AESTHETIC VALUE OF PORCELAIN INLAY IN CHAOSHAN AREA OF CHINA FOR APPLICATION IN CONTEMPORARY CREATIONS

Article Sidebar

pdf
Published: Oct 9, 2023
Keywords:
Chaoshan area porcelain inlay artistic features aesthetic value.

Main Article Content

Liu Jian
Ph.D. of Philosophy Program, Arts and Cultural Administration, Faculty of Fine and Applied Art, Burapha University.
Poradee Panthupakorn
Professor of Doctor of Philosophy Program Department of Visual Arts, Art of Design and Cultural Management Faculty of Fine and Applied Arts, Burapha University
Puvasa Ruangchewin
Asst. Prof., Dr. Professor of Doctor of Philosophy Program Department of Visual Arts, Art of Design and Cultural Management Faculty of Fine and Applied Arts, Burapha University

Abstract

Porcelain inlay craft is a folk art from the Chaoshan area of Guangdong Province, China. It stands as a distinctive architectural decoration and epitomizes the traditional culture of Chaoshan. This research, conducted through literature review, interdisciplinary studies, and field investigations, aims to unveil the artistic characteristics and aesthetic values of porcelain inlay and to explore its potential applications in modern creative works. The study results indicate that the porcelain inlay craft embodies significant regional artistic features and profound aesthetic values, integrating history, art, culture, and craftsmanship. Merging with modern aesthetics and technology, the porcelain inlay craft can not only undergo innovative inheritance but also stands to find new applications in modern creative works for outdoor spaces. This offers theoretical support and practical recommendations for the further inheritance and development of porcelain inlay art.

Article Details

How to Cite
Jian, L., Panthupakorn, P. ., & Ruangchewin, P. . (2023). AESTHETIC VALUE OF PORCELAIN INLAY IN CHAOSHAN AREA OF CHINA FOR APPLICATION IN CONTEMPORARY CREATIONS. Journal of Asia Arts and Design, 4(2), 113–141. retrieved from https://so01.tci-thaijo.org/index.php/jaad/article/view/270040
Issue
Vol. 4 No. 2 (2024): July - December
Section
Research Articles

References

Chen, L. (2558). Study on the characteristics of Chaozhou-Shantou inlay porcelain decoration: Taking Kaiyuan Temple in Chaozhou as an example. Foshan Ceramics, (12), 53-56.

Huang, K. (2558). The maritime culture of residential buildings in Chaozhou-Shantou region. Popular Literature and Art, (20), 45.

Huang, Q. (2549). The Carriers of Chinese Traditional Auspicious Culture: Auspicious Patterns. Journal of Yunnan Arts University, (4), 67-71.

Lin, L. (2543). The Formation of Chaoshan Dialect and Chao Opera. Applied Linguistics, (4), 73-78.

Lin, M. (2531). Guangdong craft art historical materials. Guangzhou: Guangdong Provincial Arts and Crafts Industry Company.

Lu, J. (2548). Chaozhou-Shantou inlay porcelain: The unfading charm. China Crafts, (03).

Lu, X. (2555).Application of Traditional Inlay Porcelain Art in Modern Design. Decoration. (02), 127-128.

Wang, H. (2556). On the Thinking Mode and Application Principles of Art Design. China Packaging Industry. (08), 54-55.

Zhang, Q. (2544). The cultural implications of traditional Chinese architecture colors. Changjiang Construction, (04).

Zhang, Q. (2550). Design Art Aesthetics [M]. Beijing: Peking University Press.

Zheng,Y. (2557). Characteristics of Chaozhou-Shantou culture and traditional architecture. Urban Construction Archives, (07), 21-23.