Molum Transmission Process by Bouphan Daokanong

Abstract

This thesis has objective for study in biography of Bouphan Daokanong, study in elememts of Buophan Daokanong Molum Perfoming Art and study in Molum transmission process by Bouphan Daokanong. Collected the data from documents and fieldwork. Begin study from November 2013 to October 2014. Research Instruments are Interview Form, Observation Form, The result of the research was found that ; Bouphan Daokanong she would to study in Molum by inspiration from friend. Because her friend memorize a Molum verse. Bouphan Daokanong bring self to Molum study at Janhom Ammatbandit’home school for molum learning. Elements of Bouphan Daokanong Molum Performing Art prepare with Kind of Molum verse is Tuopai Melody (General Melody), Tongtin Melody (Local Melody), Substance Melod y(Nueha melody). Molum composer has knowledge in Molum and E-sarn languages. Persionality in Perfomance. Kaen Musician has skill to perform with Molum Singing. Grading the performance prepare with First is Teacher Respect (Wai Kroo), Second is Plublish(Prakard Sadtha), number Third Discussion (Tamkaoban), Fourth Perform consult (Pruksa
Kanlum) and Fifth Farewell (Lumla). Molum Transmission Process by Bouphan Daokanong begin from admit the student. Memorize a Molum verse process. Oral mold process (Oh-La-Nor). Melody mold Process. Molum singing and Dancing process. Finished elements of molum perfoming Art and training about servile in the social with Molum singer. And last process is to practice to fix the facing problem from real performance in Molum performance.