Semiotics in Buddha Image Board (Phra Phaeng Maii) of Lamphun Province

Abstract

This research aims to analyze the semiology of buddha image board (phra phaeng maii) in Lamphun Province. The study results found that there were 35 buddha image board (phra phaeng maii) in Lamphun Province that were surveyed and used for study, which can be classified into 5 styles: 1) frame-shaped niche, 2) castle-shaped niche, 3) ancient-style niche, 4) female-front niche, and 5) lotus-petal frame. There are three inscribed buddha image board (phra phaeng maii) in Lamphun Province: one buddha image board (phra phaeng maii) in the temple of Wat Ban Pang and two buddha image board (phra phaeng maii) in the temple of Wat Nong Nguak. Analysis of buddha image board (phra phaeng maii) according to Charles Sanders Peirce's semiotic theory can be concluded as follows: 1) Iconic mode consists of 1.1) The wooden panels that decorate the Buddha images have a meaning that represents the Buddha's residence or the Gandhakuṭī 1.2) The Buddha images represent the Buddha. 2) Indexical mode: Analyzed from the decoration of many Buddha images on the wooden panels, there are references to all the Buddhas who have appeared in the world. 3) The symbolic form (Sign, Symbol) related to Lanna culture can be analyzed from 3.1) The case of the decoration of Lamphun Buddha amulets in various forms on buddha image board (phra phaeng maii), which conveys the value of collecting valuable Buddha amulets. 3.2) Analysis from the patterns on the buddha image board (phra phaeng maii), including the flower patterns, meaning flowers used to worship the Buddha, and 3.3) Analysis from the inscriptions on the buddha image board (phra phaeng maii), which convey the wishes of the creator, with meanings of the three happiness principles and five causes of the extinction of Buddhism.