The Faith Symbols: Applied Art for Home Decoration Inspirited from Cultural District Essence of Talad Noi
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Abstract
This article aims to discuss the process in design method that led to applied art creation as a part of thesis research named “Cultural district’s essence the sustainable development of Bangkok: a case study of Charoenkrung district”. Authors aims to study the information related to design to create products and service by adapting the cultural essence within the targeted district. By study identities of the scoped area as a design challenge from contemporary cultural essence, this research has a study method in a qualitative way from analyzing the essence or the essence of beauty. In addition, from studying papers related to history and sociocultural dimensions, including collecting data through observation onsite. The collected data was classified, extracting the data that relates to the context of targeted area visually, then merging with the data based on locals’ feedback. The result was set as a hypothesis to design applied artworks by taking the contrary of visual and abstract elements as a factor that influence one another to interpret metaphorically and portray as a home decoration based on creating, changing, and overlapping shapes, languages, symbols, and architectural elements of the shrine within Talad Noi area. The diverse relationship of the faith symbols as an essence of cultural district is truly a new knowledge for the creative process.
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References
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