could sell 187 of weaving clothes in which accounted to be the amount of 505,700 baht. The total production costs of the groups was at 231,000 baht. The highest cost was the cost of cotton dyeing and production cost. In summary, profit and loss from the operation of Weaving community enterprise groups in Borabue district, Maha Sarakham province were at the amount of 234,550 baht. From the analysis on the returns of investment, it was found at the rate of 86.64 percent.

Keywords: Management Potential Development, Analysis of Cost Return, Organically-Dyed Weaving

Organization Culture and Happy Workplace Affects to Organizational Commitment of The Personnel Local Employees Kanchanadit District Suratthani Province

Chalita Dangnawa — 2024-08-31

Currently, government organizations are facing the problem of turnover, and the transfer of civil servants has increased. This is because the global society is becoming more open, making the career of a civil servant unable to meet the needs of these individuals. This research aims to explore a model examining how affects to organizational commitment of the personnel local employees Kanchanadit District, Suratthani Province. The study utilizes a quantitative approach with a sample size of 300 employees, determined using Taro Yamane’s formula. Data collection involved distributing a QR code linked to an electronic questionnaire (Google Form) using simple random sampling. Statistical analyses, including mean, standard deviation, and structural equation modeling, were employed. The development of the questionnaire involved input from three qualified experts, and 30 questionnaire sets were tested. The overall reliability coefficients indicate high confidence in the variables studied: organizational culture of 0.889, happy workplace of 0.838, and organizational commitment of 0.865.
The research findings indicate that the Structural Equation Model (SEM) of organizational culture and happy workplace affects to organizational commitment of the personnel local employees Kanchanadit District Suratthani province, remains consistent with empirical data post-adjustment. This conclusion is supported by statistical indices: the chi-square ratio (X^2/df) of 1.75, the Goodness of Fit Index (GFI) of 0.97, the Comparative Fit Index (CFI) of 0.99, a Root Mean Square Error of Approximation (RMSEA) of 0.05, the Tucker-Lewis Index (TLI) of 0.98, and the Normed Fit Index (NFI) of 0.98. These indices collectively indicate a high level of model fit with the observed data.

Keywords: Local Employees, Organizational Culture, Happy Workplace, Organizational Commitment.

Creation of Works in The Field of Dance Nom Sak Ka Bang Ja Put Ta Jao

Pimwalan Polhong — 2024-08-31

The purpose of this research is to convey folk literature on the legend of the Five Buddhas through the process of creating a performance in the form of dance, Nom Sak Kar Peng Cha Buddha Chao, which is research based on data collection from the study of book documents. Lanna and Lanchang Tripitaka Textbook research Literary Tales Isan literature Thai Isan Poem Moral Prayer Social media and went to the area of Wat Phra Yot Khun Phon Wiang Ka Long, Wiang Ka Long Subdistrict, Wiang Pa Pao District, Chiang Rai Province to interview people with knowledge about the legend of the 5 Buddhas by interviewing 2 experts using a specific selection method. The obtained data was then analyzed and entered into the dance creation process. The research results found that 1) folk literature on the legend of the 5 Buddhas that are outstanding in the principles of the teachings of the Lord Buddha, 2) the Yi Peng tradition of lighting the lantern of the Teen Ka worship of Thao Khatika Maha Phrom and the tradition of lighting the fire of Tumka. To guide the creation of works of Isaan folk dance. This will integrate knowledge in research and the creation of works of dance to create value for literature and spread Buddhism in concrete ways.

Keywords: Creation, Dance, Nom sak ka bang ja put ta jao

Bai Shou wu Dance Tujiazu Ethnic : Development of Ethnic Dance in Context Modern China

Chen Cheng — 2024-08-31

This article qualitatively explores the development of Tujia waving dance in the context of modern Chinese culture. The article explores the origin, transmission, changes, and development of hand waving dance vertically, and studies the artistic form and dance characteristics of hand waving dance horizontally. Research shows that hand waving dance embodies the religious worship, production and life of the Tujia people, with diverse forms of expression and rich cultural connotations. As the first batch of intangible cultural heritage in China, it is a cultural treasure of the Tujia people and even the entire Chinese nation.

