THE PLAYING PATTERN OF THE SONG ‘TAB NANG LOY BUNTON’ BY NATIONAL ARTISTS PRASIT THAWORN AND TUAM PRASITTHIKUN

Abstract

This research compiles the knowledge of ‘Tub Nang Loi Bunton’, which features the arrangement, playing, and vocal styles of Thailand’s National Artists, Prasit Thaworn and Tuam Prasitthikun, In this study, eight musical playing styles and five vocal styles are identified, each showcasing the performers’ skills and knowledge in Thai Music. The music arrangement also integrates a Mon style into song’s transition and singing is adorned with the melody of AUEN with various melodic embellishments that reflect the song’s emotions. This vocal style emphasizes clear vocalization and the emotions of the lyrics which enhance the audience's listening experience. The ‘Tub Nang Loi Bunton’, as performed by Prasit Thavorn and Thoom Prasitkun, also demonstrates a complete presentation of Thai music knowledge, including elements of melody, rhythm, tonality, transitions, solo playing, rhythmic patterns, vocal techniques, and methods of vocal responses. All of these create melodiousness and increased enjoyment in listening That create aesthetic in music.