Fine Arts Journal: Srinakharinwirot University

Editorial Board

Kasidesh Nerngchamnong — Fri, 20 Jun 2025 00:00:00 +0700

N/A

Editorial Note

Kasidesh Nerngchamnong — Fri, 20 Jun 2025 00:00:00 +0700

N/A

THE COMPLETE COLOR HARMONY PANTONE EDITION

Krittarwit Kritmanorote — Fri, 20 Jun 2025 00:00:00 +0700

A STUDY OF SOCIAL REFLECTION IN PROTAGONISTS OF LAO SEA WRITE AWARD-WINNING SHORT STORIES

Fri, 20 Jun 2025 00:00:00 +0700

Background and Objectives: A Study of Social Reflection in Protagonists of Lao SEA Write Award-Winning Short Stories "Half Price" by Piti Tiwachon, which received the Southeast Asian Writers Award (SEA Write) in 2020 for Laos. The Thai translation was undertaken by Jintrai. This study aims to analyze the roles and social statuses of the protagonists within the contexts of social, economic, and cultural frameworks.

Methods: This study analyzed the literary work “Half Price” by Piti Tiwachon through Marxist thought and socio-cultural context. Data were collected from 15 short stories and related concepts. Data were then analyzed using a data recording form, organized, interpreted, and synthesized according to the concept.

Key Findings: The findings reveal that among the 15 short stories, there are 11 male protagonists and 4 female protagonists. The Social Reflection of these characters are categorized into two dimensions- protagonists perspectives, protagonist and society.

Implications of the Study: This analysis reveals the complexity of the protagonists, reflecting the socio-economic structure of Laos during a transitional period. It underscores the challenges of living in a rural context confronted by urban economic and cultural systems. The characters' struggles portray the essence of the unfair social structure which reflects the national, regional and global contexts.

Conclusions and Future Research: This study underscores the importance of social reflection in protagonists of Lao SEA Write Award-Winning Short Stories "Half Price" by Piti Tiwachon. Future studies could explore the impact of multiculturalism on the way of life of people in the ASEAN should be studied through literary work.

VALUE FROM LOCAL WISDOM TO REED MAT PRODUCT DEVELOPMENT IN AMNAT CHAROEN PROVINCE

Somsiri Potharin, Julalak Banglua — Fri, 20 Jun 2025 00:00:00 +0700

Background and Objective: This academic article aims to explore the value of local wisdom in developing reed mat products in Plakhao Subdistrict, Mueang District, Amnat Charoen Province. The study is based on William D. Lipe’s concept of cultural resource value assessment.

Methods: The study applies a qualitative research approach using Lipe’s framework to analyze the cultural significance of local reed mat craftsmanship. The research focuses on the design, production process, cultural usage, and economic impact of reed mats within the local community.

Key Findings: 1.Designing reed mats with local patterns enhances the product’s identity in the national market. 2.Using dyed reed fibers in the weaving process promotes skill development and value-added production. 3.The use of reed mats in religious and traditional ceremonies helps preserve cultural heritage sustainably. 4.Reed mat products generate employment and income for the local community.

Implications of the Study: The findings support the promotion of cultural tourism in the area and demonstrate the diverse values of reed mats, including symbolic, academic, aesthetic, and economic significance.

Conclusions and Future Study: Cultural heritage is crucial for research aimed at clarifying historical layers and fostering respect for national traditions. Applying Thai local wisdom in reed mat product development increases value derived from natural and local environmental resources, ultimately benefiting both the community and local economy.

RAINING IN SUMMER: MUSIC COMPOSITION FOR PRESENT AT THE 4th INTERNATIONAL SYMPOSIUM ON CREATIVE FINE ARTS (ISCFA) 2023

Tanapat Kerdpol, Anuwat Kheawprang — Fri, 20 Jun 2025 00:00:00 +0700

Background and Objectives: The 4th International Symposium on Creative Fine Arts (ISCFA) 2023 serves as a platform for fostering creative innovations that respond to community needs and promote sustainable education systems. This paper presents the inspiration behind the creation of a song with a jazz music flavor through the development of harmonic progressions and chord progressions to create diversity. The study reflects an integration of popular music knowledge with specialized musical elements, aiming to create new compositions that respond to the changing contemporary music scene.

Methods: This academic article adopts a musicological approach, emphasizing the analysis and creative synthesis of musical elements that characterize both popular music and jazz. The study examines melodic structures, chord progressions, harmonic textures, and rhythmic components, blending them to craft a distinctive musical composition.

