A Visual Semiotic Analysis of Graphic Chinese Character City and Provincial Logos
Keywords:
Graphic Chinese Character City and Provincial Logos, Visual Semiotic Analysis, Representational Resource, Interactive Resource, Compositional ResourceAbstract
This paper aims to discuss the forms of graphic Chinese character logos of cities and provincial regions in China from the visual semiotic perspective. Visual grammar proposed by Gunther Kress and Theo van Leeuwen (2006) is employed to analyze the representational, interactive and compositional resources of 75 graphic Chinese character logos for cities or provincial areas. This paper finds that more of the representational than those of the interactive or compositional resources are employed in these logo designs. Repetition and metonymy coincide with all three semiotic resources for meaning construction. Interestingly, it was found that the two most common cultural elements of Chinese architecture and landscape represented by the resources are meaningfully associated with Chinese philosophical thoughts of the requirement of rite and pursuit of harmony and unity between humankind and nature.
References
Analects. (n.d.). Retrieved October 1, 2022 from https://www.liuxue86.com/a/2679460.html#6
China National Radio. (2021). “My “14th five-year period”: Shi Chang-hong: Showing the Infinite
Charm of Chinese Characters with Creativity.”. Retrieved from https://gz.cnr.cn/zhongdianliutiao/20210811/t20210811_525559493.shtml.
Du, B. X. (2018). The Application of Chinese character graphics to city logo design. (Thesis,
Qufu Normal University), [In Chinese] Retrieved from https://www.cnki.net.
Emanel, B. (2010). Rhetoric in graphic design. (Thesis, Anhalt University of Applied Sciences).
Retrieved from https://www.academia.edu.
Feng, Y. F. (2006). Evolution of logo designs’ form and style. (Thesis, Tianjin Polytechnic University). [In Chinese] Retrieved from https://www.cnki.net.
Gao, S. (2019). The application of rhetoric in the design of Chinese character logo. Journal of Henan Institute of Science and Technology 39(1), p. 62-65. [In Chinese] https://doi.org/10.3969/j.issn.1673-6060.2019.01.013 (accessed August 12, 2021).
Halliday, M. A. K. (1978). Language as social semiotic: The social interpretation of language
and meaning. London: Edward Arnold.
Jewitt, C., & Oyama, R. (2012). Visual meaning: A social semiotic approach In The handbook of
visual analysis. London: SAGE. p. 134-156. Retrieved from https://www.academia.edu.
Kress, G., & van Leeuwen, T. (2006). Reading images: The grammar of visual design. (2nd ed). London: Routledge.
Lai, Z. Z. (2018). The research on the cornice art of traditional Chinese architecture. (Thesis,
Hunan University). Retrieved from https://www.cnki.net
Li, Z. (2013). Social semiotics of visual communication research field of Chinese characters
Graphical. (Thesis, Dalian Polytechnic University. Retrieved from https://www.cnki.net.
Li, Z. (2020). The application of rhetoric based on semiotics about creative Chinese characters design. (Thesis, Beijing Jiaotong University). Retrieved from https://www.cnki.net.
Liang, M. Y. & Guan, H. L. (2021). Exploring the graphic image design of city tour logos
Chinese National Expo, 11(22), p. 184-186. Retrieved from https://www.cnki.net.
Liu, Q., & Wang, Q. (2017). Research on visual performance of Chinese character graphics based
on semiotics. Journal of Heihe University, (5), p. 163-164.
Retrieved from https://doi.org/10.3969/j.issn.1674-9499.2017.05.079.
Logo. In Oxford Languages. (n.d.). Retrieved from https://languages.oup.com/google-dictionary-
en/
Morr, K. (2018). There are 7 types of logo designs: but which type of logo is right for you?: This
guide will help you. In Entrepreneur's Handbook. Retrieved from
https://entrepreneurshandbook.co/logo-basics-which-type-of-logo-is-right-for-you-
c8c85a743cf8.
Peng, X. H., & Ouyang, C. (2015). The application of semiotics to graphic character design.
Art Education Research, (03), p. 92-93. Retrieved from https://www.cnki.net
Rose, G. (2016) Visual methodologies: An introduction to the interpretation of visual methods. (4th ed). London: Sage Publications.
Somnuxpong, S. (2020). Chiang Mai: A creative city using creative tourism management.
Journal of Urban Culture Research, (20), p. 112-132. Retrieved from
https://doi.org/10.14456/jucr. [in Thai]
Tech Target Contributor. (2017). Definition: logo. In WhatIs .com. Retrieved from
https://www.techtarget.com/whatis/definition/logo.
Thuy, T. T. H. (2017). Reading images - The grammar of visual design. Review of Reading
images - The grammar of visual design, by Gunther Kress and Theo van Leeuwen. VNU
Journal of Foreign Studies, 33(6), p. 164-168. Retrieved from
https://doi.org/10.25073/2525-2445/vnufs.4217.
Vos, L. (2022). Semiotics in marketing: What It means for your brand and Messaging. In CXL.
https://cxl.com/blog/semiotics-marketing/.
Wang, Y. H. (2019). Innovative application of Chinese characters in logo design. Packaging
Engineering, 40(2), p. 99-103. https://doi.org/10.19554/j.cnki.1001-3563.2019.02.017.
Wang, Z. H., & Wu, J. F. (2020). Research on the application of Chinese characters ideographic features and oriental aesthetics in logo design. Architecture & Culture, 10, p. 40-42. Retrieved from https://doi.org/10.19875/j.cnki.jzywh.2020.10.007.
Wen, X. (2008). Scientific methodological contribution of Chinese traditional nature viewpoint
to contemporary environmental art design. Furniture & Interior Design, 02, p.13-15.
Retrieved from https://doi.org/10.16771/j.cnki.cn43-1247/ts.2008.02.
Wong, W. S. (2001). Detachment & reunification: A Chinese graphic design history in greater
China since 1979. Design Issues, 17(4), p. 51-71. Retrieved from https://doi.org/10.1162/07479360152681092.
Yan, F. (2009). Cultural spirit in symmetry and asymmetry in traditional Chinese buildings.
Design Area, 6, p. 3-6. Retrieved https://www.cnki.net.
Yang, X. M., & Huang, K. (2020). Research on the application of Chinese character graphic in
logo design - Taking the logo of Nanjing Museum as an example. Journal of Harbin University, 41(05), p. 91-95. Retrieved from https://doi.org/10.3969/j.issn.1004-5856.2020.05.021.
Zhu, T. F. (2020). Application research of Chinese character graphicalization in tourism
destination logo design.” Design, (1), p. 151-153. Retrieved from https://www.cnki.net.