NORA DRAMA: SANSILPA THAKSIN SIAM

Abstract

Background and Objectives: Nora and Khon are unique and distinct performing arts. However, both types of performances have been inscribed on the UNESCO Intangible Cultural Heritage list. This research aims to create a novel performance series, “Nora Drama: Sansilpa Thaksin Siam,” by combining the unique elements of Nora- a Southern Thai folk dance with Khon, the royal court dance drama based on the Ramakien epic.

Methods: This research employed a creative research design, this study involved a literature review and field interviews to gather data for designing the performance elements., This led to presentation and evaluation of the work. Research instruments included interview questionnaires and performance evaluation forms.

Key Findings: This creative work is a unique performance that blends the distinct characteristics of Nora with those of Khon. The narrative is adapted from the Ramakien epic, and divided into three acts: Rama Chases the Deer, The Abduction of Sita, and The Monkey King Offers His Troops. Performers wear newly designed masks that resemble Khon headdresses, and Nora hunter masks. There are gaps opened around the mouth to facilitate live singing and dialogue. While the costumes and musical instruments retain traditional Nora styles, the costume color schemes are strictly dictated by Khon traditions. The choreography is grounded in Nora dance movements with some Khon movements integrated at certain points. The researcher designed this work systematically, ensuring the accuracy of both artistic traditions. This resulted in a performance innovation that adheres to traditional principles while meeting the needs of modern audiences.

Implications of the Study: This research offers significant academic and practical contributions to the performing arts. It builds upon the concept of blending how the distinct characteristics of two unique performing arts can be harmoniously integrated. Furthermore, it demonstrates the practical execution of “literary transformation” bringing theoretical frameworks with tangible performance outcomes. Methodologically, this study can also be used as a case study in for designing locally culture-based performance. Finally, the findings can be applied to the development of dance curricula, cultural arts performances, and the creation of conservative contemporary works for the international stage.

Conclusions and Future Study: This creative work presents a new form of Nora performance that creatively blends the unique elements of Khon. It strictly respects the traditional practices of both art forms while using the Ramakien epic as the basis for its presentation. Therefore, this study serves as a model for the future development of creative cultural dance. Future research can extend upon this by creating Nora plays based on other parts of the Ramakien epic, or by applying this collaborative framework to other folk performance types, such as Likay and Nang Talung.