AN ANALYZE THE AESTHETIC, CONNOTATION AND CULTURAL SYMBOLISM OF QINGXU BRICK CARVING IN ARCHITECTURE, SHANXI PROVINCE, PEOPLE’S REPUBLIC OF CHINA
Article Sidebar
Main Article Content
Abstract
The objectives of this research are: 1) To Study and distinguish contemporary characteristics and historical significance of Qingxu. 2) Analyze the aesthetic and cultural connotations contained in the image art style of Qingxu brick carving. 3) Analyze the cultural symbols of Qingxu brick carving in architectural design. This research is qualitative research by means of literary research Qingxu brick carving as a concept from ancient times to the present. Analysis of the origin and development of Qingxu brick carving. Analyze the historical background and cultural environment, summarize and distinguish cultural values. Based on on-site inspection, carving styles in architecture are extracted. Symbols, composition, images and carving techniques are analyzed brick in architecture.
The research found that: 1) Qingxu brick carving began in the period 1029 BC. It is a unique regional culture. In 1368, the art of brick carving entered its heyday. In addition to being used by the royal family, it was also used as a residence for citizens. 2) The aesthetics and cultural meaning of Qingxu brick carving combines Confucian culture, Taoist culture, Historical culture and Folk culture. 3) In Chinese history the blue brick building is an old and simple cultural symbol that embraces traditional aesthetics in architectural design
Article Details
References
Gao Lanlan. (2017). Research on traditional brick carving art in Jinzhong [D]. Shanxi. Inner Mongolia University, P.14-18.
Jinhua. (2017). Qingxu Brick Carving: A Folk Craft Showing the Charm of the Ancient Jin Dynasty [J]. A Guide to Promoting Longevity, P.46-47.
Liu Ying. (2023). Research on Innovation Strategies for Digital Empowerment of Intangible Cultural Heritage-Take the protection and inheritance of intangible cultural heritage in Shanxi Province as an example [J]. Appreciation of masterpieces, P.89-91.
Ya, Lu. (2023). Jinyun culture of mountains and rivers inside and and outside, Every brick and tile is “legacy” of love [M]. Shanxi Youth Newspaper (2023 Edition 008), P.4.
Shanxi Provincial Government Office. (2019). Shanxi Province’s Measures for Social Forces to Participate in the Protection and Utilization of Cultural Relics. Local regulations implemented in Shanxi Province. Article 3. P.1.
Shanxi Provincial Government Office. (2022). Shanxi Province’s “14th Five-Year Plan” Implementation Plan for Cultural Relics Protection and Scientific and Technological Innovation. P.3.
Jin, Xie. (2019). Meticulously crafted brick carvings of Qingxu folk houses [J]. Great Eastern Cultural Vision, P.134.