An analysis of concrete art elements linking abstraction in southern sculpture

Abstract

An Analysis of Abstract Concepts of Multicultural Society in Southern Sculpture It is a concrete analysis of artistic elements. Buddhist content, beliefs, and various expressions of multicultural in the Rattanakosin period (Rama I-Rama IX) and for analyzing concrete relations with abstract ideas of multicultural society in sculptures of the South. and to conserve, inherit, continue and promote cultural tourism in the area of Buddhist art in the South.
analysis results Abstract Concepts of Multicultural Society in Southern Sculpture with distinctive style art elements Contains multicultural content and local beliefs in Buddhism appearing in the sculptures with a variety of beliefs with Buddhism as the core of life and beliefs in the southern region. with the spirit of local people Linked in the form of concrete expression in the combination of shapes that are mixed in the work, creating beauty, ways of thinking, resulting in a taste for expression that is diverse in unity. by the combination of a variety of styles, including the Royal Craftsmanship Chinese art style western art style Hindu-Javanese Art Forms which appears to combine the unity in the sculptures of the South. This resulted in a set of historical knowledge and wisdom that reflected the beliefs and faith of the communities in the South. lead to conservation Inheriting sculpture in the south in the future and abstract concepts in content that create relationships in the coexistence of societies in the past with a variety of religions and can be used to reduce conflicts in today's diverse society in order to achieve harmony and unity in today's society for unity and peace.