Keep Silent to "Maintain Normalcy”: Voices, Symptoms, and Wounds of Marginal Characters in the Dystopian Short Stories of Samut Teetas
Main Article Content
Abstract
This academic article aimed to investigate the behavioral characteristics of marginalized characters in the short stories ‘The Normal Situation’. Presented through descriptive analysis, the study revealed that these stories possessed the characteristics of dystopian literature. By constructing a grotesque and repulsive imaginary world, these stories exposed the societal perspective through the eyes of marginalized individuals who had been stripped of their identities. These characters were therefore forced to struggle against being redefined by state power. Moreover, the state's methods for maintaining order were illustrated through the imposition of hunger to enforce populace obedience, the cultivation of paranoia to instill fear, the infliction of pain as punishment for defiance, and the eradication of dissidents' identities from the urban landscape. The shared imagery among the city’s inhabitants was that of a yearning for a society capable of escaping the distortion, despair, and erasure of self found in the “ordinary city,” the setting of every short story. This longing, however, served to underscore the fact that the society the characters yearned for had never truly existed, and that their suffering would remain as the city's "silence"—a silence that preserved the illusion of normalcy indefinitely. Eventually, this paper encouraged readers to question the various "narratives" within the short stories, aimed to foster awareness of society's true problems rather than simply seeking "moral satisfaction" from the stories.
Downloads
Article Details

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
The articles published are copyrighted by the Graduate School, Chiang Mai Rajabhat University.
The opinions expressed in each article of this academic journal are solely those of the individual authors and do not reflect the views of Chiang Mai Rajabhat University or its faculty members. The responsibility for the content of each article rests entirely with the respective authors. In the event of any errors, the authors alone are responsible for their own articles.
References
Charoensin-o-larn, C. (2002). Semiology structuralism post-structuralism and the study of political science. Bangkok: Viphasa. [In Thai]
Itsariyodkrai, P. (2013). Game as worlds, the world as a game: Contesting power in contemporary young-adult dystopian literature. (Master of Arts, Department of Comparative Literature, Chulalongkorn University). [In Thai]
Leksakul, S. (2014). “The Subaltern” in the perspective of Gayatri Chakravorty Spivak. Journal of Humanities and Social Sciences, 3(2), 1-19. [In Thai]
Leksakul, S. (2018). The Subaltern: Affirmations by Gayatri Chakravorty Spivak. Bangkok: Illuminations Editions. [In Thai]
Luekajornchai, T. (2022). Spivak The Subaltern and Universality: Is Spivak's voice audible within the Thai context?. Retrieved from https://www.illuminationseditions.com/b/61 [In Thai]
Kitiarsa, P. (2003). Pop culture people: Thai identity in popular culture. Bangkok: Princess Maha Chakri Sirindhorn Anthropology Centre (Public Organisation). [In Thai]
Numpha, J. (2021). Dystopia concept in a “Mise-en-scene” from The Handmaid’s Tale TV Series. (Master of Fine Arts, Department of Art Theory Silpakorn University). [In Thai]
Peerada. (2022). Weapons of the weak: Methods of resistance against injustice power. Retrieved from https://pridi.or.th/th/content/2022/10/1304 [In Thai]
Pitsuwan, K. (2021). ‘The situation is controllable’ 8 abnormal short stories that invite questions about the normal situation. Retrieved from https://adaymagazine.com/the-situation-is-controllable/ [In Thai]
Punyakanchana, S. (1990). An analytical study of American Dysttopian science fiction from 1950 to 1972 A.D. (Master of Arts, Division of Comparative Literature, Chulalongkorn University). [In Thai]
Raekroon, S., Jeennoon, P., and Pumma, S. (2024). Dystopia of a totalitarian state: A case study of contemporary Thai Novels in the 2010s. Journal of Liberal Arts, Ubon Ratchathani University, 20(1), 159-185. [In Thai]
Rukrian, P. (2016). Eco-Dystopia and Eco-Utopia in Kim Stanley Robinson’s science fiction. (Doctor of Philosophy, Program in Literature and Comparative Literature, Chulalongkorn University). [In Thai]
Sirichai, W. and Sangkhapanthanon, T. (2023). The concepts of Utopia and Dystopia: The duality of nature and environment in Thai literature. Silpakorn University e-Journal (Social Sciences, Humanities, and Arts), 43(5), 44-55. [In Thai]
Sriarun, P. (2017). Urban Dystopia in Japanese crime fiction Strawberry Night. Journal of Language and Culture, 37(1), 104 - 157. [In Thai]
Srijan, A. (2020). The situation is controllable’ In the face of enduring ugliness. Retrieved from https://www.the101.world/the-situation-is-controllable/ [In Thai]
Sombatpoonsiri, J. (2019). The processing of 'securitization‘ construction: Ideas and case studies. Retrieved from https://www.the101.world/securitization/ [In Thai]
Sutherland, J. (2013). A little history of literature. Bangkok: Bookscape. [In Thai]
Teetas, S. (2019). A normal situation. Bangkok: Salmon. [In Thai]
Thongnoi, N. (2019). The situation is under control: Diving into the ordinary city and normality (?). Retrieved from https://themomentum.co/the-situation-is-under-control/ [In Thai]
Wongyannava, T. (2019). On monotheism. Bangkok: Sommadhi. [In Thai]