Key Findings: This academic article identifies three key aspects of integrating pop and jazz music in composition: (1) the use of harmonic progressions that support the melody by incorporating out-of-key harmonies while maintaining chord tones that seamlessly align with the key signature; (2) the application of borrowed chords, primarily from parallel keys, to enrich harmonic diversity; and (3) the structuring of instrumental improvisation sections within the composition.

Implications of the Study: This article proposes a creative approach to pop-jazz composition that is melodically appealing, structurally accessible, and easy to listen to. At the same time, it retains the essence of jazz music by developing chord progressions with color and diverse harmonies.

Conclusions and Future Research: This academic article highlights the balanced integration of pop and jazz elements in music composition. Future research in this area may explore more complex and contemporary approaches to pop-jazz fusion, aligning with the rapidly evolving landscape of the music industry.

COLLABORATIVE ART ACTIVITY FOR YOUNG CHILDREN AND PARENTS: A SYSTEMATIC REVIEW

Narisorn Juprachakorn, Khanobbhorn Sangvanich — Fri, 20 Jun 2025 00:00:00 +0700

Background and Objectives: This article presents a systematic review of collaborative art activities for young children and their parents. The research questions are as follows: 1) What is the significance of cooperative learning between young children and their parents? 2) What skills should quality art activities promote for early childhood development?

Methods: The criteria for selecting research articles are as follows: 1) Published research articles from 2014 to 2023. 2) Appeared in six online databases, both domestically and internationally, namely SCOPUS, Proquest, SAGE, ERIC, Thaijo, and Researchgateway. 3) Articles must be published in Thai and English; and 4. The samples are limited to preschool children.

Key Findings: According to these selection criteria, a total of 15 articles addressing the research questions were gathered, which can be summarized as follows: 1) The importance of co-learning between young children and their parents is in fostering holistic development, which includes physical, emotional, social, and cognitive aspects. 2) Quality art activities should encourage young children to develop the following skills: (1) Imagination and creativity; (2) Language and literacy skills; (3) Emotional development and happiness; (4) Social development; (5) Awareness of nature conservation; and (6) Fine motor skills.

Implications of the Study: This study underscores the critical importance of collaborative learning between young children and their parents, particularly through engagement in art-based activities. Such interactions significantly contribute to children’s holistic development—encompassing physical, emotional, social, and cognitive domains. While much of the existing literature tends to focus on activities conducted individually or among peers of the same age group, the role of parents in shared learning remains notably underexplored. This highlights a pressing need to expand the body of knowledge in this area. Moreover, high-quality art activities should be designed to cultivate a wide range of developmental skills, including creativity, language, emotional intelligence, social awareness, environmental consciousness, and fine motor coordination. These findings suggest that activity design must be responsive to the needs of both children and their parents. Additionally, in times of crisis such as the COVID-19 pandemic, the integration of technology and online platforms becomes crucial in strengthening family bonds and facilitating meaningful interaction within the home environment.

Conclusions and Future Study: This systematic review highlights that most research on early childhood development usually focuses primarily on activities that children engage in playing independently or playing with peers of the same age group, overlooking the important role of parental involvement. Researches promoting collaborative learning between children and parents from 2014 to 2023 are still limited, indicating a significant gap in the literature. Thus, further research is needed to explore the essential role that parents play in enhancing young children's development through collaborative activities. To strengthen this research, it is important to include a broader range of foreign databases, which would provide a more comprehensive understanding of the topic, and incorporate deeper definitions and frameworks to address intergenerational relationships. Additionally, utilizing diverse knowledge sources can lead to innovative approaches to studying parent-child collaboration. This systematic review emphasizes that collaborative learning between young children and their parents is not just beneficial but essential for nurturing development across multiple domains, including physical, cognitive, and emotional growth. In the context of the COVID-19 pandemic, one effective solution for parents is to utilize online programs that are specifically designed to promote engaging activities while also enhancing communication with their children. Such programs can help improve communication and interaction between parents and children. Furthermore, it is imperative to prioritize family relationships, address parents' needs, support artistic development, and recognize the importance of play. These elements should serve as foundational guidelines for designing activities that actively strengthen the connections between young children and their parents, fostering a collaborative learning environment that is conducive to holistic development.

