The Aesthetic Identity and Cultural Significance of Mise Ceramics from Shanglin Lake during the Late Tang Dynasty

Abstract

The objectives of this research were 1) to examine the historical development of Mise ceramics from Shanglin Lake in Zhejiang Province; and 2) to analyze their aesthetic identity and cultural significance during the late Tang Dynasty (A.D. 847–903). The research employed qualitative methodologies, including documentary research, field surveys, and expert interviews. The results indicated that the historical development of Mise ceramics from Shanglin Lake could be divided into four phases: the origin period, the development period, the golden age, and the period of decline and termination of kiln production. The aesthetic identity of Mise ceramics was categorized into four main aspects: 1) dense and refined clay texture, achieved through meticulous selection and preparation of raw materials; 2) forms and shapes inspired by nature, such as bowl rims modeled after various flower types; 3) a jade-like translucent green glaze with a smooth surface free from black specks or air bubbles; and 4) decorative motifs reflecting stylistic diversity. The analysis of their cultural significance revealed that Mise ceramics functioned as ritual vessels with important roles in Tang Dynasty Esoteric Buddhism. They became symbols of imperial authority and embodied a synthesis of philosophical thought and spiritual aesthetics of the Tang era.