THE WORK OF NORA'S CREATION, MAKING AN ECO-SCRIPT, NORACHAM PHRA BOROMMATHAT CHAIYA

Authors

  • SUPPHASIN AINPHET

Keywords:

Creative Performance, Poem and a dance for Nora, Phra BorommaThat Chaiya

Abstract

The creative work of Nora's performance, making an eco-script, the series of Norama Phra Borommathat Chaiya, the objective is to create an opus and dance to watch the Phra Borommathat Chaiya. There is a creative operation method that is to study the basic information of Wat Phra Borommathat Chaiya, Chaiya District, Surat Thani Province. The theory related to the design and creation of the show. Determine the concept, performance style, dance structure, music and costumes. Focus on public relations for people to travel and worship Phra Borommathat Chaiya, Wat Phra Borommathat Chaiya Ratchawihan, Chaiya District, Surat Thani Province, which has been ancient since ancient times.

The results of the study according to the objective found that The work of the creation of the Nora series made a script.

  1. The composition of the song can make the audience understand the content that the creator wants to convey through the newly authored.
  2. The design of the dance is consistent with the opus. Can convey to the audience to understand as well Still unique according to the Nora version in the line of Khun Foster Narakorn

'Which can conclude the assessment that It is a work of exquisite, beautiful creation and is also the use of southern arts and culture. ''Nora'' in public relations in Surat Thani, both history and creative tourism'

References

สาโรช นาคะวิโรจน์. โนรา. สงขลา: วิทยาลัยครูสงขลา.(อัดสำเนา), 2537.

อุดม หนูทอง. โนรา. สงขลา: มหาวิทยาลัยศรีนครินทรวิโรฒ, 2536.

อภิรมย์ หวังขวัญ. “โนราทำบทชมศาลเจ้าพ่อหลักเมือง จังหวัดสงขลา.” ปริญญาบัณฑิต. มหาวิทยาลัยทักษิณ วิทยาเขตสงขลา, 2565.

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Published

28-06-2024

How to Cite

AINPHET, S. . . (2024). THE WORK OF NORA’S CREATION, MAKING AN ECO-SCRIPT, NORACHAM PHRA BOROMMATHAT CHAIYA. Journal of Suan Sunandha Arts and Culture, 4(1), 35–49. Retrieved from https://so01.tci-thaijo.org/index.php/artsjournal_ssru/article/view/275099