WOMEN'S OF THE TANG DYNASTY APPAREL ELEMENT IN MODERN FULL DRESS DESIGN UTILIZATION

Lin Yiqi, Miyoung Seo, Kriangsak Khiaomang — Fri, 20 Jun 2025 00:00:00 +0700

Background and Objectives: This study focuses on exploring the lifestyle patterns of people in the modern era, particularly the integration of contemporary fashion with visual art expressions and international design techniques. It also investigates innovations and lessons from both ancient and modern times. The primary objective is to examine the cultural elements of Han women's clothing during the Tang Dynasty, including garments, accessories, and makeup. The study emphasizes the analysis of clothing structure, embroidery techniques, and color usage.

Methods: The research involves the collection, organization, and analysis of historical documents from the Tang Dynasty in China. It also includes surveys and studies aimed at preserving the cultural components of Tang Dynasty fashion as a foundation for creative design. Data were gathered from digital museum resources, questionnaires, and interviews with industry experts. The findings led to the development of a fashion collection that interprets historical and cultural heritage through a modern perspective.

Key Findings: The study provided a profound understanding of cultural content and design inspiration, enabling the integration of Tang Dynasty fashion elements into contemporary design concepts. It also fostered an appreciation of New Chinese Aesthetics, deepened the understanding of traditional Han culture, and contributed to the dissemination and creative reinterpretation of the artistic and cultural value of Hanfu in a modern context.

Implications of the Study: Cultural elements should be selected with consideration of diverse materials and techniques to foster innovation. It is essential to grasp the "essence" of culture through its "external manifestations" in order to deeply understand traditional cultural values before applying them appropriately. Moreover, recognizing both the strengths and limitations of traditional attire and adapting it to meet the needs of modern consumers is crucial. The essence of design ultimately lies in responding to human needs and ways of living.

Conclusions and Future Study: To ensure that research is efficient and beneficial in the long term, it should be free from bias and maintain academic neutrality toward national culture. Respect for traditional cultural foundations and in-depth exploration of historical contexts are vital. The study should also remain open to new ideas that encourage creativity, using contemporary design language as a tool to communicate traditional cultural values. Modern techniques and processes should be employed to interpret and adapt cultural heritage to fit present-day contexts.

THE RESEARCH ON INNOVATIVE APPLICATION OF ZHUANG BROCADE PATTERN FROM GUANGXI IN CONTEMPORARY TEXTILES

Geli Zhu, Kriangsak Khiaomang — Fri, 20 Jun 2025 00:00:00 +0700

Background and Objectives: The Guangxi Zhuang Autonomous Region, located in southern China, is home to various ethnic minority groups. The Zhuang ethnic group, the largest ethnic minority in China, possesses a rich and enduring cultural history, particularly reflected in their traditional textile art. Zhuang brocade is recognized as one of the four most renowned brocades in China, with its distinctive patterns and embedded cultural meanings making it highly significant in terms of culture, technology, aesthetics, and social value. This research aims to deeply explore the history and cultural diversity of the Zhuang people in Guangxi through literature review and field research. It also seeks to analyze the production processes and artistic characteristics of Zhuang textiles, as well as investigate how traditional Zhuang patterns can be integrated into contemporary design concepts.

Methods: The study utilizes documentary research by collecting and reviewing a wide range of sources relevant to the thesis topic, including academic articles, research papers, books, and both domestic and international scholarly literature. Comparative analysis was conducted to examine the distinctive patterns of the Zhuang people in Guangxi. In addition, field research methods were employed, combining theoretical concepts with practical implementation through observation, empirical data collection, statistical recording, photography, and detailed visual documentation.

Key Findings: The study found that the design, color schemes, and patterns of Zhuang textiles are deeply influenced by Zhuang culture and reflect national history and aesthetic philosophies. The research also explored the integration of traditional Zhuang textile patterns into contemporary design through the creation of the collection “Butterfly Rhythm of Zhuang Township.” This contemporary textile collection, designed by the researcher, demonstrates the potential for cultural application and artistic value in modern textile design. It contributes to the preservation and innovation of Zhuang culture while meeting contemporary aesthetic standards and market demand.

Implications of the Study: Zhuang weaving is a traditional craft with profound historical and cultural significance. Its unique patterns and artistic features make it an important part of ethnic cultural heritage. The intricate and precise production techniques reflect the exceptional skill of Zhuang artisans, with each step in the weaving process acting as a vessel for transmitting traditional knowledge and cultural identity. Zhuang textiles not only embody craftsmanship but also serve as a cultural and historical medium.

