Relationship between Champa and Dvaravati in Northeastern Thailand as Seen Through the Artistic Style During the 9th and 10th Century A.D.

Abstract

Champa was an ancient state in the central and southern regions of Vietnam from the 3rd century until the 16th century. With a coastal area close to southern China and important forest resources, Champa is one of the most important ports. There are many contacts with ancient states in Southeast Asia. One of them is the ancient state of Thailand, including Dvaravati and Srivijaya. As well as the Dvaravati area in northeast of Thailand, there is evidence in the form of fine arts showing the relationship between the two areas during the 9th and 10th centuries, both in the form of artifacts and archaeological sites, such as carvings on Phra That Phanom, the Lion Sculptor, and Bai Sema. These fine arts encourage us to see other dimensions of the relationship between Champa and Dvaravati in the northeastern Thailand beyond the craftsmanship relationship, including political and Mahayana Buddhism relationships. This article attempts to present an analysis and interpretation of the political and religious relationship between Champa and Dvaravati during the 14th and 15th centuries in northeastern Thailand through the analysis of the distribution of evidence and related artistic styles.