Tourist Gaze and Staged Authenticity in the Context of Creative Conservation: A Case Study of YEN.CNX Café, Chiang Mai
Main Article Content
Abstract
This article examined the case of YEN.CNX, a café located in a former tobacco leaf sorting factory in Chiang Mai, Thailand. The study aimed to analyze the spatial design of the café through the conceptual frameworks of the Tourist Gaze and Staged Authenticity, to explore the ethical implications of revealing labor processes within a cultural service setting, and to propose design strategies for creative business spaces that align with cultural heritage conservation and respect for labor dignity. Using case study methodology, secondary data collection, and visual analysis, the study investigated how the site balanced historical storytelling with aesthetic experience. The findings indicated that while YEN.CNX presented a curated narrative of local labor heritage, the visual exposure of labor processes as part of a touristic aesthetic raised ethical concerns regarding labor dignity and asymmetrical power in storytelling. The article argued that creative tourism spaces should adopt ethical communication strategies and foster community participation in shaping narratives to ensure meaningful preservation, both materially and socio-culturally.
Article Details

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Article Screening Policy
- All research and academic articles to be published must be considered and screened by three peer reviews in the relevant field / article.
- All articles, texts, illustrations and tables published in the journal are the personal opinions of the authors. Editors don't always have to agree. And no responsibility whatsoever is the sole responsibility of the author.
- The articles to be published must never be published. Where did you first publish? And not in the consideration of other journals If the audit found that there has been a duplicate publication It is the sole responsibility of the author.
- Any article that the reader sees as being plagiarized or impersonated without reference. Or mislead the work of the author Please let the journal editor know it will be your greatest blessing.
References
Barthes, R. (1977). Image–music–text (S. Heath, Trans.). Fontana Press.
MacCannell, D. (1973). Staged authenticity: Arrangements of social space in tourist settings. American Journal of Sociology, 79(3), 589–603. https://doi.org/10.1086/225585
room.baanlaesuan.com. (2022). YEN.CNX Chiang Mai cafe in an old tobacco leaf sorting factory. Retrieved from https://room.baanlaesuan.com/
/commercial/cafe/yen-cnx
Saayman, M. (2020). Contemporary developments in tourism heritage: The case of Zeitz MOCAA. South African Journal of Cultural Studies, 15(2), 98–112.
Silverstone, R. (2007). Media and morality: On the rise of the mediapolis. Polity Press.
spacebar.th. (2025, April). YEN.CNX: Cafe or Human Zoo? Retrieved from https://spacebar.th/culture/drama-yen-cnx-human-zoo
UNESCO. (2011). Recommendation on the historic urban landscape. United Nations Educational, Scientific and Cultural Organization. Retrieved from https://whc.unesco.org/uploads/activities/documents/activity-638-98.pdf
UNESCO. (2013). Creative economy report 2013: Widening local development pathways. United Nations
Development Programme & UNESCO. Retrieved from https://en.unesco.org/ creativity/publications/creative-economy-report-2013-widening-local
Urry, J. (1990). The tourist gaze: Leisure and travel in contemporary societies. Sage Publications.
Williams, S. (2011). Tourism geography: A new synthesis (2nd ed.). Routledge.