Conclusions and Future Study: The integration of traditional Zhuang textile patterns from Guangxi into contemporary textile design reflects a fusion of culture and innovation. This demonstrates the potential for future product development and highlights a promising direction for further exploration and experimentation. Expanding the use of Zhuang textiles requires innovation and integration, with an emphasis on preserving regional and cultural identity. Blending traditional patterns with modern design elements can result in culturally meaningful works that also possess distinct regional characteristics.

THE CREATION OF A DANCE THAT REFLECTS DECEPTIONS IN PERFORMING ARTS THROUGH THE EIGHT ELEMENTS OF ARTISTIC COMPOSITION

Ohm Wanna, Naraphon Charassri — Fri, 20 Jun 2025 00:00:00 +0700

Background and Objectives: This research titled “The Creation of a Dance that Reflects Deceptions in Performing Arts through the Eight Elements of Artistic Composition” aims to explore the creative process of dance that embodies the theme of deception in performing arts through the eight fundamental elements of artistic creation.

Methods: This research study employed qualitative and creative research methods. The research tools included: 1) documentary research, 2) interviews with relevant individuals, 3) media communication, 4) field data surveys, and 5) artist standard criteria. All collected data were then analyzed and applied to the experimental process and creative production.

Key Findings: The research presented a model for creating new works in the field of performing arts based on the eight elements of artistic creation: 1) script design using the collage concept, 2) choreography using the concept of post-modern dance, contemporary dance, dance in everyday life, and Thai dance, 3) the performer selection with the researcher playing the main roles, 4) the costume design based on minimalist art and the theory of “less is more,” incorporating elements of everyday attire, 5) sound and music design using natural sounds, 6) performance props design using symbols as an important principle in conveying meaning, 7) performance space design using a location outside the theater 8) lighting design using natural light.

Implications of the Study: The research proposed a model for creating dance that reflects deception in performing arts, based on all eight creative elements. The study aims to raise awareness in society regarding the presence of deception in performing arts and the broader art industry, contributing to a critical discourse on authenticity, artistic manipulation, and audience perception.

Conclusions and Future Research: This study is a creative work in dance that reflects deception in the performing arts, serving as a framework for developing new dance works that engage with themes of respect and ethical considerations in the creative process across all artistic disciplines.

GRAPHIC AND PROMOTIONAL VIDEOS MEDIA DESIGN FOR SANCTUARIES IN UDON-THANI MUNICIPAL DISTRICT THROUGH A MODERN CONSERVATIVE APPROACH DESIGNING APPROACH

Piyaphat Wiangyang, Ongart Hanchanawong, Mariya Songpanya — Fri, 20 Jun 2025 00:00:00 +0700

Background and Objectives: From the policy of promoting spiritual tourism, a research project has been developed to study the design of graphic media and public relations videos of Sanctuaries in Udon Thani Municipality to promote tourism using modern conservation approaches.

Methods: The research used a selection of locations from 5 trusted travel recommendation websites and in-depth interviews with three experts: experts on sacred sites in Udon Thani Municipality, experts in graphic media design, and experts in video design, leading to the creation of modern media. Satisfaction was assessed using questionnaires and interviews with 100 tourists and residents in Udon Thani Municipality.

Key Findings: The research results found that 1) Content that promotes tourism to sacred places is the connection to ancestors, important figures in the past, or gods, which will receive the most attention. Next in line are common issues such as health, love, finances, and education, and even unique ways of making wishes that affect the perception of the target group, such as setting a path to make wishes, holding your breath while making wishes, running to fulfill a vow, offering things in pairs, and combining the power of two sacred objects such as the Ganesha and the Naga. The presentation method is therefore an important part that promotes tourism. 2) The graphic design uses a minimalist cut-down style. and uses beige or earth tones to reduce the intimidation, along with a video that presents a route connecting the worship points of the 7 sacred places through modern media in the form of Vlog, broadcasted on TikTok in 7 short episodes and combined into 1 long episode on YouTube. In the area of modern online media, the graphic is like an imprint of contemporaryness superimposed on images of ancient places, antiques with traces of changes over time, and objects of worship.

Implications of the Study: Creating Creative Awareness is a modern conservation approaches that emphasize contemporary emotional values on traditional beliefs. In other words, it creates a new perception of the importance of what remains from the past.

Conclusions and Future Study: Ancient sites or sacred places are inextricably linked to the way of life and history of the area. Therefore, the creation of new approaches should be a study that builds on the basic concept of conservation.

THE CREATION OF A DANCE FROM THE INSPIRATION OF GANESHA AND HIS SIX DUTIES

Ruksiney Acalasawamak — Fri, 20 Jun 2025 00:00:00 +0700

Background and Objectives: The meanings and belief in Thai context regarding Ganesha to inspiration in creative of dance. The objectives of this research were to study the meanings and beliefs in Thai context regarding Ganesha and his six duties, and to create dance movements inspired by Ganesha and his six duties.

