ACTING TACTICS OF ROLE THE KOMIN OF THE FINE ARTS DEPARTMENT

Abstract

This reseach has objectives to study literature and the elements of Lakorn-Nok  ( Dance Drama ) Komin of fine arts depertment. As well as analyze the tactics of the of Komin of the Lakorn-Nok. According to the guidelines of the associate professor Dr. Supachai Chansuwan National artist performing Arts,2005 The study indicated  that Komin story is a rhyme tale with a royal story style by adapting from the Chinese chronicles about the “ Hong Sin ”. Until becoming a Thai literature called “ Koh temple literature Komin story. Follow the story of the Komin’s life calendar from childhood until growing up. This Komin is widely popular until being shown in various forms. As for the Dance Drama Komin of department of Fine Arts has been compiled by Mr. Seri  Hwangnaitham National artist performing Arts.The actor takes the role of Komin must have characteristics that are suitable for 3 things are Shape peronality and Acting skills. The costume will be dressed in Thai classical dance costume ( Yeun Khreang ) . Latar,it has been changed to a Non-full dress or Khreang Bao like Phanthang Dancedrama. In addition, the dance posture process will dance according to the lyrics of the song which uses the standard posture of Phra role. Strategies for performing Komin role in the Komin fight Naga’s son episode as per the guidelines of the Associate professor Dr. Supachai Chansuwan can be summarized into 2 main points as follows-The facial expressions & emotions of the actors & The combination of various Drama styles.