FESTIVAL OF HAPPINESS: PRESERVING HMONG CULTURAL HERITAGE THROUGH ENAMEL ART
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This research delved into the heart of the Hmong Huashan Festival, a vibrant cultural event in China. The paper employed visual arts as a medium to encapsulate and convey the essence of the festival’s spirit. Through detailed field observations, the study captured various facets of the Huashan Festival, including traditional activities like flower pole climbing, lusheng dancing, bullfighting, and the unique social interactions during the festival. The investigation had two primary objectives: 1) to study and create art inspired by the traditional Huashan Festival; 2) to utilize the technique of enamel pinching to create art pieces that embody the Huashan Festival’s spirit. Employing techniques like enamel pinching and drawing inspiration from both Chinese farmer paintings and contemporary artistic styles, this thesis crafted a series of artworks that vividly portray the joyful and lively atmosphere of the festival. The thesis also explores the integration of cultural stories and traditions into visual arts, advocating for the preservation and promotion of cultural heritage. The result is a fusion of traditional cultural themes with modern aesthetic sensibilities, creating a rich tapestry that celebrates the Hmong culture and brings its festive spirit to a broader audience. The artworks serve not only as a visual feast but also as a means to foster cultural understanding and appreciation, making a significant contribution to the field of visual arts and cultural heritage preservation.
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