Methods: The research methodology combined creative research and qualitative research approaches. The research tools consisted of documentary data, stakeholder interviews, observations, experimental dance creation process, and researcher's personal experience.

Key Findings: Research findings revealed that: 1.Regarding the meanings and beliefs in Thai context about Ganesha and his six duties, from past to present, Ganesha has served as both spiritual anchor and symbolic figure representing his characteristics: He is supreme over obstacles, the remover of obstacles, the creator, the possessor of wisdom, the protector, the benevolent one, the dutiful son who worships Shiva, and one worthy of reverence. Therefore, the meanings according to his characteristics studied in this research can be summarized into six duties: He is the remover of obstacles, the bestower of wisdom, the protector, the grantor of success, the embodiment of filial piety, and one worthy of reverence. 2. The creation of dance movements inspired by Ganesha and his six duties was developed through the researcher's analysis of components including performance narrative or conceptual framework and dance movement design. Performance Concept or Framework: He is the remover of obstacles, the bestower of wisdom, the protector, the grantor of success, the embodiment of filial piety, and one worthy of reverence - these aspects served as guidelines for dance movement design. Dance Movement Design: The movement design in dance that has been mentioned involves choreography using direction, form, and space to reflect the intended message for audience comprehension during the performance.

Implications of the Study: The research can be summarized in the following points:
1. Development of Creative Thinking in Thai Dance Choreography Design: The creation of a dance performance is achieved through a thought process and an analysis of performance design. Sometimes the performance script does not need to adhere to storytelling or complex interpretation. The presentation can, at times, use words or phrases in designing choreography. In this research, six aspects are identified: being the obstacle remover, being the wisdom giver, being the protector, being the grantor of success, being the grateful one, and being the valuable one worthy of respect. Words or phrases are used in designing the movement choreography so that they reflect the concepts identified in this research. 2. Presentation of Space Diversity in Creative Dance Performance: In this research, the presentation of spatial diversity focuses on how the performance space is utilized. For example, when depicting obstacles and problems, the researcher uses the corners of the room to represent challenges we cannot solve, like being cornered. Meanwhile, to show obstacle removal, dancers can move from the corners freely in straight lines along the walls before moving to the center. This transition into circular patterns, both small and large, symbolizes the growth of wisdom - like the process of learning and awakening. The movement itself resembles a blooming lotus, akin to someone who has attained enlightenment. The movement progresses upward from the floor, and the use of performance space expands from small circles to wider circles, etc.

Conclusions and Future Study: This research focuses on the development of creativity in the movement process. The study guidelines for future research should study the creation of movement with digital media to find the Diversity in Creative Dance Performance.

THE FEMALE PLAYED IN FLIRTATION THE MAN: THE ROLE OF NANG YO PHRA KLIN WHO IS FLIRTATION PHRAMANEEPICHAI

Potjanee Suwanchom, Chanai Vannalee, Surat Chongda — Fri, 20 Jun 2025 00:00:00 +0700

Background and Objectives: This article aims to study the structure of the female flirtation dance in the role of Nang Yo Phra Klin (a female character in Thai literature) and analyze the techniques of flirtation in the dance performance of Nang Yo Phra Klin.

Methods: The study involved reviewing documents, texts, the literary work Manee Pichai, books, photographs, and research related to the Lakhon Nok (a form of Thai classical drama) of Manee Pichai. The study also examined the performing arts of the Lakhon Nok in royal style, flirtation dance forms between male and female characters, and special forms of flirtation dances. Sources included the National Library, Chulalongkorn University Central Library, the Research and Development Group of Music at the Fine Arts Department, the Art Conservation Center at the National Institute of Development and Art, Ministry of Culture, and the Graduate School Library at the National Institute of Development and Art, Ministry of Culture. Interviews were conducted using an unstructured questionnaire with experts in both Thai performing arts and literature. Observations were made both through participant observation—practicing dance moves with Associate Professor Dr. Supachai Jansuwan, National Artist in the Performing Arts (Thai Dance) of 2005—and non-participant observation, studying images and video performances of Lakhon Nok Manee Pichai by Dr. Supachai Jansuwan.

