Nhum Pao Keng Keawsaochao Hmong

Abstract

This research aimed at to creative Thai folk dance called Nhum Pao Keng Keaw Sao Chao Hmong. The target group used in the research consisted of 5local people, 3dramatic arts teachers, and 10students of program in dramatic arts, Loei Rajabhat University. The research was carried out with qualitative method. The findings were as followings.

1. Creative of Thai folk dance called Nhum Pao Keng Keaw Sao Chao Hmong found that the executing process were divided into 5 states, including of (1) concept specification for dramatically danced set (2) define performance pattern (3) specification the acting composition (4) dancing creating and variation row (5) pretest for completed acting. This is presented in folk dance style that the researchers composed the music, and the dresses, this part of the show reveals the joyfulness portraying the relationship of men and women, the blow style of young Hmong musicians, and joyfulness in celebrate.
2. Transmission and present this Thai folk dance yielded in 4 aspects; the first, dramatic concept, to apparently show the native cultural identity, the second, acting pattern presented in a joyful and fun. The third, music is conform with acting concept these meanings and suitable for dance. The fourth, the dance design comprehensive definition of content, there is a mix of both native and unique gestures, which makes it interesting.