From Khon Masks to Human Faces

Abstract

Abstract

This article, The Concept of Face Painting and Makeup in Thai Dramatic Performance, is part of a doctoral thesis on Thai Dance.  The main objective was to explore the patterns of face painting and makeup documented in three major types of Thai dramatic performance: classical, folk and contemporary.

The research methodology included a literature review, collecting information from books, texts, theses, articles, documents, as well as interviews of national artists, experts and related individuals.  The findings revealed the development of face painting and makeup and their influences.  In each period, the face painting and makeup varied due to the development of cosmetic products and tools.  As the tools improved and the makeup techniques advanced, the patterns of face painting and makeup have changed dramatically.  Some techniques combine the patterns of Khon masks found in mural paintings, following the contour lines, shading techniques and colors of the masks.  In addition, basic theories of art were introduced to develop new concepts and more realistic patterns of face painting and makeup.  With these new concepts, the makeup artists became better able to express their creativity.

Keywords: Khon mask, Thai dramatic performance