Key Findings: In general, in Thai literature, male characters tend to be the ones who flirt with female characters. However, in some works, this behavior is reversed, with the female character playing the role of the flirt towards the male character. Nang Yo Phra Klin, the female protagonist in Manee Pichai, expresses her flirtation towards Phra Manee Pichai (her husband) to test his loyalty and affection for other women. The role of Nang Yo Phra Klin in flirting with Phra Manee Pichai is a special type of flirtation, with unique and interesting dance techniques.

Implications of the Study: Although Nang Yo Phra Klin is a well-known character, her role in flirting has not been widely studied or recognized, even though her flirtatious dialogue with the king in the royal script of King Rama II contains considerable interaction. However, when performed, many parts of this flirtation are cut from the play, which has led to less emphasis on her flirtatious role. Therefore, studying her role in flirtation is crucial. The analysis needs to be based on the original royal script from the reign of King Rama II, which forms the foundation of the play.

Conclusions and Future Study: The study has resulted in a clearer understanding of the dance techniques and the roles of male and female characters in both Lakhon Nok and Lakhon Nai (royal Thai drama). It will be compiled into academic documents for the preservation and transmission of these ancient dance forms, ensuring they do not disappear over time.

F-TECHNIQUE: THE DEVELOPMENT OF SQUARE-BASED PATTERN CUTTING FOR FASHION DESIGN

Panchana Soonthornpipit — Fri, 20 Jun 2025 00:00:00 +0700

Background and Objectives: This creative research project emerged from the researcher’s observation that fashion design and garment construction constitute a form of artistic expression. Such work not only reflects personal thoughts and beliefs, but also conveys perspectives on the world we live in and can be developed for commercial purposes. However, the process of creating wearable art through garment making often generates a significant amount of fabric waste from discarded cuttings and unused materials. This issue is especially pressing today, as the fashion industry is increasingly recognized as a major contributor to global warming and climate change-problems that inevitably impact humanity.

Methods: This creative research adopts the Research and Development (R&D) methodology to formulate and refine simplified garment patterns that eliminate fabric waste during the cutting and construction stages, in alignment with the principles of zero-waste design. The design process is grounded in the application of a square grid framework and the F-Technique, a methodological approach comprising three core strategies: (1) Flat – engaging with two-dimensional surfaces as foundational planes for design; (2) Fold – utilizing folding techniques to shape and structure the material; and (3) Fix – implementing methods of securing components to ensure garment integrity without generating excess material.

Key Findings: The findings of this research reveal critical advancements in sustainable fashion design: (1) the square grid proves to be an effective structural framework for developing garment patterns that are fully aligned with zero-waste design principles, offering a tangible solution to one of the most pressing challenges in the fashion industry; (2) patterns generated from the square grid can be successfully constructed into wearable garments without producing fabric waste throughout the design and production process, thus demonstrating both environmental efficiency and creative viability; and (3) the prototype pattern developed through this approach exhibits strong potential for further refinement and integration into commercial fashion systems.

Implications of the Study: The results of this research can be applied to both pedagogical and industrial contexts. In education, the findings contribute to the development of curriculum and instructional practices focused on zero-waste fashion design. Simultaneously, the research offers a foundation for advancing pattern-making processes within the fashion industry, specifically those aimed at zero-waste garment production. This approach-which seeks to eliminate fabric waste throughout the manufacturing process-is increasingly recognized as both significant and necessary in efforts to address contemporary environmental challenges.

Conclusions and Future Study: This research focuses on the creative development of prototype patterns derived from the square form, with the aim of advancing their application within industrial systems to reduce fabric waste generated during the production process. Although there remain limitations—particularly in establishing standardized proportions suitable for industrial adaptation, as well as in accommodating the varying fabric widths available on the market—the researcher contends that the conceptual framework and developmental processes proposed in this study have the potential to be expanded and applied to commercial garment production. Furthermore, this research contributes to broader efforts to raise awareness about environmental conservation, advocating for more sustainable practices in fashion as a means of extending the planet’s longevity and ultimately fostering a more livable and secure world for all.

THE STUDY OF THE RELATIONSHIPS AND SHARED CONCEPTS BETWEEN INTERIOR DESIGN AND TRADITIONAL FENG SHUI PRINCIPLES

Fri, 20 Jun 2025 00:00:00 +0700

Background and Objectives: The concept of Feng Shui is a design discipline grounded in Chinese philosophy, focused on arranging environments and encompassing settlement, urban planning, architecture, and interior design. It emphasizes the balance between humans and nature. Examining the interplay between the environment and humans aids in grasping original concepts and ideas, particularly the enduring influence of Chinese wisdom. This traditional design concept continues to be vital for cultivating an understanding of the cultural dimensions that shape design.