Key words: hand waving dance, tujia family, Chinese modern context

Title: Research on the Positive Impact of Dance Creation and Performance EdCreating a Stage for Performing Creative Dance Experiments in the Classroom of the Tian Tian Institute Jiangsu Province China

Ruiyi Guo — 2024-08-31

Dance education plays an irreplaceable role in cultivating aesthetic sensibilities, physical fitness, and cultural literacy. This paper focuses on exploring the importance of dance creation and performance in the holistic development of students in training institutions, including the cultivation of creativity, self-confidence, physical coordination, aesthetic ability, and social skills. The study indicates that dance, as an art form, also has a positive impact on students' mental health and the broadening of their career pathways. Through qualitative research methods, including in-depth interviews and field observations, this study systematically analyzes the educational outcomes of dance creation and performance at Tiantian Education Institution. The results show that dance education not only improves students' physical fitness and artistic literacy but also significantly enhances their self-confidence and creativity. Furthermore, the study finds that the professional teaching environment and resources in training institutions are crucial to the development of students' teamwork and social skills. This research provides empirical evidence for the role of dance education in promoting the holistic development of students and highlights its importance in the modern education system.

Keywords: Choreography, Dance Performance

Recommendations for authors

Editorial Board Chopayom Journal — 2024-08-31

วารสารช่อพะยอมคณะมนุษยศาสตร์และสังคมศาสตร์ มหาวิทยาลัย ราชภัฏมหาสารคาม มีนโยบายส่งเสริมเผยแพร่ผลงานวิชาการ และงานวิจัยที่มีคุณค่าต่อการพัฒนาองค์ความรู้ทางวิชาการและเป็นสื่อกลางในการแลกเปลี่ยนความคิดเชิงวิชาการ โดยมีขอบเขตเนื้อหาครอบคลุมวิทยาการด้านมนุษยศาสตร์และสังคมศาสตร์ จัดพิมพ์ปีละ 3 ฉบับ ผลงานที่ได้รับการพิจารณาตีพิมพ์ในวารสารจะต้องมีสาระเป็นงานที่ทบทวนความรู้เดิม หรือสร้างองค์ความรู้ใหม่ รวมทั้งข้อคิดที่เป็นประโยชน์ต่อผู้อ่าน ซึ่งอยู่ในรูปแบบงานเขียน 3 ประเภท คือ บทความวิชาการ บทความวิจัย และบทปริทัศน์หนังสือ ซึ่งจะต้องเป็นงานที่ไม่เคยตีพิมพ์เผยแพร่ในวารสารอื่นใดมาก่อน และไม่อยู่ระหว่างพิจารณาลงพิมพ์ในวารสารใด ๆ บทความต้องได้รับการแก้ไขปรับปรุงตามที่กองบรรณาธิการ และผู้ทรงคุณวุฒิเห็นสมควร ทั้งนี้เพื่อให้วารสารมีคุณภาพในระดับมาตรฐานสากล และนำไปอ้างอิงได้

Cover

Editorial department Chopayom Journal — 2024-08-31

วารสารช่อพะยอม CHOPHAYOM JOURNAL
ปีที่ 35 ฉบับที่ 2 พุทธศักราช 2567
ISSN 3057-0115 (Print)
ISSN 2730-1826 (online)
หน่วยงานที่รับผิดชอบ : คณะมนุษยศาสตร์และสังคมศาสตร์
มหาวิทยาลัยราชภัฏมหาสารคาม
วัตถุประสงค์
1. เพื่อส่งเสริมและเผยแพร่ผลงานวิจัยและผลงานทางวิชาการสาขา
สหวิทยาการด้านมนุษยศาสตร์และสังคมศาสตร์ ศิลปศาสตร์ และสังคมวิทยา
2. เพื่อเป็นสื่อกลางในการแลกเปลี่ยนเรียนรู้ทางวิชาการในสาขา
สหวิทยาการด้านมนุษยศาสตร์และสังคมศาสตร์ ศิลปศาสตร์ และสังคมวิทยา
3. เพื่อส่งเสริมให้นักวิชาการและผู้สนใจได้นำเสนอผลงานวิชาการ
ในรูปแบบบทความวิชาการ
4. เพื่อเป็นแหล่งข้อมูลในการเรียนรู้สาขาสหวิทยาการด้านมนุษยศาสตร์
และสังคมศาสตร์ ศิลปศาสตร์ และสังคมวิทยา
ที่ปรึกษา :
ผู้ช่วยศาสตราจารย์ ว่าที่พันตรี ดร.กิตติกรณ์ บำรุงบุญ คณบดี
ผู้ช่วยศาสตราจารย์ ดร.สิปปีย์ ชยานุสาสนี จันทร์ดอน รองคณบดี
ผู้ช่วยศาสตราจารย์ ดร.จินดา แก่นสมบัติ รองคณบดี

Dancing to Pay Homage to Phra That Ya Khu in Makhapuranami Puja Ceremony in Muang Fa Daet Song Yang

Santi Yodsombat — 2024-08-31

Yakhu relics dance at Makhapuranami Puja in Muang Fa Daet Song Yang is a phenomenon that expresses beliefs from the ancient beliefs of the Isan people that have been passed through the present. It started as a local community and spread to urban society through worship dances. The sacred place where local faith and love are driven the social movement. The community created the sacrificial dance from their important beliefs to dance in Makhapuranami Puja tradition. The dance of Muang Fa Daet Song Yang was combined with Thai dance gestures. There are 3 groups of dances 1) dances that express greatness, 2) dances that express respect and worship, and 3) dances that express the situation, places of worship that perform for a specific purpose to worship in sacred place and people at all ages can participate this performance. The performers dress in the traditional Isan style and wear Praewa cloth as the main costume. In addition, the lyrics are melodies that convey the history from the past to the present of Kalasin province.

