THE APPLIED OF CHINA’S DUN HUANG MURAL FROM FEI TIAN DESIGN IN CONTEMPORARY CERAMICS PRODUCT DESIGN

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Kun Li
Pisit Puntien
Chanoknart Mayusoh

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The  objective  of this  research  1) To analyze and compare format of Fei Tian in painting between Dun Huang mural and Fei Tian format in contemporary ceramic design and 2) To use it as a guideline to design contemporary ceramics work.  In this operation use qualitative research by analysis data and Quantitative research included research problem and design the random sample by   reference   from review the literature questionnaire and field observe. The procedure of this operation is 1) collection normal data and 2) interview and field observe in fieldwork. The object of analyze to analysis fly format of Deity in Dun Huang mural in contemporary ceramics work compare with Fei Tian format of  Dun  Huang  mural.  Descriptive statistic use for contemporary ceramic design from collected data to analysis content from interview and field observe in fieldwork. The  result  of  research  according to  the  objective  found the  point  of  comparing between  Fei  Tian  format  in  Dun  Huang  mural  and  Fei  Tian  painting  in  contemporary ceramics work have several pair of color that have relativity with the shape that an origin from the painting in the past. To application to be a model of design can conclude to two point which is to be a model of Contemporary ceramics design by distill the element and recreate traditional fly format and color matched with contemporary ceramics design to restore fly format in Dun Huang mural, To widely spread traditional Dun Huang mural by dynamic inherit of traditional format continuously to carry on treasure of art ancient Dun Huang in contemporary ceramics design.


 

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