TECHNIQUE OF THE DANCE ACCORDING TO THE NARRATION OF RAMA IN THE KHON PERFORMANCE

Abstract

       This research includes the following proposed objectives: (1) to examine the rationale of dancing techniques according to the narrations of Phra Ram (Rama) character in Khon performance and (2) to analyze strategies of dance performance according to the narrations of Phra Ram (Rana) from Nang Yai to the Khon. This research is conducted focusing on examining the dance techniques and narration interpretation of the following two major masters of Khon actors including Khru Phaitoon Khemkhaeng (National Artist of Thailand) and Khru Weerachai Meeborsap.

       The results reveal that the dancing techniques performed by the gestures of the performers according to the narrations in Khon performance, especially in case of Phra Ram (Rama) character,are the interpretation from the narrations of Nang Yai  . The two experienced masters of Khon had transferred their mastery through the practices of dancing techniques with dancing verbal interpretation and their imagination. The principle of dancing, which is concrete, means showing gestures to communicate what appears in the scene. whereas abstract dance conveys the characteristics of things by using the imagination of performers themselves. The performing techniques used to support their interpretation were created based on the consideration of Phra Ram’s characteristic (the king who is the reincarnation of the god), which is the uniqueness of Phra Ram’s character.