An Analysis of Interaction between Protagonists in French Play En attendant Godot of Samuel Beckett

Main Article Content

Parkpoom Jaimeearee

Abstract

This study aims to analyze the interactions between the protagonists in Samuel Beckett's drama En attendant Godot. The theory of dialogue analysis and discourse analysis were applied; hence, the literary analysis on interactions among protagonists was not employed in this study. The results showed that the language characteristics found in the protagonists’ dialogues included repetitions, grammatical errors, foul language, interruption, uses of language that were not associated with actions, uses of synonymous words, and uses of imperative sentences. The characters’ language characteristics also reflected emotional and psychological conditions of anxiety and instability of events not yet to come.


The study also found that everyday interactions occurred with communicative purposes. Interlocutors were targeting to communicate their needs. The interactions among the protagonists in this play arose from chitchatting dialogues and nonsensical actions. While the protagonist waited for Godot, the protagonists communicated with each other only to kill time and eliminate silence. The conversations did not express clear communicative purposes. The protagonist's words and actions led to what was known as the "absurdity" of communication. The interaction between the protagonists in Samuel Beckett's drama En attendant Godot, thus was considered communication failure.

Article Details

Section
Research Articles

References

พจนานุกรมฉบับราชบัณฑิตยสถาน พ.ศ. 2542. กรุงเทพมหานคร: นานมีบุ๊คส์

Austin, J.L. (1962). How to do things with words. Oxford: Charendon Press..

Beckett, S. (1952). En attendant Godot. Paris: Editions de Minuit.

Darcos, X. (1992). Histoire de la littérature française. Paris: Hachette.

Disson, A. (1996). Pour une approche communicative dans l’enseignement du français au Japon : Bilan et Propositions. Osaka: Presse universitaire d’Osaka.

Dubois, J. et al. (2001). Dictionnaire de Linguistique. Paris: Larousse.

Esslin, M. (1961). The Theatre of the Absurd. London: Bloomsbury Publishing.

Lecherbonnier, L. et al. (1989). Littérature du XXe siècle. Paris: Nathan.

Kerbrat-Orecchioni, C. (1990). Les interactions verbales 1. Paris: Armand Colin.

Moirand, S. (1982). Enseigner à communiquer en langue étrangère. Paris: Hachette.

Rey-Debove, J. et Rey, R. (2000). Le Petit Robert. Paris: Robert.

Ryngaert, J.P. (1991). Introduction à l’analyse du théâtre. Paris: Bordas.

Sacks, H. (1984). “On doing “being ordinary” in Handbook of Discourse Analysis, S.D. pp. 13-23.

Sacks, H., Schegloff, E. & Jefferson, G. (1974). “A Simplest Systematics for the Organization Of Turn-Taking in Conversation” in Langage, 50, 695-735.

Traverso, V. (2004). L’analyse des conversations. Paris: Nathan.

Ubersfeld, A. (1996). Lire le théâtre. Paris: Editions Belin.