THE LITTLE MERMAID BALLET 2020: BALLET TEACHING STYLES TO DEVELOP THE DANCE TECHNIQUES, MUSICAL SKILLS AND PERFORMANCE SKILLS OF THE LEARNERS

Authors

  • PADPARADSCHA KAEWPLOY

Keywords:

Teaching Styles Ballet, Dance Technique, Performance Skill, Learner

Abstract

This article describes the ballet teaching styles to develop dance technique skills, musical skills and performance skills for the Ballet Performance, The Little Mermaid 2020 of Suksiri Dance Studio. This performance is one of the academic services learning programs in 2020 of Faculty of Music and Performing Arts at Burapha University. The content demonstrates the ballet teaching styles which were adapted from Mosston’s teaching styles styles: 1) command style, 2) practical style, 3) reciprocal style, 4) self-check, 5) inclusion style, 6) guide delivery and 7) divergent style.

However, each ballet teaching style does not have a fixed formula for effective results; The instructor needs to have sufficient experience in implementing and developing a suitable teaching style for the learner group, social context, and era. Moreover, providing a stage experience for students is also a goal in dance education. The performance inspires learners to enhance knowledge and indicate their future careers to the students.

References

นภาลัย ทองปัน. “ทักษะแห่งอนาคตใหม่: การศึกษาเพื่อศตวรรษที่ 21.”วารสารเกษตรศาสตร์ (สังคม), 33 (3) กันยายน- ธันวาคม, 2556, (590-595).

ภัชภรชา แก้วพลอย. “หลักสูตรการเรียนการสอนบัลเล่ต์ในค่านิยมปัจจุบันของสังคมไทย.” วารสารดนตรีและการแสดง, 2 (1) มกราคม- มิถุนายน, 2559, (114-125).

วิจารณ์ พานิช. “วิถีสร้างการเรียนรู้เพื่อศิษย์ในศตวรรษที่ 21.” วารสารนวัตกรรมการเรียนรู้, 1 (2) กรกฎาคม-ธันวาคม, 2558,(3-14).

Howe S. “The important of dance in education.” Retrieved December 14, 2020, from https://mcsdurham.org/blog/the-importance-of-dance-in-education, 2018.

Hirata M. “Thai and foreign dancer artists prepare to perform at the Performance Art Festival 2004.” Retrieved December 14, 2020, fromhttps://www.ryt9.com/s/prg/ 152700?fbclid=IwAR1kD0xTU0YR7xkX_LySRZKr4oc58vQICVNu4RPoZ3cEFWzIgfttY1zwyU. [in Thai], 2004.

Klein N. “Plyometric Training for Dancers.” Retrieved December 14, 2020, from http://balletstrength.com/2014/11/plyometric-training-for-dancers/, 2014.

Kolb, D.A., Rubin, I.M. and Osliand, J. “Organization behavior reader.” Englewood Cliffs, NJ: Practice-Hal, 1991.

Mosston, M. & Ashworth, S. “Teaching Physical Education.” New York: Macmillan Publishing Company, 1994.

Robinson K, & Aronica L. “You, Your Child and School: Navigate Your Way to the Best Education.” New York: Viking, an imprint and division of Penguin Random House LLC, 2018.

Royal Academy of Dance. “Specification.” Retrieved December 14, 2020, from https://media.royalacademyofdance.org /media/2019/12/16143234/20191216-Specifications.pdf, 2020.

Wayback Machine. “RAD Registered Teacher Status.” Retrieved December 1, 2021, from https://web.archive.org /web/2010 1201155441/http://www.rad.org.uk/article.asp?id=30

Downloads

Published

24-12-2021

How to Cite

KAEWPLOY , P. (2021). THE LITTLE MERMAID BALLET 2020: BALLET TEACHING STYLES TO DEVELOP THE DANCE TECHNIQUES, MUSICAL SKILLS AND PERFORMANCE SKILLS OF THE LEARNERS . Journal of Suan Sunandha Arts and Culture, 1(1), 55–68. Retrieved from https://so01.tci-thaijo.org/index.php/artsjournal_ssru/article/view/253580