Keyword: Dance, Belief, Sacred Place, Artificial Dance

The Creation of Painting Series “Isan Art Collection”

Rattana Waiyarabut — 2024-08-31

The objectives of this research were 1) to study the themes related to the lifestyle and culture of Isan, the Northeastern region of Thailand, and 2) to create contemporary Isan Thai paintings in a semi-abstract style using acrylic on canvas. The initial inspiration for these creative works comes from personal experiences and impressions of Isan lifestyle and culture. The creative process for the series "Isan Art Collection" involves gathering documentary information, field imagery, and relevant artistic concepts to serve as a database for analyzing themes, forms, and techniques in traditional Thai painting. Two pieces of traditional Thai paintings will be created. The concept focuses on reflecting the unique identity of Isan Thai art. Initially, the ideas are conveyed through preliminary sketches, which are refined and simplified in form. The overall composition is arranged to align with the selected techniques and creative execution.
The creation process reveals that the paintings encompass content related to Buddhist beliefs, reflecting the beauty and charm of the Isan lifestyle and local culture. This is presented through shapes, objects, and Buddhist art symbols that are simple yet reflect the wisdom and craftsmanship of local artisans. The technique employed is acrylic on canvas, utilizing methods of layering colors, dabbing, and overlapping multiple layers to create texture and depth, enhancing the visual interest of the works. The compositions are asymmetrically balanced, with focal points featuring larger shapes, while medium and smaller shapes are arranged as artistic elements according to their importance. This arrangement aims to create an aesthetic experience rich in imagination and creative thought.

Keyword: Isan Art Collection, Isan Thai Art and Culture, Contemporary Isan Thai Painting

Memory Fluctuation : The Representation of Memorial Imagery

Aekawat Deeto — 2024-08-31

There is always fluctuations in human’s “memory”. It depends on each person's life experience that consists of different complexities for each individual. From the study of the theoretical principles of human memory, it was found that memories come in many forms. The important factor is time and space that can be the cause for memories to be reversed or fluctuate. From the analysis of the human’s subconscious mind that consists of various different things piling within, it results that memories can influence the person to constantly interact with outsiders in terms of emotions. This creates an abstract meaning through the context of memories combining with individual experiences to find the value of a story, content, and meaning that relates to the original outline. This
creates a unified appearance that overlaps between the past and the present, which are completely integrated together. Therefore, the representative image is an important element to replace the things that have vanished throughout time. This was then brought into consideration to reflect the imagery of memories to illustrate in the form of songs, movies, literature, and including creative works of art with the intention of reflecting emotions and feelings through the aesthetics of life and to fill its existence within the empty space of the mind by studying the theories of human memory. This method inspired various forms of art and collected information from articles, journals, magazines, and online media to be analyzed in the form of expression through visual art.

Keyword: Human’s memory, Fluctuating memory, Representative image of memories, Role of memory

A Self-Reflection of Intercultural Interaction with European People

Abhinan Wongkittiporn — 2024-08-31

As a Thai people, I admit that I gained very little knowledge of European culture and who are European people. This may be because a travel to European countries and the business transaction with European people are difficult when comparing with Asian Countries. However, it is now important for Thai people to know more about European people how to interact with them in the globalization era. In order to contribute my direct experience of intercultural interaction with European people, a self-reflection of intercultural interaction may allow us to gain a better understanding of European people. The self-reflection provides direct experience with situations, such as education, academic conferences and multicultural workplaces. This academic paper reflects the author’s experience of interacting with British people, German people, Polish people and Romania people. At the end, pedagogical implications with European people are also given in order to prepare Thai people before having the intercultural interaction with European people. It is expected that the discussion of this academic paper will be useful for EFL learners and Thai business people to gain better understanding of European people.

Keywords: European culture, intercultural interaction, self-reflection

Editorial Board

Editorial Board Chopayom Journal — 2024-08-31

Editorial Board

Editorial

Amporn Saengchaiya — 2024-08-31

Editorial

Editorial department Chopayom Journal — 2024-08-31

Contents