Performance, Localization and Nationalization: The Practical Path of Chinese Original Musical

Authors

  • Feng Pu krirk University
  • Zhenggang Chen krirk University

Abstract

generation" performing art form, has gone through different stages of introduction, imitation, adaptation and originality, and gradually explored a unique development path to play the aesthetic function of musical music and follow the aesthetic needs of local audiences in music. However, China's musical theater industry has been in a state of "adapting to the environment" for a long time, the level of original musicals needs to be improved, and the relevant industrial chain is not yet mature. It has not successfully taken root in the soil of Chinese culture and told "Chinese stories" like "imported" arts such as opera and ballet. In drama art reveal "internationalization", set up the background of "cultural confidence", this paper is based on professor Fei Xiaotong "cultural consciousness" theory, thinking about how Chinese original musical is through "red" moved "," localization "," national is the world "three period, and on how to use Chinese musical" Chinese story " in-depth discussion.

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Published

2024-12-16

How to Cite

Pu , F., & Chen, Z. . (2024). Performance, Localization and Nationalization: The Practical Path of Chinese Original Musical. Business Administration and Management Journal Review, 16(2), 154–170. Retrieved from https://so01.tci-thaijo.org/index.php/bahcuojs/article/view/264819

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Research Articles