ARSURAPAT’S TROOPS REVIEW DANCE STRATEGIES IN KHON PERFORMANCE

Abstract

This research aims to examine the dancing techniques in the scene of Asurapat’s troop in Khon performance. The research is conducted with two objectives as follows: (1) to investigate the background of Asurapat’s role in Khon performance, and (2) to study dancing techniques used in performance of Asurapat’s role in Khon. This present study analyzed the insight from Master Prasit Pinkaew, National Artist in Performing Art (2551 B.E.) whose specialization is in Thai performing art of Khon Ling (monkey role in Khon). The master followed the dancing techniques of Mr. Kree Worasarin, National Artist (2531 B.E.) in Performing Art (Khon). This qualitative study employs documentary research of textbooks, document, academic articles and related studies in the area. In addition, a field study was conducted to observe the practice of dancing techniques and to collect qualitative data for analysis. 

   monkey gestures with giant expressions.