The Representation of Marginalized Women through the Character “Mo” in The Paradise of Thorns

Abstract

            This academic article examines the representation of marginalized women through the character “Mho” in the film Wiman Nam. The study aims to analyze how the film constructs representations of marginalized women and the reasons behind such portrayals. Narrative theory, patriarchy theory, three-dimensional character analysis, and representation theory are employed as the main analytical frameworks, with film textual analysis used as the research method.

            The findings indicate that the representation of marginalized women through Mho can be categorized into three dimensions. First, Mho represents marginalized individuals who struggle to negotiate social power. Second, she embodies femininity under a patriarchal social structure that limits women’s roles and autonomy. Third, Mho represents a marginalized woman who seeks to shift her social status from the margins toward social “normalcy.” The study finds that the durian orchard and marriage registration function as symbolic tools for negotiating economic, social, and class mobility, as well as for accessing basic rights and social welfare. However, this representation contrasts with portrayals of women in many contemporary films that emphasize female agency and gender equality.