AN ANALYSIS AND INTERPRETATION OF CELLO SUITE NO. 2 PRELUDE AND GIGUE BY JOHANN SEBASTIAN BACH

Authors

  • Thachapol Namwong Faculty of Fine and Applied Arts, Chulalongkorn University
  • Noraath Chanklum Faculty of Fine and Applied Arts, Chulalongkorn University

Keywords:

Suite, Bach, Viola, Cello, Baroque

Abstract

This analysis and interpretation of Cello Suite No. 2 in D minor intended to study and interpret the details of the song in order to develop a better-quality performance. The analysis also provides approaches to playing and gaining an understanding of the music, which is essential in communicating to the audience precisely what the composer intended. The form of Cello Suite No. 2 in D minor, including all 6 movements, has different styles. In addition, the rhythmic patterns differed according to the genre of dance music during the Baroque period and gave different moods.

References

ณัชชา พันธุ์เจริญ. (2551). สังคีตลักษณ์และการวิเคราะห์. กรุงเทพมหานคร: เกศกะรัต.

Bach, J. S. (1991). Six suites for violoncello solo BWV 1007-1012. Kassell: Bärenreiter Verlag.

Benjamin, T. (1986). Counterpoint in the style of J.S. Bach. New York: Schirmer.

Efrati, R. R. (1979). Johann Sebastian Bach: The interpretation of the sonatas and partitas

for solo violin and the suites for solo cello. Zurich: Atlantis Musikbuch Verlag.

Mather, B. B. (1987). Dance rhythm of the French baroque. Bloomington: Indiana University Press.

Downloads

Published

2023-06-21

How to Cite

Namwong, T., & Chanklum, N. (2023). AN ANALYSIS AND INTERPRETATION OF CELLO SUITE NO. 2 PRELUDE AND GIGUE BY JOHANN SEBASTIAN BACH. Fine Arts Journal: Srinakharinwirot University, 27(1), 33–44. Retrieved from https://so01.tci-thaijo.org/index.php/jfofa/article/view/249036

Issue

Section

Research Article