Methods: This research employs a qualitative methodology, incorporating in-depth interviews with interior designers, home designers who apply Feng Shui principles, and experts in Feng Shui and Chinese astrology. The content analysis utilizes the Coherence Theory of Truth to assess whether the traditional Feng Shui concepts align with the facts and are consistent with the truth of the data in each aspect of interior design. This process aims to establish connections between the concepts based on various facts.

Key Findings: The research explores the alignment, connections, and differences between the concept of Feng Shui and the interior design process across four areas: 1. the connection related to physical factors in design, 2. the connection concerning regulations that support physical design in alignment with behaviors, lifestyles, laws, and social norms, 3. The connection regarding emotional factors, and 4. an explanation of the differing design concepts.

Implications of the Study: The findings provide insights for designers and individuals who hold beliefs about feng shui, particularly from a multicultural social perspective. It emphasizes the diverse nature of these beliefs, suggesting that interpretations can differ based on cultural contexts. If design can align with physical factors that correspond to activities, behaviors, and aesthetics in a coherent manner, it can be effectively articulated and developed from various angles.

Conclusions and Future Research: This research highlights the ongoing relationship between the principles of Feng Shui and interior design for future studies. It proposes investigating the influence of Feng Shui concepts related to “Chi” on the integration of these principles with sustainable design methods. Additionally, it seeks to examine the effects of Feng Shui-based design on mental health and explore collaborative practices between Feng Shui and interior design to develop concepts and designs jointly between designers and Feng Shui masters.

CONCEPTS OF MATERIAL USE IN ARCHITECTURE IN THE 20TH CENTURY

Sutthipan Udom, Jeerasak Keusombut — Fri, 20 Jun 2025 00:00:00 +0700

Background and Objectives: The Industrial Revolution that began in the mid-18^th century brought about structural changes in many dimensions, especially in terms of social and urban contexts. Rapid urbanization has resulted in an increased population density in large cities in the Western world. These changes stimulate new concepts in architectural design that focus on responding to shifting social contexts and technological advancements. This study aims to analyze the development of material concepts in architecture, emphasizing changes in perspectives towards new material usage in the context of the industrial era and their impact on modern architectural design.

Methods: The study began by researching and collecting data on concepts, theories, design, and use of materials in architecture, both in pre-20th-century architecture, especially during the Industrial Revolution, and in modern architecture in the 20th century. The study examined all factors that led to design concepts and use of materials in different periods by analyzing, synthesizing, and comparing perspectives in various dimensions, such as social, artistic, and architectural aspects, including concepts regarding use of materials in architecture, between the Industrial Revolution and the modern age. The study also included examining material concepts in architecture during the Industrial Revolution and modern times to reveal the changes and influence of theories and concepts carried over from the Industrial Revolution, which led to material use concepts in the 20th century. The study concluded with an analysis of the changing role of materials in 20th-century architecture.

Key Findings: The advent of the Industrial Revolution, especially the emergence of the Crystal Palace, played a significant role in shifting the public and designers’ perceptions of new material usage, especially steel and glass. These materials, which were previously considered unsuitable for architectural work, were increasingly accepted as materials reflecting technological progress, transparency, and functionality. This shift led to a change in design concepts from emphasizing historical beauty to focusing on utility and appropriateness for practical use.

Implications of the Study: Materials in architecture did not only serve as structural elements, but also acted as a medium that reflected values, ideas, and discourses. Materials thus became a “language” that architects used to communicate ideas through the shape, form, and space of buildings, which was an important foundation of modern architecture in the 20th century.

Conclusions and Future Research: This study suggests further research into the role of materials as a linguistic tool in architecture, especially in the contemporary context where material technology is continuously developing. As new societal discourses influence the perception and choice of materials, future directions may include comparative studies of contemporary cases where materials play a symbolic or political role, as well as studies of the relationship between materials and users experiences experiences of architectural spaces.

THE STUDY AND DESIGN OF DRAMA ACTIVITIES IN EDUCATION TO ENHANCE SURVIVAL SKILLS IN EARLY PRIMARY SCHOOL CHILDREN

Thanaporn Chokchaipatthamaporn, Porawan Pattayanon — Fri, 20 Jun 2025 00:00:00 +0700

Background and Objectives: Currently, the mortality and injury rates among early primary school children due to various accidents remain a critical issue that requires urgent attention. Children in this age group still need to develop essential skills to cope with potentially hazardous situations such as drowning, road accidents, and falls from heights. Therefore, it is necessary to enhance learning processes that promote survival skills in children. This study aims to design Drama-in-Education (DIE) activities that effectively develop survival skills in early primary school children.

