AEW LAO WIANG: THE CREATION OF ISAN FOLK DANCING THAT COMES FROM THE DANCE CULTURE OF THE LAO WIANG TRIBAL GROUP, LOM NAKHON RATCHASIMA

Abstract

Aew Lao Wiang conducted qualitative research focused on the creation of Isan traditional dance, starting with the dance culture of the Lao Wiang sample group in Na khon Ratchasima. The study had two main objectives: 1) to educate and learn about the academic and dance teachings of the Lao Wiang sample group, and 2) to spread awareness of traditional Lao Wiang tribal dance culture by studying dissemination documents in the field, using a random selection method. The sample group consisted of 5 experts, 6 practitioners, and 20 general people who were interviewed in-depth, using surveys, non-participant observations, structured and unstructured interview forms. The data analysis results were presented using a descriptive analysis method.

The study found that the Lao Wiang ethnic group's dance culture has been handed down through generations, as demonstrated by historical documents and mural paintings of Wat Na Phra That. Despite differences in language, dress, and occupation, the Heet 12 traditional dance culture remains a crucial part of their cultural adaptation. The researcher used Suraphon Wirunrak's concept of artificial dance, along with cultural capital and related theories such as cultural integration, creative, and aesthetic theories, to design and create a contemporary Isan folk dance that showcases the identity of the Lao Wiang community. The dance aims to continue the legacy of their dance culture by creating valuable cultural and ethnic identity for future generations to inherit and cherish as part of their heritage.