Methods: This study employed a qualitative research approach based on Drama-in-Education theory, Thorndike's Theory of Learning, and Piaget’s Cognitive Development Theory. The research involved designing DIE activities that align with children's cognitive and behavioral development. The design process consisted of five key steps: (1) analyzing baseline data, (2) defining the objectives of the activities, (3) designing content and learning processes, (4) piloting the activities and gathering expert feedback, and (5) refining the activities to ensure they are appropriate for the learners’ context.

Key Findings: The data analysis revealed that the designed DIE activities achieved a high level of content validity, with an Index of Item-Objective Congruence (IOC) of 1.00 for activities 1-8 and 10-12, accounting for 91.67%. Activity 9 had an IOC value of 0.67 and was subsequently revised to better align with children’s real-life experiences. The revised activities placed greater emphasis on the role of the facilitator in stimulating children's thinking, incorporated more hands-on demonstrations, and created more realistic scenarios to enhance engagement and learning outcomes.

Implications of the Study: The design of DIE activities to enhance children's survival skills presents a viable approach for integration into school curricula and extracurricular programs. Utilizing drama as an educational tool enables children to learn through direct experience, develop situational awareness, and apply acquired knowledge in real-life situations. Moreover, grounding the activity design in learning and cognitive development theories ensures that the activities are developmentally appropriate and maximize their effectiveness in fostering survival skills in children.

Conclusions and Future Study: The findings suggest that Drama-in-Education can be an effective strategy for developing children's survival skills. However, this study primarily focused on designing and evaluating the content validity of the activities. Future research should involve implementing these activities with actual student groups to assess their tangible impact. Additionally, expanding the scope of the activities to address a wider range of risk scenarios could further enhance children's ability to respond effectively to emergencies.

MANAGING OF BANGKOK THEATRE FESTIVAL 2021 DURING COVID-19 PANDEMIC

Setsiri Nirandara — Fri, 20 Jun 2025 00:00:00 +0700

Background and Objectives: The Bangkok Theatre Festival was first held in 2002 and has been running continuously since then. Until 2021, when the COVID-19 outbreak impacted the organization of performing arts events that involved large gatherings. However, the Bangkok Theatre Festival 2021 was able to take place in less than a month after the government announced that public events could be held. The festival was organized over a period of three weeks in November 2021. The researcher studied this phenomenon through the framework of arts management to understand the planning and fundraising of the Bangkok Theatre Festival 2021.

Methods: This study employed a qualitative research methodology through in-depth interviews with the management team of the Bangkok Theatre Festival 2021, framed by the conceptual framework of Arts Management.

Key Findings: The study found that the Bangkok Theatre Festival 2021 employed emergency planning methods and alternative scenario planning. This involved setting guidelines and operational approaches for the festival using these strategies: 1) Selecting artists to participate in the festival instead of holding open applications. 2) The concept of "Ready to Perform, Ready to Stop". 3) The concept of solo performances. 4) Reducing the application fee for festival participation. 5) Reducing ticket prices or offering free admission to performances. 6) Managing the festival under the disease control measures set by the Bangkok Metropolitan Administration and the Bangkok Art and Culture Centre. In terms of budget management for the Bangkok Theatre Festival 2021, the festival started with an initial operating fund of 0 baht. However, it generated income through crowdfunding contributions from participating artists in two ways: 1) Revenue from festival application fees. 2) Revenue from a share of ticket sales for the performances. In that year, the Bangkok Theatre Festival generated enough revenue to cover all festival management expenses and had surplus funds to serve as the initial budget for the following year’s festival.

Implications of the Study: The findings of this study present management approaches, fundraising models, and revenue generation strategies employed by the Bangkok Theatre Festival during the pandemic crisis, highlighting methods for the festival’s continued existence. This knowledge serves as a crucial foundation for developing sustainable performing arts practices within society.

Conclusions and Future Study: The researcher offers the following recommendations: 1) To explore appropriate models for securing funding from various organizations. Since the Bangkok Theatre Festival operates as a semi-formal collective and is not a legal entity, this poses a challenge in obtaining financial support from different institutions. 2) As the Bangkok Theatre Festival serves as a community space for performing arts with a continuously growing audience, it presents a valuable opportunity for support. Such support would help sustain the festival's role in serving its social functions in the long term.